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The joke is firmly on us. I myself like a lot of cinematic offerings that require the brain to be left at the door. There's something very calming about being able to sit back and drive oneself into a movie with absolutely no worries about themes, agendas, politico posturing and etc. What shouldn't be tolerated is when film makers ask you to not only leave your brain at the door, but to also dribble with it and slam dunk it into the nearest garbage can. Alexandre Aja's 2010 redux of Piranha was a whole bunch of fun, even away from the 3D, in 2D form it had a devilish glint in its eye, but this on the other hand is an embarrassment to all involved. Who doesn't love the female form? Whatever your sexual proclivities et al, you would have to be dead to not appreciate the splendour of Eve's offspring. But when it's your main selling point, when you are only trying to please a very small movie watching demographic, then you got problems. John Gulager (director in the broadest context of the word) wants to craft a Porky's for this latest hairy palmed generation, whilst he even thinks a touch of Grindhouse might curry favour with the mall rats and skaters. Everything about this picture stinks, the acting, the hopeless attempts at suspense, badly timed jokes, poor stereotyping, laughable effects work, and on it goes. Standing up and saying it's meant to be tacky, corny and tongue in cheek just doesn't cut the mustard here, bad film making is just that, especially when it's done purely to make money. Right, I'm off to dive into a tank full of piranha fish, because that will surely be better than having to ever sit through this movie again. 1/10
The piranhas are back. Why? Not really sure, don't really care. But they are, and its a sad sight. This time they manage to lure their way into a water park, and you surely imagine what will happen. An endless amount of pointless killings, blood... everywhere. There are people too, mind you, a virgin, a greedy dude, a celebrity lifeguard, a couple of innocent youths and a corrupt cop, and more... but it matters not, they can't save eachother, and they certainly can't save this movie. I have to admit, I knew what I was going into, but I still sad down and watched it. It was painful to say the least, and the few laughs that were provided, were... horrible forced laughs. I would really like to know which people love these type of movies and why they watch them. Why I watched it, you ask? I wish I had a good answer. Anyways, my days watching anything remotely like this, are... over. _Last words..._
Inventive title, 'Hoff cameo, Josh cut off his penis. _Piranha 3DD_ leans in hard on the stupid factor of the franchise, had this been coupled with a little more humour, that'd totally work, unfortunately, it's more dumb than fun. Still a pretty good time if this is your sort of thing, but less so than even its predecessor. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Good watch, will likely watch again, and can recommend. Compared to even the 1995 version, this version definitely increased the amount of nudity and gore, or at least blood in this. Since this is more of a comedy-horror, having a waterpark "going wild" be the setting for this particular creature actually works out quite a bit. You'd think once the killing starts that the comedy might stop, it has laughs all the way through, and while they're not necessarily all "classy" jokes, this isn't really a "classy" movie. I'm honestly surprised (but grateful) to see Danielle Panabaker in this one as she does a somewhat "straight man" role, she's carrying most of the actual emotion in this movie. It's not a typical role for what I'm used to seeing her in, but she's does a great job as she's a quality actress. David Koechner leads the humor (and he's good at it) of the movie with some solid help from the rest of the cast. David Hasselhoff, Christopher Lloyd and Ving Rhames even make cameos. There isn't much to this movie, there's water, fish, and people, and some combination of them to various degrees of humor and horror.
'Piranha 3DD' is worse than predecessor 'Piranha 3D', yet I'd say it actually has moments that I'll somewhat remember (unlike the prior entry). There are three bits I minorly liked: Ving Rhames, David Hasselhoff and the David Koechner head gag. That is literally it, though. It's a bad movie, no question. It even feels like a pale imitation of the previous flick, which is quite something given that 2010 release isn't even anything good itself. The humans in this are extremely dull, while the piranha barely registered to me whilst watching. At least the run time is short. Danielle Panabaker is 'the best' cast member, aside from Rhames and Hasselhoff who steal the show with comparatively small roles. Adrian Martinez's character almost works, while I did like seeing Christopher Lloyd return. Interesting to see Matt Lintz, way before his role in 'The Walking Dead'. Also, and I know I'm taking the lore of these things too seriously by saying this, but weren't the piranha supposed to be massive in this one; based on the end of the first film. This second movie ends with a tease of walking piranha, which is just as lousy an idea as the flying piranha from 'Piranha II: The Spawning'. Thankfully, the aforementioned didn't happen as this didn't get a sequel. How long we giving it until someone somewhere decides to remake 'Piranha' for a third time? My money's on 2030.
Danny Ocean reunites with his old flame and the rest of his merry band of thieves in carrying out three huge heists in Rome, Paris and Amsterdam – but a Europol agent is hot on their heels.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.
A determined detective continues his search for the truth behind Asia's largest drug organization and its elusive boss he has unfinished business with.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree on Halloween night four decades ago.