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Now then, it's best - I think - to just accept that there is very, very, little plausible science to this save-the-planet movie. The format, and the story, have oft been done by Hollywood before so it's not top of the originality tree either - but it's still quite a watchable and well produced story of a group of Chinese trainees who must raise their game when they find themselves trying to save the infrastructure being built to help save the planet from terrorists. It's extremely perilous for them, their enemy is sophisticated and well entrenched. When the moon becomes unstable, it again falls to them to stop it crashing into the Earth before a carefully placed series of thousands of engines around the globe can be activated to propel us all out of danger and off to a new orbit around Alpha Centauri. The acting talents and the dialogue are really neither here nor there, but the visual effects - especially at the start - are effective and the pace of the film is as times entertaining as this dedicated team - and others from around the world - must unite to thwart the unseen enemy and rescue mankind before it's all too late. It really does need shortening though. It could lose an hour and - tightened up - have a much more focussed and impactful storyline that would hold the attention just as well as any Western equivalents. It does need a big screen to get the best from the creativity of the visuals but students of physics (astro or otherwise) may blush at some of it!
The Wandering Earth II or the "wandering script", as I call it, does nothing to improve upon a proposition that failed to work, the first time around. Its alright to create a space saga but trying to cram the whole thing down the audiences throat in two sittings, is simply too much to ask. My wife, who is Chinese, became exasperated about half an hour in and I don't blame her. There are simply too many disparate things going on at once, for this film to present anything, even a highly switched on viewer, like my economist other half, can reasonably follow. What you are left with, is what amounts to mini films, that feel like little like extended trailers, cobbled together over an lengthy time line, that become so diffuse, as to loose the potential to represent any semblance of a comprehensible "whole". Graphics are admittedly amazing, as are some of the sci fi conceptualisations. Acting's mostly pretty decent, too. That said, what are these elements without clarity of storytelling? In summary, best described as an overly ambitious, ill considered "sci fi, hot mess" that's clearly had a lot of time and money invested in it. If this had been broken down into smaller, bite sized films with less crammed in, I think it could have worked, a lot better.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
When the nefarious Dark Helmet hatches a plan to snatch Princess Vespa and steal her planet's air, space-bum-for-hire Lone Starr and his clueless sidekick fly to the rescue. Along the way, they meet Yogurt, who puts Lone Starr wise to the power of "The Schwartz." Can he master it in time to save the day?
This film consists of three parts. The first dramatizes the life of the founder of Soviet astronautics, Konstantin Tsiolkovsky; the second describes the development of rocket technology; and the third visualizes the future with enactments of the first manned spaceflight, spacewalk, space station construction and humans on the moon.
In the last moments of World War II, a secret Nazi space program evaded destruction by fleeing to the Dark Side of the Moon. During 70 years of utter secrecy, the Nazis construct a gigantic space fortress with a massive armada of flying saucers.
What if mankind had to leave Earth and somebody forgot to turn the last robot off? After hundreds of years doing what he was built for, WALL•E discovers a new purpose in life when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet's future, and races back to space to report to the humans. Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most imaginative adventures ever brought to the big screen.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.
The first manned expedition to Mars is invaded by an unknown life form, which stows away on the rescue ship.
After an asteroid draws an astronaut and his ship to its surface, he is miniaturized by the phantom planet's exotic atmosphere.
