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Gunslingerettes line up for the atrocity exhibition. Bad Girls is directed by Jonathan Kaplan from a screenplay by Ken Friedman and Yolande Turner. It stars Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell and Drew Barrymore. The plot sees the four girl actors playing prostitutes on the run following a justifiable homicide and a hanging escape. Suffice to say that they get into scrapes & double crosses whilst being pursued by the Pinkertons. Being asked to suspend disbelief is one thing, being force fed drivel masquerading as pro-feminism is entirely another. Bad Girls is a mess of a movie, an insult to the Western genre, to the fans of the lady actors, to the lady actors themselves, who simply deserve much much better and arguably worst of all - to women in general. The script is laughable, serving only as an excuse for the gals to sling those guns and hips when possible, whilst being abused and saved by "men", while the plotting is by the numbers as everything falls into place readily. There's even slow-mo shots where they serve no purpose of enhancement. Throw into the mix that three of the ladies look nothing like on the run outlaws, all shine and span and make up with nice hair (Masterson the exception as she has a modicum of believability about her), well it's rather a depressing experience all told. Sure, as a red blooded guy I'm not going to be turned off by Barrymore's shapely thighs adorned in white stockings, or Stowe's truly gorgeous face, but when the highlights of a "girl" Western is something that's only aesthetically sexy for men, then they clearly have got it wrong. So what's the justification for it being so bad? Well the back story offers up the answer. Film was meant to be directed by a woman, Tamra Davis (erm-Billy Madison & Crossroads), but she was jettisoned a couple of weeks into production. The plan with Davis at the helm was for it to be a Western told from a female point of view. However, Kaplan (The Accused/Unlawful Entry) was brought in quickly and the screenplay rewritten in a hurry. And boy does it show. Technically it's a duffer too, Jerry Goldsmith's score is cheap in texture and Jane Kurson's editing is choppy to say the least. There's no eye catching cinematography (Ralf D. Bode), while the acting away from the script hindered girls (ie: the men), is either a waste of time them being in it (Nick Chinlund) or badly directed (James Russo). While Dermot Mulroney seems only to exist as being a link to Young Guns - the "boy" version that this is clearly trying to ride the coat tails in on. If you want a good Western about the girls fighting the good fight then seek out George Marshall's 1957 film The Guns Of Fort Petticoat. It's a fun movie that at least has believable women fighting back under duress. Bad Girls, tho, is just bad in every department. 2/10
_**Not so bad cowgirls**_ In 1891, four prostitutes in Echo City, Colorado (Madeleine Stowe, Andie MacDowell, Mary Stuart Masterson and Drew Barrymore), flee the law with Pinkertons hot on their trail. Eventually they have to tangle with a band of Hispanic outlaws to retrieve some money. "Bad Girls" (1994) is a Western with cowgirls as the protagonists rather than cowboys. It combines the tone of "Silverado" (1985) and the later “The Mask of Zorro” (1998) so anyone who likes those flicks will probably like this one even if it’s arguably the least of ’em. The Western staples are checked with a saloon brouhaha, a lynch mob, a posse, Pinkerton detectives, a swimmin' hole scene, steam locomotives, a handsome hero (Dermot Mulroney), magnificent Western vistas, a bank robbery, a mirthful Latino bandit (James Russo) and the four heroes grimly walking side-by-side to the showdown. Yet there are a few original elements as well if you look closely. While all four of the stars are beautiful in their unique way, young Drew stands out and is just stunning. Speaking of the females, occupations & freedom were limited to women in the Old West, and the movie effectively drives this home. People usually cite the available professions as marriage, school-marming, prostitution and old biddy-hood. But what about clerking of one manner or another? What about entertainment, like at local saloons, traveling troupes and Old West Shows? What about writing, like Harriet Beecher Stowe? What about ranch-owning? In other words, there were more options, but women had to use their imagination and take a bold step. The four heroines in “Bad Girls” are up to the task. Like the two Westerns noted above, this one takes the larger-than-life, mythmaking approach rather than shoot for anything very believable. If you can roll with that, it fills the bill, just not as well as “The Mask of Zorro” or “American Outlaws” (2001). The opening act wrongly paints the Christians marching in Echo City as enemies when, in real life, they would be the very people trying to help the protagonists out of the miserable bondage of prostitution, which all four wanted free from in the first place. While I understand people’s issues with life-stifling legalists, depicting the trampling of the Bible is gross ignorance. The movie runs 1 hour, 39 minutes, and was shot at Alamo Village, Brackettville, Texas , and nearby Del Rio, as well as Red Hills Ranch, Sonora, California, and nearby Sierra Railroad, Jamestown. GRADE: C+
Zara Montalve, half Spanish and half America, returns to her native California in time to see her parents murdered for their hacienda and gold by Sheriff Jim Harding and his gang. Posing as Lola Belmont, an American visiting from Detroit, teams up with Joaquin Murietta, posing as Carlos Del Rio, to form a Robin-Hood type band that takes vengeance on the gang and restores stolen gold to its rightful owners, aided by militia leader Dan Hinsdale.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
A drama focused on the friendship between a high-functioning autistic woman and a man who is traumatized after a fatal car accident.
A discharged army Captain returns home to New Orleans to take revenge on the men who murdered his father.
Set in the late 19th century. When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Good-natured astronomer Sam is devastated when the love of his life leaves him for a suave Frenchman. He therefore does what every other normal dumpee would do — go to New York and set up home in the abandoned building opposite his ex-girlfriend's apartment, wait until she decides to leave her current lover, and then win her back.
After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.