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I enjoyed this entry into the HG Wells film library. The special effects are great (to this amateur anyway) and the acting and action more than adequate. Plus it stays near enough to the sci-fi genius of the author to satisfy the fans of the classic novel. I will say that I got a little tired of the son acting like such a teenager, but he and the Tom Cruise character both show some character growth by the end of the film. Tom is one of those actors who seems to be playing himself a lot, but I suspect there is a lot more work to it than that. I'm not sure Dustin Hoffman would have gotten his Academy Award for Rain Man if he had played off a lesser actor than Cruise. I think there are a couple of scenes the movie could have done without, such as in the cellar with Cruise, his daughter and the man who lived there. It slowed the story down, changed the tenor of the drama, and didn't add a lot, in my view. But it is what it is and overall I found War of the Worlds to be entertaining. Good science fiction movies can be hard to find.
First time seeing this in 15 years and lame plot, annoying characters (both kids got on my nerves) and a protagonist who just runs around, as Tom Cruise does so well, but has zero impact on the end game which was... bacteria. Yeah, this was just as dumb today as it was back then. At least the visual effects and sound design still holds up. **2.5/5**
Sometimes it just pays to leave well alone, and this remake of the 1953 version adds nothing aside from more sophisticated special effects. A vehicle for Tom Cruse, it allows Stephen Spielberg to turn this menacing and thought-provoking sci-fi classic into a family melodrama with the star and his dysfunctional family travelling the breadth of the country trying to escape the terror that is falling from the skies. These metallic creations are ruthless, destroying everything in their path but somehow the emphasis of this is more on why "Ray" can't get on with "Robbie" (Justin Chatwin) and whether or not "Rachel" (Dakota Fanning) can keep hold of her childhood toy. The effects are good: the lasers and the pyrotechnics; the explosions and scenes of dereliction are impressive - but oddly enough, I found them less so than in the iteration made fifty years earlier. Lots of horrified expressions as the cast look longingly at green screens, some banal dialogue and we end up with a film about the people in/behind it rather than one about alien world domination. After almost two hours, the ending - and it's huge significance - is almost an afterthought to the boring story of who did what to whom over the years in the "Ferrier" family. Cruise can, at times, bring charisma to the screen. Here he brings little and I am afraid that I found this a triumph of commercialism over creativity and was cheerily egging on the aliens from fairly early on.
An intense, serious and harrowing portrayal of the H.G. Wells classic. Tom Cruise doing an excellent job of not being Tom Cruise and Dakota Fanning out acting everyone. It's hard to call this film an enjoyable watch as it's actually emotionally affecting at times, with some very raw realism concerning human nature. This movie manages to keep a constantly high pace without being exhausting to watch. Well worth a place in your collection.
Four divers are stuck deep underwater in a vessel after a freak storm destroys their ship. Will they survive?
A young British soldier must find his way back to safety after his unit accidentally abandons him during a riot in the streets of Belfast.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
NYPD cop John McClane's plan to reconcile with his estranged wife is thrown for a serious loop when, minutes after he arrives at her offices Christmas Party, the entire building is overtaken by a group of terrorists. With little help from the LAPD, wisecracking McClane sets out to single-handedly rescue the hostages and bring the bad guys down.
Set in the future, the story follows a young soldier named Johnny Rico and his exploits in the Mobile Infantry. Rico's military career progresses from recruit to non-commissioned officer and finally to officer against the backdrop of an interstellar war between mankind and an arachnoid species known as "the Bugs."
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.
Police chief Brody must protect the citizens of Amity after a second monstrous shark begins terrorizing the waters.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.