War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
One of the biggest moments of my childhood was seeing _Poltergeist_ for the first time at 7 years old. I saw it on a 4:3 set on a very old DVD in my parents' bedroom, after my mom had recently come home from the hospital after surgery. One night, my dad came home from the library with some DVDs, and one of them was _Poltergeist_. I popped it into the DVD player without hesitation as I'd wanted to see it since I was 5. I knew from the moment it started, _Poltergeist_ was going to be a great movie, but little did I know it would become my favorite movie of all time, and I'd want to experience it again and again. Craig T. Nelson and JoBeth Williams star in this classic as Steve and Diane Freeling, who live with their three children, 16-year-old Dana (Dominique Dunne), 8-year-old Robbie (Oliver Robins), and 5-year-old Carol Anne (Heather O'Rourke) in Cuesta Verde, CA, soon learn that their home is haunted, and that the spirits talk to Carol Anne through their television. Everything seem normal at first. Dana gives construction workers the finger and talks on the phone later than she's supposed to, Robbie is a huge Star Wars fan, and Carol Anne feeds her goldfish an entire tube of food. One night, a tree tries to eat Robbie, but they quickly save him. When the ghosts kidnap Carol Anne through the closet, they are forced to fight the evil spirit that holds their daughter if they ever want to see her again. Well-acted, well-written, and well-directed, with great special effects, _Poltergeist_ is, in my opinion, the greatest ghost story of all time. Let's start with the acting. The way lines are said, the facial expressions, body language, everything about the characters feels real. Craig T. Nelson's performance as Steve is the most real dad in a movie I've ever seen. JoBeth Williams' performance as Diane is the most real mom in a movie I've ever seen. Heather O'Rourke gives the best performance by a 5-year-old I've ever seen. Zelda Rubinstein is also great. It doesn't even seem like they're acting. The performances are top-notch. The special effects still hold up, because they still look real. The plot is still _very_ original, because it's set in modern suburban America, and it's about a normal family that loves each other, rather than an abusive husband and father. _Poltergeist_ is so well-written that nobody has to die, nor does it have to be gory to keep us on the edge of our seats. Hooper and Spielberg keep it subtle by hardly showing the ghosts. _Poltergeist_ features a great plot, great acting, great directing, and great writing. I can't recommend _Poltergeist_ enough. _Poltergeist_ **is** a kid's movie, so it's not all that scary, though there are scenes that may scare you or creep you out, but you won't be scarred for life. In the end it really is a fun thrill ride. It's a movie every kid must see by the time they're 8 years old. For some reason, I find myself trying, sometimes unsuccessfully, to hold back tears every time I see it. _Poltergeist_ is my favorite movie of all time, it truly is a great classic, and it still holds up after over 30 years as its message is still relevant today. _Poltergeist_ tells the story of a family nothing can tear apart. It's a classic good versus evil story, a story of perseverance in spite of your worst fears coming to light, and holding it together in spite of everything seeming to fall apart. It's about never giving up hope. When I watched Craig T. Nelson, I saw my dad on that screen, and I see him on that screen even more now. When I watched JoBeth Williams, I saw my mom on that screen, and I see her on that screen even more now. Your experience might not be exactly like this, but there's no denying that this movie is awesome. I know you're probably worried because of things you've read online about it being scary, gory, or boring, but don't be. The violence is never gory. The occasional cursing never gets too bad. Despite everything that happens, there's a sense of hope that stays the entire movie. Let your kids see it. They'll thank you.
