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Sometimes you gotta sacrifice a single sheep to save the rest. The Salvation is directed by Kristian Levring and Levring co-writes the screenplay with Anders Thomas Jensen. It stars Mads Mikkelsen, Eva Green, Jeffrey Dean Morgan, Eric Cantona, Mikael Persbrandt, Jonathan Pryce and Douglas Henshall. Music is by Kasper Winding and cinematography by Jens Schlosser. 1871 and ex-patriot Danish soldier Jon Jensen (Mikkelsen) is, after 7 years of foundation building, welcoming his wife and son to a new life in America. But after they all board a stagecoach bound for their homestead, events will see that journey not be completed. And thus begins a tale of retribution and redemption. There are few smiles in The Salvation, in fact viewers will need to grab onto the sparse offerings of such very early in the piece. For it's a film of blood, brooding and misery, of intensity and a paucity of the good side of human nature. Levring has managed to successfully blend the traditions of the American Western with the feel of the Euro Spaghetti Oaters. There is so much for Western fans to enjoy here. It's a classic revenger pumped by a good versus bad heart, yet as pared down and as simple as the story may at first seem, there's interesting asides of worth. The issue of Euro immigrants trying to make it in the Wild West is noteworthy, while there's a delicious juxtaposition between two soldiers from different continents, and different wars. Jensen fought the Germans in Europe, while his nemesis, Henry Delarue (Morgan), has been through the Indian wars. A most interesting comparison, one where the characterisations are vividly opposed to each other. Add in a good old town in the grip of a tyrant theme, and a bit of carnal desires upon thine brother's spouse, and it's a spicy hot pot. Filmed at dusty South African locations, there's a scenic beauty surrounding the harsh story. Westerns don't have to be filmed in America to look authentic, and this is a case in point. The town of Black Creek has been called fake looking in some quarters, not so. This is a new up-coming town, it's meant to be wooden and sparse. Hell! The saloon is also the local store, the mayor is also the undertaker, this is a basic Wild West town without frills and fancy. Elsewhere the costuming is splendid, especially Morgan who is nicely dapper in black hat and crimson mack, and there's a whole host of face fuzz on show, which is needed to keep up the whole mud and blood, hard West factor. Levring has an eye for a nice shot, such as a full moon bearing witness, even a traditional slow-mo piece. All that said, irks do exist, Green's character is sketchily drawn, but she's playing a heaving bosom mute (her tongue was cut out by the pesky Indians), so scope for development is admittedly limited. While Winding's score is a bit too modern sounding for the key shoot-out sequences. Ultimately it's great to see the Western is still thriving in this day and age of CGI and blockbuster pandering. From the shattering and moody first quarter to the bloody and excellently staged finale, The Salvation keeps the Western genre well and truly alive. 9/10
> Revenge for a revenge. It is a Danish western revenge flick set in the American soil, so 99 per cent it was in the English language. Well, in my opinion, it is underrated for sure. It was not anything stylish like QT's recent western films, but quite usual presentation yet very majestic. The story takes place in a couple of days in a small town in the 1871. The turnaround in the theme was great. Initially, it leaves an impression of a revenge based tale, but later becomes oil warfare, something quite resembles the original situation of the American at that time. In the last few weeks I have been watching lots of comedies, dramas and other soft themed films, so suddenly I felt too much violence from this. But as always I get used to it after some time in the watch. Great cast and their great performances. The writing was superb along with the settings. I watched it quite late, but the best western I have seen in the recent time, so I strongly recommended for western fans and others who're seeking a fine entertainment. 7.5/10
This is a decent enough Danish-made spaghetti western. Nothing more and nothing less. It could easily have been a young Clint Eastwood in this movie. Instead the lead character is Mads Mikkelsen who makes a quite reasonable performance as far as I am concerned. I have to say that it felt a bit funny when the characters spoke Danish in the first parts of the movie. It did add a bit of special touch, at least for me, to the movie though. I guess that people who do not understand Danish may be less thrilled about that though. The movie itself is a fairly straightforward good guy versus bad guy revenge story. It is a good old-fashioned Western without any silly complicated plot and without trying to make any attempts to show the “real” west or put a social spin on it. It is clearly made to entertain those who like classical spaghetti westerns. Personally I find it nice that someone are still willing, and can get funding, to make those kind of movies. I liked both Mads Mikkelsen and Eva Green, although her role is mute, as well as Jeffery Dean Morgan as the bad guy. Having said that, the movie falls a bit short of being a great spaghetti western. It never really manages to create that grim atmosphere around the lead character when he embarks on the road of revenge and I have to say that the end fight felt a bit meh. Nevertheless this is a decent enough movie which should please most fans of classical old Western movies. I for one consider it a worthwhile addition to my collection.
I anticipated more from it, though 'The Salvation' is a worthwhile 90 minutes. It reminded me of 1973's 'High Plains Drifter', not necessarily bar for bar but more the general vibe of it all... at least in terms of what I remember from that Clint Eastwood flick. This 2014 release is good if generally formulaic, it probably starts stronger than it finishes but all in all it is watchable. I caught a glimpse of the cast list before watching and it got me excited. Mads Mikkelsen, naturally, but also seeing Eva Green, Jeffrey Dean Morgan, Eric Cantona and Jonathan Pryce attached raised my hopes. If I'm honest, I've seen better from all of them (aside from Cantona, who has barely two lines, as this is his first acting gig that I've seen, I'm more accustomed to his ability with the football as a Manchester United supporter - legend!). What they give is more than satisfactory, but I didn't feel like any of them were firing on all cylinders. There are a few other issues like the (relatively minimal) special effects and the day/night lighting early on, but overall I'd class this as a positive viewing experience.
Dumped by her fiance just two months before their wedding, comic strip writer Sophie hatches an elaborate plan to get her Jeff back and punish the movie star, Joanna, who seduced him away. She finds herself a partner, Gordon, an ex-lover of Joanna's. The two start on a comic adventure full of laughs and tears, aided by Sophie's two best friends, Lucy and Lily. At the eve of her success, Sophie suddenly faced of having to chose between a repentant Jeff and Gordon who has fallen for her.
The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.
For six hundred years Sweden had controlled most of Finland until the war with Russia that ended in 1809, when Finland became a Grand Duchy of the Russian Czar. This period drama is set during that early 19th-century war and focuses on one of its heroes, Sven Tuuva. Sven is a decent yet not too brilliant soldier, and his exploits are partly balanced here by the charms of a compatriot.
In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.
A man embarks on a quest to make peace between two families fighting over the water problem in their district. In a bid to solve this crisis, he agrees to marry a girl from the rival family.
Alex is a lonely accountant whose one act of rage results in her being sentenced to court-ordered therapy. There she meets Stella, the owner of a small extermination business who uses her car as a weapon, and Nikki, a dental technician with the face of an angel and the mind of a sociopath. Together these women form their own "silent revolution", wreaking havoc on the abusive men in their lives.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
In 14th Century England, this tale of murder and mystery follows a fugitive priest who falls in with a troupe of actors. As they arrive in a small town, the actors encounter a woman being sentenced to death for practicing witchcraft and murder. Discarding the expected bible stories, the actors now stage a performance based on the crime. Through the performance of the play, they discover a mystery.
An elderly ex-serviceman and widower looks to avenge his best friend's murder by doling out his own form of justice.