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When you're in the grave, Beecher, it doesn't matter too much how you got there. Escape from Fort Bravo is directed by John Sturges and collectively written by Michael Pate, Phillip Rock, Frank Fenton and John Forsythe. It stars William Holden, Eleanor Parker, John Forsythe, William Demarest & William Campbell. Jeff Alexander scores the music and Robert Surtees photographs it primarily in and around Death Valley in California, USA. "In 1863 while the War Between the States still raged, a large group of Confederate prisoners were held in a sun baked stockade at Fort Bravo, Arizona Territory. Captor and Captive - - these men in blue and grey - - eyed each other with hatred. In the wilderness around them a common enemy eyed them both - - the deadly Mescalero Indians" Escape from Fort Bravo has some notable points of interest that go with it. 1953 was the year that William Holden went "A" list and started to get "big" money, along side this picture he also made Stalag 17 and picked up the Best Actor Oscar for his efforts. The film also serves notice of what a fine director of action John Sturges would become, he of course would go on from here to be known for such film's like Bad Day at Black Rock, Gunfight at the O.K. Corral, The Magnificent Seven and The Great Escape. Of interest, too, is that the film was shot in the rarely heard of Ansco Color. Ansco Color was the American off shoot of the German Agfa Color, used notably by MGM, Ansco would eventually evolve into Metrocolor. As for the film itself? Entertaining and efficient with just enough in its last quarter to keep it away from merely being routine. The premise is a solid one, we have a unique situation where the prisoners of this stockade are not manacled or locked up. Such is the harshness of the surrounding desert and the hostile Indians that dwell there, Holden's tough and grizzled Union Captain doesn't feel the need to properly incarcerate the men. We then get a crafty "infiltration" of the stockade and it's here where the film sags a little as too much time is spent on fleshing out a potential romance. Thankfully Sturges pulls it all together for a grand last quarter that sees enemies forced to come together in the hope of surviving. It's here where we are treated to some psychological warfare and a memorable form of attack from the Mescalero's. The acting across the board is effective, with Holden naturally the stand out doing one of his moody turns, while Surtees brilliantly captures the beauty, yet perfect harshness, of Death Valley. Major plus point is the score from the often forgotten Jeff Alexander (Jailhouse Rock/Party Girl). The title song for the film is "Yellow Stripes" by Stan Jones, this is reworked to good effect throughout, this is also notable for being used in John Ford's Rio Grande in 1950. There's the tender strains of "Soothe My Lonely Heart" (also used in Cat on a Hot Tin Roof) and Alexander cleverly mixes that up to portray the pace and tones within the piece. It's a top score that wouldn't have been out of place in an "A" Western. There's some distracting sound stage work that belie the fine work of Surtees' outdoor shooting, and the afore mentioned overkill of tedium as the romance angle is stretched too far. But it's a good production and never less than enjoyable. 7/10
Owen Thursday sees his new posting to the desolate Fort Apache as a chance to claim the military honour which he believes is rightfully his. Arrogant, obsessed with military form and ultimately self-destructive, he attempts to destroy the Apache chief Cochise after luring him across the border from Mexico, against the advice of his subordinates.
Though a fictionalized Western based on George Armstrong Custer's 7th Cavalry Regiment at the Battle of the Little Big Horn, the film is almost a generic war story covering the enlistment, training, and operational deployment of a group of recruits that could take place in any time period.
During the Civil War, a Union spy, Andrews, is asked to lead a band of Union soldiers into the South so that they could destroy the railway system. However, things don't go as planned when the conductor of the train that they stole is on to them and is doing everything he can to stop them. Based on a true story.
On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.
An army gold shipment and its escort vanish in the Ozarks, prompting accusations of theft and desertion but frontiersman Old Shatterhand and Apache chief Winnetou help solve the mystery of the missing army gold.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Three of the original five "young guns" — Billy the Kid, Jose Chavez y Chavez, and Doc Scurlock — return in Young Guns, Part 2, which is the story of Billy the Kid and his race to safety in Old Mexico while being trailed by a group of government agents led by Pat Garrett.
A captured mustang remains determined to return to his herd no matter what.
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing.
It is 1879 in the Dakota Territories, a band of men who set out to find and recover a family of settlers that has mysteriously vanished from their home. Expecting the offenders to be a band of fierce natives, but they soon discover that the real enemy stalks them from below.