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You gotta go forward to save the past and back to alter the future. Yikes! Back to the Future Part II sees Marty & Jennifer coerced by Doc into travelling forward in time to correct the future. But Biff is still around and spies an opportunity for untold riches; which he takes. Meaning our three time travelling wonders have to find a way back to the past to stop Biff from changing the course of history. The gargantuan, and deserved, success of Back To The Future ensured {demanded} that a sequel would follow. So taking the bull by the horns, Robert Zemeckis and Bob Gray crafted not only a sequel, but a trilogy, of which part two is ultimately a sort of interim plot filler for the finale to come a year later. There's no doubt about it, part two is at first a puzzle box of a picture, one that had this particular viewer back in the day venturing in for multiple viewings to unravel the deft, daft, but intricate plot. I have grown to love part two very much as I have got older, with each viewing tending to reward me just a little bit more. Directed with absolute keenness by Zemeckis, the film moves at such a pace there is barely time to catch breath, something that hardly helps one to follow exactly what is going on. But it does make sense under scrutiny, and as we lurch from one magnificent set piece to another, we find a dark undercurrent of bleakness in amongst the froth. The makers offer up two visions of the future, one is all colourful and swamped in glorious 80s nostalgia, yet it's knowingly enveloped in consumerism and hi-tech reliability. The other is bitten by greed and almost under despotic control, it's food for thought and rather wry in its telling. Not content with that, the makers whisk us back to 1955 just to remind us that a time of innocence and hope did exist; and simultaneously with skill they repeat the ending of part one with the additional story of part two! Clever eh? The returning cast are again uniformly strong {Michael J. Fox, Thomas F. Wilson & Christopher Lloyd} while Elisabeth Shue confidently steps into Jennifer's shoes after Claudia Wells {Jennifer in part one} fell ill and was unable to continue the role. Alan Silvestri's score still packs a cross dimension's punch and the effects crew again come up trumps {it's ace in HD}. It now can be seen as the bridge between two better movies, that's for sure, but I liken it to Spielberg's Temple Of Doom-more darker than the more favourable films in a series; but one that is crucially still having fun. It may be a high-tempo ball of funny confusion at times, but this one, courtesy of it's ream of homages and sly observations, is one of the best trilogy sandwich fillers going. Munch it. 8/10
This was one I think I was slightly disappointed in when I first saw it in theaters back in '89 and even with subsequent viewings on VHS and DVD, however I've come to appreciate it more over the years post-2000s. Lots of fun though feels disjointed at times going back and forth in time from 1985 to 2015 to alternate 1985 and back to 1955. But I did like the technical aspects re-creating the events of the first movie. **4.0/5** PS: Still remember back in the day seeing a TV special and believing the hoverboard was real, lol.
My favorite out of the series. I like this one better, because your rewatching the 1st one as the 2nd one is helping the 1st one at the same time. So you get to enjoy the 1st one again with new twists added from the 2nd one. But you can't see yourself watching the 1st one while watching the 2nd one, because the 1st one is not suppose to see the 2nd one watching it, and vice versa. Otherwise something bad will happen if the 1st and 2nd one see each other. Lol you get what I'm saying!
Don't bother. Just rewatch the original again and be thankful.
"Back to the Future Part II" is a refreshing and inexhaustible source of entertainment and inventive fun for everyone. It features an abundance of memorable action sequences which have been brought to the screen with innovation and skill and great visual imagination. It also draws upon events featured in the original film to create an entirely different slant on the same sequences, but this time around the motivating factors in doing this retread are entirely different. Of course such sequences as these could mean a distinct lack of creative inspiration, but fortunately that is never the case here because they are visually inspired and they only add to the overall fabulous enjoyment to be had.
After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
The seemingly invincible Spider-Man goes up against an all-new crop of villains—including the shape-shifting Sandman. While Spider-Man’s superpowers are altered by an alien organism, his alter ego, Peter Parker, deals with nemesis Eddie Brock and also gets caught up in a love triangle.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
Strange phenomena surface around the globe. The skies ignite. Terror races through the world's major cities. As these extraordinary events unfold, it becomes increasingly clear that a force of incredible magnitude has arrived. Its mission: total annihilation over the Fourth of July weekend. The last hope to stop the destruction is an unlikely group of people united by fate and unimaginable circumstances.
Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Twenty-six-year-old Hiroto Suwa; his wife, Naho; and their old high school classmates—Takako Chino, Azusa Murasaka, and Saku Hagita—visit Mt. Koubou to view the cherry blossoms together. While watching the setting sun, they reminisce about Kakeru Naruse, their friend who died 10 years ago. Mourning for him, they decide to visit Kakeru's old home, where they learn the secret of his death from his grandmother.
