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Are you an angel? Has the time come? I've been waiting so long. We are in the not too distant future and the Sun is fading out. After a first mission to reignite it with a nuclear bomb fails, with the ship apparently lost in space, a new team are sent to try again. But it really isn't as simple as that... Director Danny Boyle and writer Alex Garland team up once again for this sci-fi adventure thriller. For as long as I can personally remember, outer space and the planets that dwell within it, have always served us well for cinematic treats. Fears of the unknown and worries over the destruction of Earth, by and large make for great premise's. Not all films realise this potential of course, but it always makes for a great starting point. For his first venture into this realm, Boyle has gone for the Sun as his point of reference, and it makes for a marvellously claustrophobic picture that poses as many questions as it does answers. And even tho ultimately the science fiction aspects of it do not naturally add up, it's dazzling in its visuals and thought provoking into the bargain. Boyle has never hid his influences and favourites from the public, and here he homages everything from Alien to Event Horizon, stopping for tea and crumpets at 2001s house along the way. But that is no bad thing, molding elements from great sci-fi past with his own intriguing story has given Sunshine a tremendous heart, to which Boyle then manages to cloak it with high quality drama. The crew are up there and we know that this is a genre piece and things invariably go wrong, this gives the discerning viewer an eager anticipation, a sense that one shouldn't go to the toilet for something will be missed. And Boyle lives up to the promise showed, such a pity then, that Boyle didn't let us get better acquainted with his characters at the start. Because then the impact would surely have doubled as each perilous and wrought scenario unfolded. Having racked up the tension and intrigued us with the premise, expertly fusing CGI with his own craft work along the way, Boyle's Sunshine lives or dies by it's last quarter; depending on your proclivity of course. It has proved to be a most divisive point with critics and fans alike. To say it's a genre shift accompanied with implausibility is being a touch unkind I feel, this is after all a sci-fi picture about a ship going to reignite the Sun! Never the less it doesn't quite close the film triumphantly after the twists that preceded it, turns and explosions have lulled the viewers in, but personally it satisfies this entertained observer. Not in a big bang dynamic way, but in the way that asks me for a further thought process, and that may just be what Boyle and Garland envisaged when they sat down to make the film? Again, depending on your proclivity of course! 8.5/10
Danny Boyle has assembled a stellar (had to be said) cast for this rather far-fetched story. The crew of the "Icarus II" are charged with dragging a massive nuclear bomb towards the sun with a view to giving it a bit of a pick-me-up. It's dying, you see. Needless to say their journey is fraught with danger, made worse when they discover the wreckage of a previous ship sent on a similar mission many years earlier. When they board it, though, all is not as it seems and danger lurks! Alex Garland knows how to write a good story and Cillian Murphy, Rose Byrne and Chris Evans work quite well together as the extra-terrestrial adventure gathers pace. The dialogue is not the best and the score overwhelms at times, but Boyle still manages to create quite a decent degree of peril mixing well the high quality special effects, a bit of sabotage, sexual tension and a good old-fashioned baddie.
This sci-fi thriller started so strong. It began as a hard science fiction film with a spaceship basically pushing a nuclear bomb the size of Manhattan towards the Sun. The ship and crew's task is to reignite the dying Sun. The look and feel of the first half of the movie are wonderful. One of the best parts occurs early as the crew gets to witness the tiny planet Mercury passing between them and the Sun. The science of the movie; the 2001-"feel" of it, the repair of the ship and the golden space suits are really excellent. Unfortunately, in its last 30 minutes, **Sunshine** confuses, becoming more like _Event Horizon_. It also becomes quite confusing as Capa (Cillian Murphy) struggles or hallucinates, I'm not sure which, to complete the mission. It's difficult not to like **Sunshine** for its Sci-Fi wonders, but it falls off sharply in its final half.
In this movie, madness jeopardizes a mission essential to humanity's survival. It shows how faulty logic hardwired into our brains can make our lives less effective and meaningful. The movie gets a bit messy at the end and does a bit of cinematic mysticism which does not fit together with the rational message of the movie. Overall, this is one of my favorite movies because not a lot of movies try to send this particular message.
Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.
An ex-prisoner moves to an old apartment, where one gets to see in the middle of a domestic problem between a police officer, his wife and his daughter. When he tries to intervene, he will be caught in a mysterious curse.
A team composed of an aerospace scientist, an ex-Air Force general, and an industrialist conceives an ambitious plan to land Americans on the moon. From their base in the Mojave Desert, they construct and successfully launch a spacecraft named "Luna" that contains a cargo of four astronauts. But a critical miscalculation of needed power to escape the moon's gravitational pull may put the astronauts' lives in danger.
When reporter Jean Craddock interviews Bad Blake—an alcoholic, seen-better-days country music legend—they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son.
From the immensely popular FIST OF THE NORTH STAR comic book series, comes a new hero. The fate of mankind rests with superhuman warrior Kenshiro who roams the wastelands of the future waging a battle against overwhelming evil. With the spiritual guidance of his dead father, Kenshiro fights to free his stolen love from the brutal tyrant Lord Shin. Through his struggle he must confront his destiny.
The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.
A young female doctor discovers something sinister going on in her hospital. Relatively healthy patients are having 'complications' during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.
A crew of miniature aliens operate a spaceship that has a human form. While trying to save their planet, the aliens encounter a new problem, as their ship becomes smitten with an Earth woman.
A young man believes that his country's leaders are actually toxic reptilian aliens sent down to launch a takeover of his beloved Earth. So he decides to abduct them and force the truth out on camera in his basement that doubles as a film studio and torture chamber.
Over the course of several years beginning in the 1950s, a man and his oddball family run hotels in New England and Vienna, as unexpected events change their lives forever.