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Sometimes you gotta sacrifice a single sheep to save the rest. The Salvation is directed by Kristian Levring and Levring co-writes the screenplay with Anders Thomas Jensen. It stars Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona, Mikael Persbrandt, Jonathan Pryce and Douglas Henshall. Music is by Kasper Winding and cinematography by Jens Schlosser. 1871 and ex-patriot Danish soldier Jon Jensen (Mikkelsen) is, after 7 years of foundation building, welcoming his wife and son to a new life in America. But after they all board a stagecoach bound for their homestead, events will see that journey not be completed. And thus begins a tale of retribution and redemption. There are few smiles in The Salvation, in fact viewers will need to grab onto the sparse offerings of such very early in the piece. For it's a film of blood, brooding and misery, of intensity and a paucity of the good side of human nature. Levring has managed to successfully blend the traditions of the American Western with the feel of the Euro Spaghetti Oaters. There is so much for Western fans to enjoy here. It's a classic revenger pumped by a good versus bad heart, yet as pared down and as simple as the story may at first seem, there's interesting asides of worth. The issue of Euro immigrants trying to make it in the Wild West is noteworthy, while there's a delicious juxtaposition between two soldiers from different continents, and different wars. Jensen fought the Germans in Europe, while his nemesis, Henry Delarue (Morgan), has been through the Indian wars. A most interesting comparison, one where the characterisations are vividly opposed to each other. Add in a good old town in the grip of a tyrant theme, and a bit of carnal desires upon thine brother's spouse, and it's a spicy hot pot. Filmed at dusty South African locations, there's a scenic beauty surrounding the harsh story. Westerns don't have to be filmed in America to look authentic, and this is a case in point. The town of Black Creek has been called fake looking in some quarters, not so. This is a new up-coming town, it's meant to be wooden and sparse. Hell! The saloon is also the local store, the mayor is also the undertaker, this is a basic Wild West town without frills and fancy. Elsewhere the costuming is splendid, especially Morgan who is nicely dapper in black hat and crimson mack, and there's a whole host of face fuzz on show, which is needed to keep up the whole mud and blood, hard West factor. Levring has an eye for a nice shot, such as a full moon bearing witness, even a traditional slow-mo piece. All that said, irks do exist, Green's character is sketchily drawn, but she's playing a heaving bosom mute (her tongue was cut out by the pesky Indians), so scope for development is admittedly limited. While Winding's score is a bit too modern sounding for the key shoot-out sequences. Ultimately it's great to see the Western is still thriving in this day and age of CGI and blockbuster pandering. From the shattering and moody first quarter to the bloody and excellently staged finale, The Salvation keeps the Western genre well and truly alive. 9/10
> Revenge for a revenge. It is a Danish western revenge flick set in the American soil, so 99 per cent it was in the English language. Well, in my opinion, it is underrated for sure. It was not anything stylish like QT's recent western films, but quite usual presentation yet very majestic. The story takes place in a couple of days in a small town in the 1871. The turnaround in the theme was great. Initially, it leaves an impression of a revenge based tale, but later becomes oil warfare, something quite resembles the original situation of the American at that time. In the last few weeks I have been watching lots of comedies, dramas and other soft themed films, so suddenly I felt too much violence from this. But as always I get used to it after some time in the watch. Great cast and their great performances. The writing was superb along with the settings. I watched it quite late, but the best western I have seen in the recent time, so I strongly recommended for western fans and others who're seeking a fine entertainment. 7.5/10
This is a decent enough Danish-made spaghetti western. Nothing more and nothing less. It could easily have been a young Clint Eastwood in this movie. Instead the lead character is Mads Mikkelsen who makes a quite reasonable performance as far as I am concerned. I have to say that it felt a bit funny when the characters spoke Danish in the first parts of the movie. It did add a bit of special touch, at least for me, to the movie though. I guess that people who do not understand Danish may be less thrilled about that though. The movie itself is a fairly straightforward good guy versus bad guy revenge story. It is a good old-fashioned Western without any silly complicated plot and without trying to make any attempts to show the “real” west or put a social spin on it. It is clearly made to entertain those who like classical spaghetti westerns. Personally I find it nice that someone are still willing, and can get funding, to make those kind of movies. I liked both Mads Mikkelsen and Eva Green, although her role is mute, as well as Jeffery Dean Morgan as the bad guy. Having said that, the movie falls a bit short of being a great spaghetti western. It never really manages to create that grim atmosphere around the lead character when he embarks on the road of revenge and I have to say that the end fight felt a bit meh. Nevertheless this is a decent enough movie which should please most fans of classical old Western movies. I for one consider it a worthwhile addition to my collection.
I anticipated more from it, though 'The Salvation' is a worthwhile 90 minutes. It reminded me of 1973's 'High Plains Drifter', not necessarily bar for bar but more the general vibe of it all... at least in terms of what I remember from that Clint Eastwood flick. This 2014 release is good if generally formulaic, it probably starts stronger than it finishes but all in all it is watchable. I caught a glimpse of the cast list before watching and it got me excited. Mads Mikkelsen, naturally, but also seeing Eva Green, Jeffrey Dean Morgan, Eric Cantona and Jonathan Pryce attached raised my hopes. If I'm honest, I've seen better from all of them (aside from Cantona, who has barely two lines, as this is his first acting gig that I've seen, I'm more accustomed to his ability with the football as a Manchester United supporter - legend!). What they give is more than satisfactory, but I didn't feel like any of them were firing on all cylinders. There are a few other issues like the (relatively minimal) special effects and the day/night lighting early on, but overall I'd class this as a positive viewing experience.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
In 1858 Charles Darwin struggles to publish one of the most controversial scientific theories ever conceived, while he and his wife Emma confront family tragedy.
An African immigrant bank security guard turns the tables on Dublin's nastiest criminals when they force him to be the "inside man" on a bank robbery.
The Dalton gang escape to a nearby town after a train robbery goes south, but they are met by a coven of witches with sinister plans for the unsuspecting outlaws.
While Native American Wolf is being pursued by the FBI for having taken the law into his own hands, when his mother was raped and killed on their reservation he crosses paths with Cash, a down and out musician who is coping with the end of his marriage. An unlikely friendship develops, as they ride together towards the Teton mountain range, where Wolf will spread his mothers ashes.
In Mansfield Park, poverty-stricken Fanny Price is sent away to live with her wealthy uncle and aunt at Mansfield Park. As she struggles to adapt to her new lifestyle she begins to attract the attentions of suitors, learning about the sexual politics of high society along the way.
Nineteen year old pioneer woman Marty has recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Widower Clark offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
The story revolves around a man trying to uncover the mysterious death of his girlfriend and save an innocent man from the death chamber in the process, by using his unique power to time travel. However in attempting to do this, he also frees a spiteful serial-killer.