We know it as the beast. The Freeling family are happy and functioning perfectly well until one night their youngest daughter announces that thru the TV, the supernatural are here! Poltergeist divides the horror crowd big time, the gore fans are simply not impressed by the events in the film, while ghostly supernatural fans such as myself see it as a wasted opportunity. But strip away the flashy production and you start to see the core joke of kids infatuation with the goggle box, so yes, the film could easily be titled under the banner of being a Black Comedy. But be that as it may, and lets not be under any illusions here that, Poltergeist is not a knowing wink wink horror film of substance, the film really could have been a truly terrifying piece of work to cater for all tastes, and I firmly believe that that was the main intention of the makers from the off. Thus lies the chief problems with Poltergeist, it tries so hard to cover all bases it gets that confused to the point it veers from tedium to shock and back again before you have time to digest, and it kills what should have been a genre masterpiece. There are moments in the film that chill the blood, the sense of creeping menace hangs heavy during a storm, a toy clown becomes evil personified just by being lit in the stormy light, and then? Well it violently switches to something involving a tree that wouldn't be fit for Creepshow 27! On the film goes, suspense with chairs and pieces of meat, and then BAM...monster time! It just doesn't work, it's a collage of genre splicing that both director Tobe Hooper & producer Steven Spielberg are firmly to be held responsible for, because it's obvious that both their signature's clash to create an uneasy bedfellow. Yet as uneven as it is, and as blatantly plagiarised as it is of Twilight Zone episode Little Girl Lost, I still find myself enjoying watching Poltergeist, with its slick production and some memorable moments; the clown, poor darling Heather O'Rourke saying "they're here", the first chair sequence, and the always creepy Mrs. Tuthill, all things that help to make it a frustratingly enjoyable nights viewing. 6/10 Just don't go into the light afterwards I guess...
Like most of my contemporaries, I remember as a kid staying up late at night during the AMC Halloween horror movie marathon week (or was it a complete 31 days?) and watching the Freeling family get spooked by some O. G. paranormal activity; watching their house turn into a portal for spirits, some of which abducting their youngest daughter. Unlike some of my contemporaries, I'm very split on this film. As a fan of the genre, horror always intrigues me, even when it's done poorly/reuses the tired tropes. When rewatching _Poltergeist_ for what seems to be the twentieth time - now in my early twenties - the movie seems dated, to the point where what made it bone-chilling in the first place, seems calm and a little ridiculous. Perhaps I'm desensitized to this type of movie. Perhaps I'll appreciate it more when I do have a family, when I _am_ Craig T. Nelson. But currently, the film struggles against its pacing, unconvincing effects (see scene in the children's room where the closet tries to vacuum them up, and the "face" scene - you'll know), and the nature of it attempting to be both family friendly and a horror movie. Sustained over the years since its release, however, are the performances by the cast, specifically the parents. Overall, it's still a fun film; but because of some considerable flaws, it hasn't aged too well. Recommended for kids? - Hell yes. How else are they going to attain the fear of clowns?
This movie holds a special place in my heart. Yes, by the standards of 2020 the special effects could be better. But we've seen the remake so we know new does not always mean improved. This is what I like in a horror movie. Suitable for older kids as well. As much as I appreciate R rated horror, I like PG-13 better. Because, like this movie, PG-13 focuses much more on story and characters. The fear of the family and all the emotions in this movie feel genuine to me. Even watching it today, I don't find the acting to be over the top. Much of what people see in this movie has become a trope, but for many of my generation, you saw it here first. The score of the movie and the famous line of "They're Here" will always be an important part of our pop culture as much as the shower scene in "Psycho"
Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
At an abandoned chapel a teenager gives herself to a boy, unsuspecting of what's lurking in the shadows.
An intruder enters the suburbs on Halloween night.
Arthur and his two children inherit his uncle's estate: a glass house that serves as a prison to twelve ghosts. When the family, accompanied by a nanny and an attorney, enter the house they find themselves trapped inside an evil machine 'designed by the Devil and powered by the dead' to open the Eye of Hell. Aided by a ghost hunter and his rival, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
Two psychotic young men take a mother, father, and son hostage in their vacation cabin and force them to play sadistic "games" with one another for their own amusement.
Tamara, an unattractive girl who is picked on by her peers, returns after her death as a sexy seductress to enact revenge.
An obese lawyer finds himself growing "Thinner" when an old Romani man places a hex on him. Now the lawyer must call upon his friends in organized crime to help him persuade the old man to lift the curse. Time is running out for the desperate lawyer as he draws closer to his own death, and grows ever thinner.
Jesse Walsh moves with his family into the home of the lone survivor from a series of attacks by dream-stalking monster, Freddy Krueger. There, he is bedeviled by nightmares and inexplicably violent impulses.
After dating a wonderful man, Hope comes back home, sees her daughter Jennifer and goes to sleep. She wakes-up in the woods with a psychopath...
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Dutch colonial mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.