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In a world that's powered by violence, on the streets where the violent have power, a new generation carries on an old tradition. Martin Scorsese’s Goodfellas is without question one of the finest gangster movies ever made, a benchmark even. It’s that rare occasion for a genre film of this type where everything artistically comes together as one. Direction, script, editing, photography, driving soundtrack and crucially an ensemble cast firing on all cylinders. It’s grade “A” film making that marked a return to form for Scorsese whilst simultaneously showing the director at the summit of his directing abilities. The story itself, based on Nicholas Pileggi’s non-fiction book Wiseguy, pulls absolutely no punches in its stark realisation of the Mafia lifestyle. It’s often brutal, yet funny, unflinching yet stylish, but ultimately from first frame to last it holds the attention, toying with all the human emotions during the journey, tingling the senses of those who were by 1990 fed up of popcorn movie fodder. It’s not romanticism here, if anything it’s a debunking of the Mafia myth, but even as the blood flows and the dialogue crackles with electricity, it always remains icy cool, brought to us by a man who had is eyes and ears open while growing up in Queens, New York in the 40s and 50s. Eccellente! 9/10
Martin Scorsese (director) always loves details in crime films, but he is not primarily interested in the crime itself. That is why his films are always produced with details that you may see as unimportant to you, especially if you want to see the movie for the purpose of seeing scenes of theft, murder, and so on, but you see the opposite. Somewhat other details are visible on the scene mostly The film talks about liberation, stereotypes, and entering a new world for humanity. It was Ray Liotta (Henry). He wanted, as I said, to break free from stereotypes and enter the world of gangs. Martin Scorsese (the director) filmed this unfamiliar life and directed it in the form of a film similar to documentaries because he filmed it as if it were a real, realistic life. That is why the presence of Voice Over was important in order to give you the feeling that there is a person sitting next to you telling you the story while whispering in your ear as it happens in the movies documentaries.
Ray Liotta is superb here as "Henry Hill", a man whom ever since he was young has been captivated by the mob. He starts off as a runner and before too long has ingratiated himself with the local fraternity lead by "Paulie" (Paul Sorvino) and is best mates with fellow hoods, the enigmatic and devious "Jimmy" (Robert De Niro) and the excellently vile "Tommy" (Joe Pesci). They put together an audacious robbery at JFK and are soon the talk of the town, but the latter in the trio is a bit of a live-wire and when he goes just a bit too far one night, the three of them find that their really quite idyllic lives of extortion and larceny start to go awry - and it's their own who are on their tracks. Scorsese takes him time with this story: the development of the characters - their personalities, trust, inter-reliance, sometimes divided, fractured, loyalties and ruthlessness and are built up in a thoroughly convincing fashion. We can, ourselves, see the obvious attractions for the young "Henry" of a life so very far removed from his working class Irish-Italian background - the wine, the women, the thrills; it's tantalising! If anything let's it down it's the last half hour; it's just a little too predictable and having spent so long building up the characters, we seem to be in just a bit too much of a rush; but that is a nit-pick. It's not the "Godfather" but it is not far short.
A really good film. i loved it!
The Goodfellas is an absolute masterpiece in every sense. Martin Scorsese delivers a raw, unflinching look into the world of organized crime that’s as captivating as it is brutal. Ray Liotta, Robert De Niro, and Joe Pesci shine, each bringing unforgettable depth and intensity to their roles—especially Pesci, whose portrayal of Tommy DeVito is both terrifying and fascinating. The storytelling is flawless, pulling you in with a mix of dark humor, sharp dialogue, and iconic scenes that stay with you long after the credits roll. Add in the perfect soundtrack, and it’s no wonder this film is considered a classic. The Goodfellas isn’t just a movie; it’s an experience that I can watch over and over again.
I enjoyed the film. Especially the character of Joe Pesci and Robert DeNiro. Great Film!!
The psychotic son of a film producer becomes obsessed with a beautiful blonde starlet while in Cannes, lures her to his hotel room and strangles her. His mother finds out, but can she keep her mouth shut to protect her son? Meanwhile, the young killer meets another pretty blonde...
Fast Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary Minnesota Fats to a high-stakes match.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
A rich woman and a calculating insurance agent plot to kill her unsuspecting husband after he signs a double indemnity policy.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
Set in the South just after the US Civil War, Laurel Sommersby is just managing to work the farm without her husband, believed killed in battle. By all accounts, Jack Sommersby was not a pleasant man, thus when he suddenly returns, Laurel has mixed emotions. It appears that Jack has changed a great deal, leading some people to believe that this is not actually Jack but an imposter. Laurel herself is unsure, but willing to take the man into her home, and perhaps later into her heart.
Tough narcotics detective 'Popeye' Doyle is in hot pursuit of a suave French drug dealer who may be the key to a huge heroin-smuggling operation.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother's voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.
