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Hilarious, taking the mickey out of science fiction films but still honoring the genre. I love it
There was always a dearth of sci-fi movies on the television as I was growing up, and this one used to appear rather regularly - and rather disappointingly too. It's supposed to be funny, but somehow the humour is just too contrived to make for much to remember as a group of astronauts start their twenty-year mission into outer space tasked with destroying unstable planets. Over time, though, the crew start to question the morality of their quest and coupled with the antics of their pet (looks like a rubber space-hopper) they find themselves facing the ultimate, explosive, dilemma. In it's favour, it is quite short and it doesn't hang around, but the acting is all just bit bland and there's way, way, too much script with little else by way of action to pad out the thin story that aims for parody but falls well short. Maybe we'd all be this way after a couple of decades in deep space, but somehow I think I'd have reached for the airlock about ten years earlier. In many ways it reminded me of a sort of "Monty Python" does life amongst the stars only with some ropey, low-budget, visual effects and annoying characters about whom I really didn't care. It'd been a while since I'd seen it, and will probably be the same before I watch it again.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the newly transformed U.S.S. Enterprise to take command.
In 2257, a taxi driver is unintentionally given the task of saving a young girl who is part of the key that will ensure the survival of humanity.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei and Duru Yücel’s trilogy which includes Be My Cat: A Film for Anne and Pure.
In the near future, Cameron Turner is diagnosed with a terminal illness. Presented with an experimental solution to shield his wife and son from grief, he grapples with altering their fate in this thought-provoking exploration of love, loss, and sacrifice.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
Vincent is an all-too-human man who dares to defy a system obsessed with genetic perfection. He is an "In-Valid" who assumes the identity of a member of the genetic elite to pursue his goal of traveling into space with the Gattaca Aerospace Corporation.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.