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Spaghetti Western 3D-sploitation with brutal, sadistic… beauty? At a wedding ceremony near the Southwest border a man is wounded (Tony Anthony) and his bride kidnapped (Victoria Abril). He heals-up and goes after the sadistic slaver brothers (Gene Quintano & Ricardo Palacios), their small army and the myriad women they abducted. The title “Comin’ at Ya!” (1981) could refer to the slavers coming at the couple to cause havoc or to the protagonist coming after the slavers to save his bride, but it definitely refers to the 3D overkill wherein various objects are constantly thrust at the screen: beans, bats, spears, flaming arrows, etc. even a baby’s bottom. It was the first major release with 3D effects in 17 years and, being successful at the box office, paved the way for other 3D flicks of the early 80s. Even without 3D glasses, as long as you have a relatively large widescreen TV the movie still entertains on this level. Tarantino obviously ripped-off the plot of “Comin’ at Ya!” for his “Kill Bill” (2003). The style & content are reminiscent of Leone’s “The Good, the Bad and the Ugly” (1966), but has better cinematography, superior colors, more action and doesn’t overstay its welcome. Unfortunately, like all Leone-styled Spaghetti Westerns, the characters are either caricatures (the slaver brothers) or cardboard thin (the hero & his wife), which makes ’em uninteresting. There’s barely any dialogue with no verbiage at all until almost the 13-minute mark. Some people call “Comin’ at Ya!” garbage, obviously because of the sadistic brutalities and horrific components (e.g. the rat attack), but there’s an undeniable artistic genius to the filmmaking. For its DVD release (2016), the digital transfer was subjected to CGI alterations. The most obvious of these was the changing of some shots to B&W with one or two elements of color within the shot. I thought this improved the film. The film runs 1 hour, 28 minutes, and was shot in Desierto de Tabernas, Almería, Andalucía, Spain. GRADE: B-
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Singing cowboy Whip Wilson, the foreman on a cattle drive, quits his job to pursue five bank robbers who murdered his brother.
Elliott is hunted by Curtis who has spent six years behind bars because of his testimony. After knocking out several baddies and putting up with the zany antics of his sidekick Taylor, Elliott guns down his antagonist, but Luana Walters, the girl he almost marries, will not abide a gunslinger so Elliott is compelled to ride off alone into the sunset once more.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
