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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
**Larry Flynt: the man, the monster, the hero and the pervert.** After seeing this film, I had the feeling that I should start this text with a warning: we should not mix our opinion about Larry Flynt with our assessment of the film. I loved the film, but I'm the first to admit that I don't feel any sympathy for the biographed person. Regardless of my opinion, sex sells, people are attracted to anything that has a forbidden aroma and, even today, the magazine “Hustler” is a success, with a television channel dedicated to adult content. The real Larry Flynt proved to be a provocative and materialistic man: he made a fortune off the exploitation of pornographic magazines and used all means to shock people, ridicule the conservatives who criticized him, and confront society and the judicial system. He demanded to be respected, but was incapable of respecting anyone who criticized him; He used the First Amendment to defend his right to publish what he wanted, forgetting that same document when he heard criticism of what he published. Dear reader, I don't have to be a lawyer to know that the same right that protected Mr. Flynt also protected everyone who expressed a negative opinion about him within the limits of urbanity. And if it is true that freedom of expression is crucial to the democratic system, it is also true that it is not an absolute value, it must be limited in a way that protects the rights and freedoms of other people. Unfortunately, the world is full of people like Larry Flynt, who demand the right to say whatever they want, but are unable to tolerate an opinion contrary to theirs. Of course, I also don't feel any sympathy for the professional activity of Mr. Flynt, a sexist man who profited from the objectification of sex and the female body, and I am disgusted by the business he created around that magazine. However, the film is fantastic. Milos Forman, who accustomed us to great works full of style and personality, surprises us once again with a film that does not shy away from provoking its audience, putting its finger on the wounds that hurt the most. The director made skillful use of cinematography, environments, filming locations, sets and costumes in order to construct a narrative that explores very well Flynt's controversial and contradictory nature. For several moments, I was afraid that the script would make the mistake of beatifying or cleaning up Flynt's image. However, I truly believe that Forman managed to avoid this and give the audience a neutral narrative, where he reveals the best and worst of this complex man. The film is reasonably discreet in its use of effects and the way it was edited, but it has a strong cast solidly based on the participation of Woody Harrelson. Looking at the finished film, I don't think I could imagine another actor better suited for the character in question. Harrelson gave himself body and soul to this project and produced one of the most consistent and powerful works of his film career, rightly deserving of an Oscar nomination. Courtney Love is perfect for the role she played, especially because the actress knew perfectly well the effects of substance abuse and was uninhibited enough to naturally face the nude scenes she was subjected to (something I tend to condemn, but I can understand, considering the film and the character) In turn, Edward Norton (at the time, experiencing a particularly radiant moment in his professional career) and Brett Harrelson make a frankly positive contribution. Richard Paul and James Cromwell also do a decent job, but they don't have the space or time to add much and seem somewhat wasted.
Revolves around a British military contractor Lex Walker who is told his daughter has died. When he arrives in Los Angeles and discovers the body is not hers, he begins an investigation.
The lifelong friendship between Rafe McCawley and Danny Walker is put to the ultimate test when the two ace fighter pilots become entangled in a love triangle with beautiful Naval nurse Evelyn Johnson. But the rivalry between the friends-turned-foes is immediately put on hold when they find themselves at the center of Japan's devastating attack on Pearl Harbor on Dec. 7, 1941.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
A dramatic history of Pu Yi, the last of the Emperors of China, from his lofty birth and brief reign in the Forbidden City, the object of worship by half a billion people; through his abdication, his decline and dissolute lifestyle; his exploitation by the invading Japanese, and finally to his obscure existence as just another peasant worker in the People's Republic.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.