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Neil Simon isn't really at his best with this rather hit or miss telling of four families who happen to stay at the world famous Beverly Hills Hotel. The divorced "Warren" family - Jane Fonda & Alan Alda are squabbling over the future of their teenage daughter. She has custody but the youngster wants to spend more time with her father and that's causing no end of self doubt and frustration with her mother. "Marvin" (Walter Matthau) comes on a day ahead of his wife "Millie" (Elaine May) and manages to find himself with an hooker who has no idea when it's a good time to wake up and leave. Richard Pryor and Bill Cosby are brothers travelling with their wives who find an hotel mishap leaves one couple in luxury, the other in a glorified bedsit. Finally, the best of the script falls to Maggie Smith and Michael Caine as the married couple in town because she's been nominated for an Oscar. Last minutes nerves, wobbles, loads of gin and a constant search for validation from her loving but not the most gushing of husbands provides us with much of the best sarcasm and wit contained here, and those scenes - sparing after the half way mark give us most of what's worth watching here. The Pryor/Cosby and Matthau/May scenarios are more contrived and don't work nearly so well and the initial melodrama really only offers Fonda a chance to deliver some lengthy monologues of, occasionally pithy, dialogue. It does poke fun at some of the more facile elements of life and fame, but the episodic nature of the storytelling I found to be a little disjointed and not really that funny.
Four lovers find themselves caught in a tangle of intersecting relationships in this engaging, New York-set romantic drama that explores the ripple effects of love and obsession.
With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.
Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.
I Put a Spell on You was created by and stars Johnson. The annual show is a spoof of and tribute to the beloved cult classic movie Hocus Pocus. This year’s COVID-safe digital film is not your average stream: it’s complete with larger-than-life performances and choreography, over-the-top costumes and makeup, unmatched production value and a healthy dose of Broadway magic. This year, the beloved Hocus Pocus-inspired Sanderson Sisters break the internet and recruit some of pop culture’s most iconic villains (think Cruella de Vil, Gaston, The Joker, Maleficent and more) to fulfill their delightfully devious plot. Johnson returns as Winifred Sanderson with Allison Robinson and Amanda Williams Ware as sisters Sarah and Mary.
On the streets of a damp metropolis lie the corpses of hundreds and hundreds of boys and girls. No one can give them a resting place because of a law enacted by a repressive State. But the young Antigone, with the help of a foreigner, Tiresias, violates this rule in the name of pietas, undermining the established order.
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.
On a fishing boat at sea, a 60-year old man has been raising a girl since she was a child. It is agreed that they will get married on her 17th birthday. They live a quiet and secluded life, renting the boat to day fishermen and practicing strange divination rites. Their life changes when a teenage student comes aboard.
The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.
