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**The human need to find meaning in the death of a loved one.** I confess that I didn't really know what I was going to find when I started watching this movie. I wasn't expecting much, even though I was aware that it was a film about the September 11 attacks, and that it had some actors that I respect, and I like to see. Perhaps on purpose, the film begins in a heavy and slow way, and it is not very easy to go beyond the initial half hour. However, the film improves a lot as we get to know the main character, a boy whose father died in the attacks and who is trying to deal with this loss in the best way possible. Whatever the age or situation, the loss of a parent is always dramatic. Believe me, dear reader, who is following me so patiently in these lines, I have been feeling it in my skin during the last few months, since I lost my beloved mother recently, and I believe that this personal circumstance had an influence on the way I ended up seeing myself in the boy, and in the emotional and moving way he tries to deal with grief and absence. He believes his father left him one last "treasure hunt" around a mysterious key, and he struggles to see meaning in his father's death, and in finding the key. It sounds childish, but allow me to be honest, I confess that I too, in the silence of my suffering and pain, felt and still feel the need to find some reason, some order in the midst of random chaos. Perhaps we, human beings, cannot accept that the people we love so much... simply die. And maybe we're right in not accepting just that... By that, I mean that the horrible tragedy that happened in New York made sense in itself? No... evil is meaningless, but it doesn't need to make sense. What I refuse to think is that all those people died in vain. I believe that the American people, and all of us as a Western society, find meaning in everything that has happened, and we see those people as victims of unspeakable cruelty, which poignantly reminds us how vulnerable we are to the mind of a madman, vile and determined enough. I believe that each family member who lost someone there found a very personal meaning in their loss, and I hope this helped in the task of dealing with what happened. Despite being very young, I liked the work developed by Thomas Horn. He did everything well, and he gives his character a naivety that is never childish or lacking in sense and intelligence, quite the opposite. Tom Hanks is, as is almost always the case, impeccable and gives the boy's father an aura of familiarity and sympathy of his own, which the actor knows how to use very well. Likewise, the charismatic and professional Sandra Bullock did a very interesting job in the role of the mother. Despite being nominated for an Oscar, I think Max Von Sydow has done much better and more complete work. Even so, I liked the way he was able to express himself and communicate without using a single word. Zoe Caldwell also did a good job, albeit in a much more restrained register than the others. On the other hand, I thought that John Goodman, Viola Davis and Jeffrey Wright are all very underused. The film covers several places in New York, and it is not necessary to have visited the iconic city to recognize them very easily, and appreciate the friendly way in which the film takes advantage of them and gives them shine and beauty. The cinematography helped a lot at this point, with a very well worked light, color and brightness, and a good post-editing of the images.
Shortly after 1800 hours, 11 July 2006, Mumbai was shattered by seven bomb blasts on Western Railway stations: Matunga, Mahim, Khar, Bandra, Jogeshwari, Borivali, and Bhayandar. It took the Police and ambulance over an hour to attend at various sites. This incident changes lives of Thomas, originally from Chennai, who sells tea from his bike; Rupali Joshi, a TV News reporter, who has to deal with the death of her to-be spouse, Ajay Kumar Pradhan; Suresh, in debt, starts to suspect all Muslims, especially Yusuf; Inspector Tukaram Patil, about to retire, goes about collecting bribes as usual, much to the chagrin of his embittered, honest and soon to-be suspended subordinate, Sunil Kadam; while Nikhil Agarwal, a Nationalist and environmentalist, debates whether he should re-locate to the United States, along with his pregnant wife, Sejal.
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Karsten Aslaksen, chief engineer of a large chemical company, disappears without trace. His married lover, a successful politician named Vibeke Farang, approaches private investigator Varg Veum to track him down discreetly.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
A single mother living in inner city Chicago, Brenda has been struggling for years to make ends meet and keep her three kids off the street. When she's laid off with no warning, she starts losing hope for the first time - until a letter arrives announcing the death of a father she's never met. Desperate for any kind of help, Brenda takes her family to Georgia for the funeral, but nothing could have prepared her for the Browns, her father's fun-loving, crass Southern clan. In a small-town world full of long afternoons and country fairs, Brenda struggles to get to know the family she never knew existed... and finds a brand new romance that just might change her life.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
Seth Warner has reached the end of his rope. Ever since his wife died two years earlier, his world has been in turmoil. He is despondent, his career has fallen apart, even his house has been destroyed. There seems to be nothing left for him to live for. Confused and angry after two years of suffering, he finally directs his wrath at God from the rooftop of his apartment building in New York City. In the midst of a wild thunderstorm he demands to know why he has been betrayed by the god he has believed in and honored his whole life. God's answer is to strike down Seth's dog in a bolt of lightning. Pushed beyond his limits, Seth decides to respond to his years of torment by breaking each of the biblical Ten Commandments.
A young hapless couple's devotion for each other is tested through harsh times of war as they are forced to negate patriotism and dependability to their families and nations, for a length of a lifetime before during and after the war. This movie is not a colorfull. About 5 years later, this movie was shot again wtih same actors and actresses (except for Selda Alkor).