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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com When it comes to horror, I'm always willing to give any film a shot, even when everything indicates it's probably going to be a massive failure. I'm admittedly not a SAW fanatic, despite quite enjoying the first two movies. After these, I can't even remember which installments I actually watched or not. Not even the most recent Jigsaw caught my attention. In preparation for Spiral, I tried to determine precisely how it would be placed in the saga's timeline, which proved to be a surprisingly challenging task. Basically, what matters for this film is that John Walker (Tobin Bell) and his work as the Jigsaw serial killer are acknowledged, making this a sequel. With that said… Unfortunately, Spiral doesn't change my opinion about the franchise. It's a formula-driven saga that no one really cares about too much anymore. In fact, I'm pretty shocked by the fact that this installment was even greenlit, having in mind the particularly sensitive times our society lives in. Countless movies and TV shows are held to stricter standards nowadays with the risk of getting canceled or boycotted if a certain subject is treated poorly. With so much gratuitous violence, it's surprising to see this franchise still alive. Boasting curious casting choices - Chris Rock leading a horror flick is definitely an attention-grabber - the extremely bloody, gory trap killings are packed with life-or-death dilemmas as always, which will surely please hardcore fans. However, these are just not as captivating or "fun" as before. This movie doesn't possess a single, memorable trap that surpasses any of the dozens (hundreds?) from before. Just like Josh Stolberg and Peter Goldfinger's screenplay, it's just another lazy, unsurprising variation of a well-known formula. To be fair, and I'm trusting other critics who watched all of the other installments, this is supposedly the version that separates the most from the structure people first witnessed in 2004 and 2005. Still, being different doesn't mean better, and the competition isn't exactly defined by masterpieces. From my perspective, Spiral is just another generic take on an overdone story. From the repetitively identical kidnapping sequences to the consequent traps, the potential of a great film depended on how Darren Lynn Bousman (SAW II, III, IV) and the duo of writers tackled the characters, mainly the protagonist. The lack of characterization is definitely a problem, but the baffling laziness in storytelling ruins the entire flow of the movie. With an overwhelming amount of flashbacks and an incredibly choppy, annoying editing work (Dev Singh), the non-stop heightened, super tense atmosphere transforms every single scene like it's the most crucial moment of the film. Consequently, a vast majority of the dialogues are characters screaming and cursing at each other in almost every interaction. The out-of-control tone negatively affects the cast's performances. Many people will look at Chris Rock (Dolemite Is My Name, Madagascar) and believe he's delivering an over-the-top display, but he's just following the chaotic environment established by the director. During the first minutes of the movie, Rock is amusing and funny as expected, but he's also able to tap his more dramatic side. However, when every single line of dialogue needs to be interpreted as if it's the most vital part of the film, very few actors can pull it off. Samuel L. Jackson (Glass, Spider-Man: Far From Home) is one of them, but his expectedly short screentime doesn't allow for much entertainment. Though it's always special seeing SLJ cursing at someone. Finally, SAW is also about finding out who is responsible for the disgusting game, and Spiral doesn't remove that essential block of narrative. The issue here is the lack of a jaw-dropping revelation. Obviously, this is as subjective as everything you just read until now, but I would be astonished if most viewers didn't guess who the new Jigsaw copycat is during the first act. I do want to end on a positive note, so I'll compliment the bold ending. It partially holds the studio against the wall in the sense that the probability of this movie getting a sequel being higher, which can make some viewers think it's too forced. I rather believe they just wanted to have an intense finale, which I can't really deny. Spiral might offer enough blood, gore, and brutal traps/murders to fans of the franchise, but overall it's still just another lazy, predictable take on the SAW formula. Despite the violently captivating life-or-death sequences, none stands out as an unforgettable moment. Josh Stolberg and Peter Goldfinger's screenplay lacks efficient character development, impactful revelations, and, honestly, a massive amount of creativity. From the repetitively tiresome flashbacks and kidnapping scenes to the extremely out-of-control tone, Darren Lynn Bousman isn't able to take the story to its potential. Everything is dialed up to its maximum as if every single line of dialogue needs to be screamed from the top of a mountain, which transforms the entire atmosphere into a chaotic environment. Chris Rock can't be the only one to blame for his over-tense line deliveries, especially when he starts so well. A strong yet abrupt ending doesn't compensate for such dull storytelling. I wish I could write that I'm disappointed, but I didn't have high expectations for this one. Rating: D+
The latest entry into the Saw series has a couple okay moments but otherwise this was pretty bad. The acting was probably the worst culprit, chiefly Chris Rock who sprinkles in his comedic rants while Samuel L. Jackson phones it in, not that he's given a whole lot to work with (including a hilariously bad fake mustache for a flashback scene). It's also really predictable as I called who the killer was early on. I'm okay with taking the series in a different direction as there was nowhere else to go with Jigsaw (and they stretched his story out a few movies too many) but this was a misfire. **2.0/5**
Chris Rock acting like Chris Rock with a daddy Samuel l Jackson acting like Samuel l Jackson in a weird twist of a movie that felt like a small short story in the saw series. It's not a bad movie but there's a few things that it lacked including more blood being spilled and more inventive traps. It kind of became more about the characters and less about what the spiral was trying to do which was copy jigsaw.
It was bad. The writing is bad. It could be better tho. Actors are not so great either. I don't know if it's just me or Chris Rock is not really suitable for his character. I just want to say kudos to the cinematographers. Love the cinematography of this film and editors as well!
In a quiet suburb, a boy finds a mysterious book rumored to hold supernatural power. He convinces his hesitant friend to explore the basement, where they awaken an ancient evil.
Chucky is reconstructed by a toy factory to dispel the negative publicity surrounding the doll, and tracks young Andy Barclay to a foster home where the chase begins again.
After a flight back home, Sam Hendrix returns with a doll he innocently acquired along the way. As it turns out, the doll is actually stuffed with heroin, and a group of criminals led by the ruthless Roat has followed Hendrix back to his place to retrieve it. When Hendrix leaves for business, the crooks make their move - and find his blind wife, Susy, alone in the apartment. Soon, a life-threatening game begins between Susy and the thugs.
Between the events of 'Saw' and 'Saw II', a sick and desperate John Kramer travels to Mexico for a risky and experimental medical procedure in hopes of a miracle cure for his cancer, only to discover the entire operation is a scam to defraud the most vulnerable. Armed with a newfound purpose, the infamous serial killer returns to his work, turning the tables on the con artists in his signature visceral way through devious, deranged, and ingenious traps.
This time around, Chucky and his homicidal honey, Tiffany, are brought back to life by their orphan offspring, Glen. Then the horror goes Hollywood as Chucky unleashes his own brand of murderous mayhem!
After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she's been admitted for Myers' attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favorite victim.
Just when you thought it was safe to sleep, Freddy Krueger returns in this sixth installment of the Nightmare on Elm Street films, as psychologist Maggie Burroughs, tormented by recurring nightmares, meets a patient with the same horrific dreams. Their quest for answers leads to a certain house on Elm Street - where the nightmares become reality.
After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
Mark 13 is a government-built killing machine programmed with artificial intelligence, able to repair and recharge itself from any energy source. Through a series of coincidences, the cyborg's head ends up in the home of a sculptress as a bizarre Christmas present from her boyfriend. Once inside its new home, the cyborg promptly reconstructs the rest of its body using a variety of household utensils and proceeds to go on a murderous rampage.
Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something far more sinister.