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I need a kid like I need a bad heart. A pretty kid is a ticket to trouble... and I'm too old to ask for that. The prison genre of film has a very chequered history, and the number of films are many, very much so, both good and bad. It has gotten to the stage where in this day and age we yearn and need more from our prison based films, something more substantial away from rape and violence, away from father figures, or of redemption and friendship bonds. Unfortunately Animal Factory relies on all the clichés of the genre to tell its tale, which is actually at odds with how good a film it is. Deftly performed by the principal cast members, mounted with a keen eye by director Steve Buscemi, and played with an authentic vibe that lures you in and keeps you hooked, but there is unfortunately nothing remotely new here. However, if you are not over familiar with the prison based arc of cinema? Then this delivers rewards, and such is the quality of production, it doesn't deserve to be marked down. 7/10
Edward Furlong ("Ron") gets a bit more than he bargained for when his ostensibly routine drugs bust turns into allegations of dealing and a five year stretch in the federal prison. Young, green, and totally ill-equipped for his new environment, he is bound to be "popular" with his fellow inmates... Fortunately, the experienced and disillusioned "Earl" (Willem Dafoe) takes pity on him, and with his protection the young man finds prison life a little more bearable until, he hopes, he can convince a judge that he is worthy of parole. I am afraid we have all seen this before and this iteration is no great shakes. The unremarkable supporting cast deliver the standard mix of recalcitrant characters with depictions of the usual issues of incarcerated racism, bigotry, homophobia - all topped off with a rather weak conclusion that was all just a bit too convenient for all concerned. At ninety minutes, it felt longer and neither the acting nor the dialogue do much to liven the thing up from it's rather ponderous pace nor to really authenticate the scenario. Steve Buscemi directed it, let's hope his next effort is less derivative.
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
In 2027, in a chaotic world in which humans can no longer procreate, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea, where her child's birth may help scientists save the future of humankind.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
Scientists and US Air Force officials fend off a blood-thirsty alien organism while investigating at a remote arctic outpost.
San Francisco Bay, January 18, 1960. Frank Lee Morris is transferred to Alcatraz, a maximum security prison located on a rocky island. Although no one has ever managed to escape from there, Frank and other inmates begin to carefully prepare an escape plan.
A group of paint worker can’t take their salary from the fabricator and they go on strike.
Dramatization of the true story of the so-called Willmar Eight, a group of Minnesota bank workers who braved freezing conditions whilst picketing their branch in a struggle for union rights.
Della Myers, a suburban housewife, lives with her twin children and her abusive husband, Kenneth. On Christmas Eve, she drives to the local mall to buy gift-wrap. In the jam-packed parking lot, she notices an old car taking up two spaces and decides to leave a note on the windshield calling them out. After the mall closes, her car is blocked by the old car and she's threatened by four thugs. She escapes in her vehicle, but they drive after her. She crashes at a dead end construction site at the edge of a forest. What unfolds in the desolate woods is Della's lone fight for survival against a gang of angry young men with murderous intent.
A British Corporal in France finds himself responsible for the lives of his men when their officer is killed. He has to get them back to Britain somehow. Meanwhile, British civilians are being dragged into the war with Operation Dynamo, the scheme to get the French and British forces back from the Dunkirk beaches. Some come forward to help, others were less willing.
The skeleton staff of a police station, in a deserted neighborhood, that is closing down the next day are under attack all night by the overwhelming numbers of a relentless street gang bent on revenge.