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Bloody Folsom! Inside the Walls of Folsom Prison is written and directed by Crane Wilbur. It stars Steve Cochran, David Brian, Philip Carey and Ted de Corsia. Music is by William Lava and cinematography by Edwin B. DuPar. The sadistic rule of Warden Ben Rickey (Corsia) at Folsom prison has brought the establishment to breaking point. Escape attempts and riots are now the order of the day. Can Mark Benson (Brian), the board of directors' specially assigned captain of the guards, actually make a difference? There is no substitute for freedom! Film Noir has some pretty great prison based movies, where the likes of "Brute Force", "Riot In Cell Block 11" and some French classics are simply must see movies for anyone interested in the genre in this film making style. Wilbur's movie is no classic, but it has enough requisite nous about it to ensure it's well worth the time of the discerning viewer. The stereotypes and prison movie tropes are of course wholesome. We have another sadistic warden (Corsia enjoying himself), alpha male convict (the always ace Cochran), stool pigeons getting short shrift (hello dam buster) and bouts of brutal violence. Jostling within the pent up testosterone stew is the core question of if prison is a place of punishment or a correctional seat of change?. Filmed on location inside the famous prison itself, we are taken aback from the off when the prison narrates to us as a first person - stentorian like (Charles Lung), it's a neat device that demands we listen to what the prison has to say!. Wilbur (also prison movie Canon City 1948) keeps things suitably atmospheric and sweaty, while DuPar (I Was a Communist for the FBI) photographs with moody monochrome strokes to emphasise the desperation of the incarcerated male. It all builds to an explosively thrilling climax, a reward for those who stayed patient throughout the long stretches of dialogue. And then it's time for the prison to talk to us again, thanks Folsom, nice to meet your acquaintance. 7/10
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most: freedom. With McCabe's escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son's only hope for survival.
Locked in her cell, a murderer reflects on the events that have led her to death row.
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his girlie magazine and how it changes into a battle to protect the freedom of speech for all people.
Suburbanite Ron is spoiled, young and not overly worried about the marijuana charges leveled against him. But, after being made out to be a drug dealer, he faces a five-year jail sentence in San Quentin State Prison. Physically frail and unaccustomed to his rough surroundings, Ron is primed to fall victim to sexual predators and bullying guards – that is, until he's befriended by Earl, a veteran inmate who finds meaning in protecting the vulnerable new kid.
Released from prison under a New Year amnesty, a criminal tries to pick up the threads of a life changed not only by his daring plan to rob a jewelry store in out-of-season Cannes, but also by a very special someone he met there.
Larry Nelson, paroled from prison after serving nearly half of his thirty-year sentence, is determined to not fall into the clutches of the law again, and takes a quiet job at a country sanitarium. Thete, he meets and falls for a nurse, Charlotte Maynard, and he knows the only way to enter her web is to have a lot of money, for Miss Maynard is somewhat of a gold-digger.
Unit 2 of the StB receive information from their Polish counterparts on a suspicious Indonesian diplomat. He is to be stationed in the Indonesian Embassy in Warsaw but flew early and is headed towards Prague instead. He was seen to be carrying a nondescript box. Agent Tomáš of the StB is assigned to stalk him and find out why he decided to go to Prague.
Over the course of a year, in a small town scarred and beaten down by industrialization, Tonda and Monika, friends since childhood, come to experience what life might be like if they could be with one another – which they seemingly can't. Or can they?
In this drama, a trucker's business is nearly destroyed after he is wrongfully accused of killing a policeman with whom he recently quarreled.