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Stephen King's novel, written under the name Richard Bachman, makes a successful transition to the screen. Billy (Robert John Burke) is a highly successful defense attorney, getting an acquittal for known mobster Richie (Joe Mantegna). He is trying to diet, topping the scales at three hundred pounds. One night while driving home, Heidi (Lucinda Jenney), Billy's wife, begins fooling around in the car with him while he is driving. In the throes of passion, Billy does not see an elderly gypsy woman crossing the street, runs over her, and kills her. The judge and police chief conspire to cover the crime up, and the death is ruled accidental. That does not sit well with the old woman's even older father, Lempke (Michael Constantine), who brushes Billy's cheek and whispers the title of the film. Soon, Billy is dropping three or four pounds a day. He seems to be disappearing before everyone's eyes, but concern sets in. He is eating twelve thousand calories a day, still losing weight, and now Heidi and his doctor (Sam Freed) are spending a little too much time together. Billy decides to track down the gypsies, especially after hearing and witnessing others in on the conspiracy were cursed as well, and he mistakenly enlists Richie to help him. Greg Cannom's special effects make-up is phenomenal. He has won Oscars in the past, and he should have won again for this film. Burke is totally believable going from 300 to 124 pounds in the span of the story. It helps that Burke's performance is as flawless as his make-up. He does not let all that latex and rubber get in the way, and goes from sympathetic to slightly deranged rather well. Jenney is also good as Heidi, although her character is often relegated to the "supportive wife" routine. The first hour of the film is very suspenseful. Billy is chasing the gypsies, and the authorities are chasing him. However, the film's biggest flaw was also the novel's biggest flaw- letting the convenient mob friend Richie help get revenge on the gypsies. Mantegna is one of those great actors who never receives his just credit, but here his character is just a caricature of mob types Mantegna has played before especially on "The Simpsons"- try listening to Mantegna and not hearing Fat Tony. Holland's direction keeps things fresh, he shockingly shot this on location in Maine instead of fleeing to Canada like most Hollywood films, but the screenplay feels rushed most of the time. I wonder if this would have made a more effective transition to mini-series form, something King has done before. I was surprised by "Thinner." Considering what some film makers have done to King's work, it is a better adaptation when put in that context. Strongly anchored by believable make-up and gore effects, and a fantastic central performance, I recommend it.
"The Little Old Lady Who Was Not Afraid of Anything" is based on a Halloween children's book about how a brave old lady meets a spooky set of clothes that follow her home.
The Seamstress was brought into being by the desperate curse of an innocent woman being tortured to death by a vigilante mob. Voracious for blood, the hideously-mutilated specter hunts a small group of friends who become trapped on the island where she died.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
A group of hobos begin melting into multicolored piles of goo after drinking sixty-year-old liquor. At the same time, the psychotic Vietnam War vet who rules the hobo camp snaps and begins killing at random. Two brothers set out to stop the liquor and the killer.
In order to obtain a title, Iordache, recently becoming wealthy, marries his daughter with a noble on hard times, Ștefan. On his way to Iordache's estate, he stops an Mânjoalâ's inn, where he discovers a mysterious world and falls for the innkeeper. Based on Caragiale's novel, "La Hanul lui Mânjoală”. Last film role for Gina Patrichi.
When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.
Based on the true events revolving around Beaver Island, Michigan and King James Strang-Elder Island, 1856. Peter Wiggenstein turned to the men of the five island families around him and warned: "Tell nothing of this" as the men all looked at the body of their former Reverend-gunned down just outside his own home-and a decision was made. They secretly buried the body on Graves Island, and the reign of America's first and only king ended; but for every end, there is always a new beginning, for an evil was born that night. Five families have always controlled the Island. Five families share the Island's fortune; five families share its curse.
After kissing his wife and baby goodbye for a seemingly normal business trip, Reed checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie.
When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.
Industrialist François Delambre is called late at night by his sister-in-law, Helene Delambre, who tells him that she has just killed her husband, André. Reluctant at first, she eventually explains to the police that André invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber during the matter transference.
The residents of San Francisco are becoming drone-like shadows of their former selves, and as the phenomenon spreads, two Department of Health workers uncover the horrifying truth.