Captain America Brave New World 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
The Traitors - (Mar 7th)
Budding Prospects - (Mar 7th)
Building Outside the Lines - (Mar 7th)
All In with Chris Hayes - (Mar 7th)
Georgie and Mandys First Marriage - (Mar 7th)
Severance - (Mar 7th)
Surface - (Mar 7th)
The Pitt - (Mar 7th)
9-1-1 - (Mar 7th)
Happys Place - (Mar 7th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
I need a kid like I need a bad heart. A pretty kid is a ticket to trouble... and I'm too old to ask for that. The prison genre of film has a very chequered history, and the number of films are many, very much so, both good and bad. It has gotten to the stage where in this day and age we yearn and need more from our prison based films, something more substantial away from rape and violence, away from father figures, or of redemption and friendship bonds. Unfortunately Animal Factory relies on all the clichés of the genre to tell its tale, which is actually at odds with how good a film it is. Deftly performed by the principal cast members, mounted with a keen eye by director Steve Buscemi, and played with an authentic vibe that lures you in and keeps you hooked, but there is unfortunately nothing remotely new here. However, if you are not over familiar with the prison based arc of cinema? Then this delivers rewards, and such is the quality of production, it doesn't deserve to be marked down. 7/10
Edward Furlong ("Ron") gets a bit more than he bargained for when his ostensibly routine drugs bust turns into allegations of dealing and a five year stretch in the federal prison. Young, green, and totally ill-equipped for his new environment, he is bound to be "popular" with his fellow inmates... Fortunately, the experienced and disillusioned "Earl" (Willem Dafoe) takes pity on him, and with his protection the young man finds prison life a little more bearable until, he hopes, he can convince a judge that he is worthy of parole. I am afraid we have all seen this before and this iteration is no great shakes. The unremarkable supporting cast deliver the standard mix of recalcitrant characters with depictions of the usual issues of incarcerated racism, bigotry, homophobia - all topped off with a rather weak conclusion that was all just a bit too convenient for all concerned. At ninety minutes, it felt longer and neither the acting nor the dialogue do much to liven the thing up from it's rather ponderous pace nor to really authenticate the scenario. Steve Buscemi directed it, let's hope his next effort is less derivative.
Four divers are stuck deep underwater in a vessel after a freak storm destroys their ship. Will they survive?
A young British soldier must find his way back to safety after his unit accidentally abandons him during a riot in the streets of Belfast.
Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.
The true story of technical troubles that scuttle the Apollo 13 lunar mission in 1970, risking the lives of astronaut Jim Lovell and his crew, with the failed journey turning into a thrilling saga of heroism. Drifting more than 200,000 miles from Earth, the astronauts work furiously with the ground crew to avert tragedy.
In Warsaw in 1980, the Communist Party sends disgruntled radio reporter Winkel to Gdańsk to dig up dirt on the shipyard strikers - particularly on Maciek Tomczyk, an independent labour union leader whose father was killed in the December 1970 protests. Posing as sympathetic, Winkel interviews the people surrounding Tomczyk, including his detained wife, Agnieszka.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Larry Flynt is the hedonistically obnoxious, but indomitable, publisher of Hustler magazine. The film recounts his struggle to make an honest living publishing his girlie magazine and how it changes into a battle to protect the freedom of speech for all people.
The true story of a white South African racist whose life was profoundly altered by the black prisoner he guarded for twenty years. The prisoner's name was Nelson Mandela.