La Classe américaine

This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel, Fay Bainter, Mickey Rooney, Thomas Mitchell, Sinclair Lewis, and more, with host Bob Hope.

Europe, 1940. For thousands of Jews, a Japanese diplomat and his wife defy Tokyo and the Nazis, and offer visas, for life.

A movie star helps a young singer-actress find fame, even as age and alcoholism send his own career into a downward spiral.

The misadventures of four groups of guests at the Beverly Hills Hotel.

A midwestern teacher questions his sexuality after a former student makes a comment about him at the Academy Awards.

Frank Drebin is persuaded out of retirement to go undercover in a state prison. There he has to find out what top terrorist, Rocco, has planned for when he escapes. Adding to his problems, Frank's wife, Jane, is desperate for a baby.

Isaak Ebrahim, a passionate and a struggling Indian filmmaker produces and directs his first movie which gets officially selected to the Oscars. Once nominated, Isaak gets to know about the hurdles and the unfriendly situations that can shatter his dream of winning the Oscar.

1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea. With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together. The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years. Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.

Way out west, it's a moral dilemma for Jill Eikenberry. Her character, manicurist Joanne Johnson, is the kind of woman who stands by her man. She and her husband, Matt (Coyote), have held their marriage and family together, even though times on their small Southwestern ranch have been tough. One night, Matt and a couple of his buddies get drunk in a local saloon before heading home. They're also stewing in anti-Hispanic racial resentment. Matt is having a hard time making a living and has just had to sell off the last chunk of his inherited ranch property to a family named Martinez. The tragic result of their mean-spirited horseplay is a small Mexican church. burned to the ground, two young people critically injured and three men tangled up in fear, loathing, and lies. Joanne senses the awful truth way ahead of her spiteful, narrow-minded pals down at the local beauty parlor, and she sets out to do the right thing.

The domestic cat has conquered almost the entire globe with around 400 million animals and is now also the star of social networks. It is not clear when and how they secured the favor of humans. Archaeologists, geneticists and behavioral biologists around the world have been researching these questions for years. Their latest findings make it possible to trace the path of the house cat.

This piece offers interviews with the real life May and Taylor, who reminisce about the concert, along with other interviews and behind the scenes footage.