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A smart movie powered by David Bennent's performance Oskar is a young man in World War II Germany who refuses to grow up when he was three years old. He deliberately let himself fall on a stair to injure himself and stop his growth. Oskar's refusal to grow and release his tin drum is an obvious metaphor about refusing the Nazi regime. This is made more obvious since he finally decided to grow and let go of his drum after the Nazi's defeat. The Tin Drum is based on a celebrated novel by German author Gunter Grass. Director Volker Schlöndorff brings it to life with profound elegance and intellectual humor. Made in 1979, in the middle of the German film renaissance, The Tin Drum pokes fun at the Nazi regime and at the same time presents an unforgettable and often hilarious story. The movie begins in the late 19th century when Oskar's grandmother helps his grandfather to escape German soldiers by letting him hide under her skirt. It is also where Oskar's mother Agnes (Angela Winkler) is conceived. Agnes grows up during the First World War and marries a man named Alfred Matzerath (Mario Adorf). She begins to have an affair with her cousin Jan Bronski, while Oskar slowly becomes aware of their relationship. David Bennent's performance as Oskar is simply amazing. He was about 12 years old at the time, and he plays Oskar from childhood to his 20s. Although Oskar's physical appearance never changes. We can see his aging process through Bennent's performance. Oskar's movement changes; he begins to become more mature and discover the world around him. Bennent plays the character with an impressive level of believability and intellectual maturity. The Tin Drum reminded me of one of my favorite movies-Forrest Gump. Both movies have central characters that are physically and mentally disabled, and both manage to have an interesting journey life. Both movies pass through an important historical event, with both heroes getting involved. The Tin Drum is not quite in the same league as Forrest Gump, but it still amazed and captivated me from beginning to end. The Tin Drum contains some really grotesque scenes. One scene in particular is when they show a fisherman using a dead horse's head as bait for eels. The fisherman removes the eels one by one from the horse's head, while Agnes vomits in disgust. To balance it out, the movie also contains moments of pure joy. I love the sequence where Oskar's drumming influences a band to change their music form a German march to Strauss' The Blue Danube. A Nazi officer screams in disgust, while the crowd joins together and dances. I enjoy watching intelligent satires. I laughed out loud a lot of times in this movie and I relished its lush story. The movie deals with many things, including warfare, adultery, and religion. It may be a little too long for some people at 140 minutes, but for me, no good movie is too long. The Tin Drum contains astonishing images powered by remarkable acting.
After an older lady hangs herself in a church, a new psychiatrist discovers she was obsessed with the disappearance of his eight-year-old son, who vanished three years earlier. Meanwhile, three city dwellers are restoring a house when they realize it is haunted.
Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.
Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.
When allied troops liberate a small battle-scarred Belgium town in 1944 the American and British commanders do all they can to help the war-weary people back on their feet. There are mental and physical wounds to heal, fields to plough, the church to rebuild. But a top Nazi, knowing the War is lost, has infiltrated the town and is fostering dissent and disunity.
Summer '76, there's a heatwave and the Swiss countryside is drying out at top speed. In this stifling environment, Gus who is thirteen years old and son of a farmer, sees both his family environment and his innocence relentlessly breaking. He's living the end of a world.
1984, Sverdlovsk, USSR. A shy freshman, an entrepreneur, a poet and two charming it-girls navigate life in a student dorm, sharing their griefs and joys, all for one and one for all. Suddenly a horrible accident blows up the life of the dorm when a female student commits suicide. The dorm is a miniature model of the world that encapsulates the full range of human passions, acts of bravery and cowardice, aspirations for virtue and failures, of love, friendship and betrayal.
Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.
Four boys, friends and cousins, in between adolescence and adulthood, make the most of their holidays. Followers of Renoir, with pure simplicity and casualness, emancipated from the ponderousness of a script, these four boys involve us in the nonchalance of their idleness, and in their free-flowing futility. In the course of some idle-talk, of a carefree swim in the river of time, or the vacuity of a summer evening, the memory of communist past resurfaces.
The two enemies from war, Slovenian partisan Berk and German soldier Bitter, meet each other during holidays in Spain. Recalling the war through conversation, Berk remembers Anton, his fellow comrade he had spend the most time with.