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Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
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Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
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A History Of Royal Scandals - (Nov 30th)
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Jesse Watters Primetime - (Nov 30th)
I finally got around to watching this yesterday. I'm sorry to say that this movie is a laughable sequel to the first one also starring Bandaras and Jones. It would be hard to convince me that the same director was involved with both projects if I hadn't read it in the credits for myself. Zorro 'never kills anyone' with his sword. He smacks them on the backside, slaps them on the face, or flips them on their butts. This doesn't stop the villains from killing folks; they have a field day while Bandaras is more concerned about waving to the cheering crowds than saving his friends. The hired henchman is within Zorro's killing field from the very first scenes right through the movie. However, for some mystical reason not (revealed by the film makers), Zorro lets him and his friends escape each time, until Jones finally puts him down near the end. Constant bickering between Bandaras and Jones throughout the flick, and Zorro's playful heroic non lethal fighting style, ruin this potentially good film. 1&1/2 stars out of 4, for the great performance by 'Tornado' (the horse), or it would be a complete flop.
**A clever and dextrous sequel, and a good adventure movie to spend some family time.** I really liked the first film, one of the best modern swashbuckling films, and I didn't expect anything too inferior from this one, which has the ability to create a good continuity with its predecessor. The action takes place a few years later, during the ephemeral Republic of California, which had achieved independence to join the USA. In the film, Diego and Elena's marriage is falling apart, and they end up separated. She is then coerced into working for the Pinkerton's, who seek to keep tabs on a European aristocrat who has just moved to the region, and whom Elena already knew from her youth. Meanwhile, Diego tries to stay active as Zorro and reconcile that with his obligations as the father of the young and willful Joaquin, a deep admirer of the masked hero who is not yet aware of his father's double life. Despite being undoubtedly a good film, it is slightly weaker than its predecessor because it has a more complicated script and tries to do more things at the same time. Diego, Elena and Joaquin act by themselves against different opponents. That's not a bad thing, just different: the film is full of action and adventure, it's aesthetically beautiful and fun. What I really didn't like is the predictability of the story, roughly from the middle onwards, and that story of the Knights of Aragon which, besides being a very stupid cliché, is something absolutely far-fetched. António Banderas and Catherine Zeta Jones return to their characters, and they are very good at bringing them to life, which is an excellent point in favor of the whole film. The best scenes here, in addition to the fights and action, are the various scenes where both act together, with excellent chemistry and wonderfully developed joint work. The young actor who gave life to the son of both characters, Adrian Alonso, is not particularly brilliant, but he does what he needs to and is effective. Rufus Sewell is not unpleasant, he exudes an almost aristocratic presence, and that made his character more believable, but it doesn't make him a really fearsome villain. Technically, it's a pretty standard film with nothing special, and the most common ingredients of Hollywood adventure blockbusters: extremely choreographed fights with no chance of happening in a real situation, but cinematic and fun, a light, polite style, a lot of political correctness very common in family films, absence of dead moments thanks to an edition that gave rhythm and some velocity to the story, good sets and costumes that look beautiful, even if they are not exactly rigorous from the historical point of view, and a lively soundtrack, which pulls the atmosphere up and makes the film livelier and more dynamic, harmoniously blending with the cinematography, where warm colors dominate the look.
After Port Royal is attacked and pillaged by a mysterious pirate crew, capturing the governor's daughter Elizabeth Swann in the process, William Turner asks free-willing pirate Jack Sparrow to help him locate the crew's ship—The Black Pearl—so that he can rescue the woman he loves.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
Captain Jack Sparrow works his way out of a blood debt with the ghostly Davy Jones to avoid eternal damnation.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.