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Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
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Deadline- White House - (Jan 17th)
The movie is hysterical, it really is a funny film, and one that tries its best to stand up for Gay Rights back in the late 90s when Don't Ask Don't Tell was the height of Gay Rights. Unfortunately people are reviewing this with an eye to the present and claiming that it stereotypes Gay men, and it does to an extent, but I do believe that a lot of the single star reviews would have made the same complaint no matter what they did with the lead character. The fact is, for its time, for its era, it was part of the wave of films and TV shows that helped to normalize homosexuality in America, and it's that normalization that, more than any activism, helped for the Civil Rights victories we are seeing in the present. To shun it over politics is literally to bite the hand that feeds you, especially since it has a clear message that homophobia is wrong and it was movies and TV shows like this that helped bring the attitudes and views on homosexuality that everyone supports today. But, honestly, none of that matters. What matters is entertainment, that is why movies are made. Even informative movies have to have an eye towards entertaining the viewers if they want to actually be watched. And, this movie is entertaining. This movie is hysterical, even if the masculinity tape was a bit of a stretch of the imagination even for a comedy, it still was a stretch that won one or two laughs from the audience. Ultimately, it is a funny film that will entertain. So try to leave your political baggage at the door, and, if you can't, realize that it was films like this that helped normalize the views the American public has towards your political agenda...and then sit back and enjoy a funny and uplifting film with a strong moral.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Tim and Julian are deeply in love, but the gay couple can't have sex with each other. When you can't sexually satisfy the person you love is this enough reason to quit a long relationship? On a weekend trip to the sea, the boys want to spend some time together away from the pulsating city of Berlin where they live. The trip ends with two cakes in the sand. What if two people love each other but can't live with each other?
“All in good time. I promise he will come to you.” This is something Anthony has been told by his mom. Little did he know that quote would follow him throughout his romantic endeavors. After a few years, being in his late 20s without experience building relationships, Anthony finds himself in a vicious cycle of heartbreak as he continues searching for true love. Anthony’s best friend Chloe sets him up with Justin, who wants a short-term, exclusive commitment. Chloe discovers that Anthony had sex with her boyfriend, Lucas. As tensions rise, Anthony relies on Justin for relief and comfort. Anthony takes responsibility for his actions and reaches out to the person who was there from the beginning—his mom, to fix the relationship that matters most.
Felix, fourteen, starts a relationship with an older boy, hoping to get caught by his conservative father so he can confront him.
Temmuz is an openly gay sculptor living at a flat with his dog in Istanbul. He lives a bohemian lifestyle and has a happy go lucky, carefree, eccentric (such as believing in good luck charms) character, frequently distracting him from his work as a children's book illustrator, and eventually leading him to be abandoned by his boyfriend via e-mail. He is given solace and affection by her wealthy mother, who is fully supportive of him, and best friend and co-worker, Beste. In the meantime, he keeps seeing a young man in his dreams, who repeatedly calls him for help and rescue. One day he runs into this guy while getting on the bus, who is accompanied by his mother, and helps them get into their home as the young man was born without limbs. From then on, two lives would collide into each other, starting a brotherhood full of discoveries and mutual help.
In San Francisco, Kira has a day job at a warehouse, writes jokes for her sister (who does stand-up back East), wants to perform her own material, hangs out with best friend Sydney (who writes food reviews), and sleeps once with every woman she can. Then, her roommate sets her up with Robin - who's recently come out and hasn't had a serious relationship yet - and her friendship with Sydney gets rocky. Meanwhile, Kira's being stalked by one of her one-night stands, her sister isn't showing any appreciation, and a night at an open microphone goes badly. Is this all life can offer?
Thirty-year-old Hlynur still lives with his mother and spends his days drinking, watching porn and surfing the net while living off unemployment checks. A girl is interested in him, but he stands back from commitment. His mother's Spanish flamenco teacher, Lola, moves in with them for Christmas. On New Year's Eve, while his mother is away, Hlynur finds out Lola is a lesbian, but also ends up having sex with her. He soon finds out he and his mother are sharing more than a house. Eventually he must find out where he fits into the puzzle, and how to live life less selfishly.
Middle-aged gay life partners, Armand Goldman, a Jewish drag club owner, and Albert, the club's flamboyant star attraction, live in the eclectic community of South Beach and have raised a straight son. Now, their newly engaged son, 20-year-old Val, wants to bring his fiancée, Barbara, and her ultraconservative parents home to meet his family for the first time. By Val's request, Armand pretends to be straight, not Jewish and attempts to hide his relationship with Albert, in order to please Barbara's father, controversial right-wing Republican Sen. Kevin Keeley.