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Now then, it's best - I think - to just accept that there is very, very, little plausible science to this save-the-planet movie. The format, and the story, have oft been done by Hollywood before so it's not top of the originality tree either - but it's still quite a watchable and well produced story of a group of Chinese trainees who must raise their game when they find themselves trying to save the infrastructure being built to help save the planet from terrorists. It's extremely perilous for them, their enemy is sophisticated and well entrenched. When the moon becomes unstable, it again falls to them to stop it crashing into the Earth before a carefully placed series of thousands of engines around the globe can be activated to propel us all out of danger and off to a new orbit around Alpha Centauri. The acting talents and the dialogue are really neither here nor there, but the visual effects - especially at the start - are effective and the pace of the film is as times entertaining as this dedicated team - and others from around the world - must unite to thwart the unseen enemy and rescue mankind before it's all too late. It really does need shortening though. It could lose an hour and - tightened up - have a much more focussed and impactful storyline that would hold the attention just as well as any Western equivalents. It does need a big screen to get the best from the creativity of the visuals but students of physics (astro or otherwise) may blush at some of it!
The Wandering Earth II or the "wandering script", as I call it, does nothing to improve upon a proposition that failed to work, the first time around. Its alright to create a space saga but trying to cram the whole thing down the audiences throat in two sittings, is simply too much to ask. My wife, who is Chinese, became exasperated about half an hour in and I don't blame her. There are simply too many disparate things going on at once, for this film to present anything, even a highly switched on viewer, like my economist other half, can reasonably follow. What you are left with, is what amounts to mini films, that feel like little like extended trailers, cobbled together over an lengthy time line, that become so diffuse, as to loose the potential to represent any semblance of a comprehensible "whole". Graphics are admittedly amazing, as are some of the sci fi conceptualisations. Acting's mostly pretty decent, too. That said, what are these elements without clarity of storytelling? In summary, best described as an overly ambitious, ill considered "sci fi, hot mess" that's clearly had a lot of time and money invested in it. If this had been broken down into smaller, bite sized films with less crammed in, I think it could have worked, a lot better.
A bomb dooms the first space satellite, manned by a selfless crew, a stowaway reporter (Lois Maxwell) and a mad scientist (Donald Wolfit).
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Flash Gordon, Dale Arden and Dr. Hans Zarkov travel to the planet Mongo to fight the evil emperor Ming the Merciless.
The explorer craft USS Palomino is returning to Earth after a fruitless 18-month search for extra-terrestrial life when the crew comes upon a supposedly lost ship, the USS Cygnus, hovering near a black hole. The ship is controlled by Dr. Hans Reinhardt and his monstrous robot companion, but the initial wonderment and awe the Palomino crew feel for the ship and its resistance to the power of the black hole turn to horror as they uncover Reinhardt's plans.
Middle schooler Ben spends his free time watching sci-fi films, playing video games and reading comic books. Surprisingly, his affinity for all things fantastical yields a real result – when he has a vivid dream about technology, his prodigy best friend Wolfgang manages to create a working spacecraft. Joined by their buddy Darren, the boys take off into outer space and encounter some very odd extraterrestrial life.
Hundreds of years after humans have settled on Mars, Regulator Rogul and Lord Jens Maul, lead a force of Martians to Earth in order to conquer the planet. Queen Metaphor looks to the gay heroes aboard the spaceship Surprise - Captain Kork, Mr. Spuck, and first engineer Schrotty - for help.
After an apocalypse of questionable origin, Private James Conroy is living in an abandoned shack at the base of a radio tower. When Conroy finally contacts Garry Freeman, marooned in a space station, they have to learn to work together if they're going to save themselves, and maybe all of civilization.
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Sergeant Todd is a veteran soldier for an elite group of the armed forces. After being defeated by a new breed of genetically engineered soldiers, he is dumped on a waste planet and left for dead. He soon interacts with a group of crash survivors who lead out a peaceful existence. The peace is broken as the new soldiers land on the planet to eliminate the colony, which Sergeant Todd must defend.
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.