Tamara

Famed director Zhu Shilin tries his hand at a horror film! The beginning of The Living Corpse immediately sets the tone with a folk duet clearly inspired by the popular 1956 musical Songs of the Peach Blossom River. The duet, in addition to Zhu's frequent use of long, empty shots and crisp editing, gives this horror film a traditional poetic charm and a strong folk flavor. Mise-en-scene and sound effects create a terrifying atmosphere, and successfully communicate the ghostliness of a world without ghosts.

Following the latest Ghostface killings, the four survivors leave Woodsboro behind and start a fresh chapter.

During a 1980s crime wave, a cop’s daughter goes on a rampage to unearth her father’s attempted assassin and weed out deep-rooted corruption in the New York City Police Department.

When his family gets killed by corrupt business tycoon, Soorya (Prithviraj) decides to take revenge, all by himself

A young woman suffering from mysterious physical ailments is horrified to discover that she is descended from generations of vampires. When she’s with her boyfriend, she struggles to control her peculiar appetite. But it’s in her blood . . .

The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.

With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.

In a world in which Great Britain has become a fascist state, a masked vigilante known only as “V” conducts guerrilla warfare against the oppressive British government. When V rescues a young woman from the secret police, he finds in her an ally with whom he can continue his fight to free the people of Britain.

After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.

In an effort to prove the existence of vampires, a film crew documents the daily routine and late-night stakeouts of a self-proclaimed vampire hunter.

With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead - or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.