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Quirks, Quandaries and Quicksand. The Hallelujah Trail is directed by John Sturges and adapted to screenplay by John Gay from the novel written by Bill Gulick. It stars Burt Lancaster, Lee Remick, Jim Hutton, Pamela Tiffin, Brian Keith, John Anderson, Martin Landau and Donald Pleasence. Music is by Elmer Bernstein and cinematography by Robert Surtees. Depending on who you talk to about The Hallelujah Trail, it will either be called an ass numbing bore or a misunderstood gem, such is the reputation of it, it kinda demands to be seen so as to evaluate why so divisive. It flopped on release and was savaged by critics, while it was a tough production from the off, one that badly over ran and was expensive to film. Cast members not getting on, bad weather, bad location provisions for cast, and the awful death of stuntman Bill Williams during one particular scene. Add in that lead man Lancaster looks bored - working at a time that he called his slavery period - then it felt doomed at an early stage. Its failure has been contributed to a number of things, such as timing (comedy Western, and an epic one at that, too early? too late?) but really it's takes too many bites of the pie, rendering the whole as something resembling a garbled mess. The thin plot is stretched unbearably to fifteen minutes shy of three hours, thrusting a number of character groups to trudge around with a screenplay that ironically - given the temperance/alcoholic basis of story - feels like it was written by an inebriate. Yet I personally would be a born liar if I said there wasn't a lot to like in the mix. Filmed not just in Technicolor and Panavision, but Ultra Panavision 70 no less! Pic looks terrific, with Surtees bringing the Gallup locales to vivid life, and Bernstein provides another technical highlight with his rambunctious score, big bold brass and percussion thunders around the settings. Some of the comedy works, when the cast get chance to come alive, and even though some aspects no doubt give the PC brigade kittens, the likes of Martin Landau as an Indian called Chief Walks-Stooped-Over are a joy. While for the red blooded among us, the huge running time at least allows for plenty of the positively yummy Remick... So it's a tough call, I think its harsh to call it a bore, yet it's awfully messy. So with that I sit on the fence, where just one of my butt cheeks gets numb... 5/10
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Not having heard that war has erupted between the U.S. and Mexico, a wagon train heads west, only to find itself threatened by the Mexicans who have teamed up with hostile Indians.
After a massacre of an Indian village by the U.S army, a survivor, Yellow shirt (Ray Danton) goes after them for revenge. His journey becomes a deadly adventure. His life will be threatened by the hostility of the desert, snakes, hallucinations and of course his encounter with his enemies…
Young Native American man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by Arnold. Arnold soon left his family, and Victor hasn't seen his father for 10 years. When Victor hears Arnold has died, Thomas offers him funding for the trip to get Arnold's remains.
A group of rogues steal a scroll granting its bearer the property of the land of Aurocastro in Apulia, a province in the south of Italy. They elect a shaggy knight, Brancaleone from Norcia, as their leader, and decide to get possession of this supposedly wealthy land. Many adventures will occurr during the journey.
Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe, but the Khazi of Kalabar has other ideas—he wants all the British dead. But his troops fear the 'skirted-devils, who are rumoured not to wear any underwear.
In this western, a ranch foreman and the bosses son go to a saloon to slake their thirst and find themselves in the midst of a battle started by the feisty saloon owner's wicked ex-husband who loots the safe in the ensuing scuffle.
Two brothers flee America and join the Canadian North West Mounted Police. One brother is good, the other bad, both men on a collision course just as trouble starts to brew with the Indians.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to Harvey's having saved his son's life, leaves the train to negotiate. He is captured and the rest of the train is wiped out except for two sisters. Escaping and showing up in town later, Harvey is nearly hanged as a deserter, but gets away. Eventually caught by the sheriff and his posse, they are attacked by Indians. This time the Indians are defeated and Aguila, captured and dying, reveals the identity of the white man who engineered the initial attack on the wagon train, just as the perpetrator rides up behind them.
Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace.