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Producer Michael Bay steered this remake of the infamous 1970's horror flick, without bringing in anything new. When I first saw the trailer for this version of the story, I thought it looked a lot like a hurried sequel to the contemporary silly release "Wrong Turn." Five youths on their way to a Lynyrd Skynyrd concert pick up a young hitchhiker who commits suicide in the back of their van. Looking for help, and a little common sense, they stumble upon a weird family and their chainsaw wielding offspring. Much violence and such ensues. While the first TCM was not perfect, I eventually learned to love the shaky camera, lousy sound, and cheap look. One reason that film worked for me was the fact that much of the horror took place in blinding daylight, the cast was hot and uncomfortable, and it showed. In this version, even with the original's director of photography, most of the shots are too calculated. The horrors in the dark are not all that horrifying. This might be the rantings of a jaded horror film fan, but I never got the same feeling of unease as I did in the first film. Much of the original's story has been changed as film makers tried to keep the audience guessing by not doing a shot by shot remake, like Gus Van Sant's "Psycho." The absolute lunacy of the first film's family was strange enough, here the members are more dimwitted than scary. This lessens the impact of Leatherface's scenes. You know he is the worst it can get, you don't have an equally sick family to fall back on. One disappointing scene involves the heroine Erin (Jessica Biel) running to a trailer and meeting two women who will obviously not help her. Instead of being a tense moment, where mind games involving drinking a seemingly harmless cup of tea could be played out, the women are there for nothing more than exposition, blaming Leatherface's penchant to kill on being teased when he was younger for a degenerative skin disease. The five victims all meld together, Nispel's direction is okay, but the cinematography is too nice for this type of horror film. The black and white scratchy scenes recall TV's "Millennium" or "The Blair Witch Project." If I would compare "The Texas Chainsaw Massacre" to anything, it would be the terrible sequels that came out after the original "The Texas Chainsaw Massacre" to that point. Just one was watchable, "Leatherface," but with the exception of Part 2, they were all simply remakes of the original film. Most direct to video sequels do that now, and while this film tries to be something different, it is simply a remake that cannot match the original. As Leatherface and the clan enter a new millennium, their wrinkles were showing.
Four people return to the haunted woods where their friend was eaten by an ancient monster. Because they want to fight it. Because they're stupid.
By order of the sheriff, a freshly transferred deputy must spend the night in a remote shed with only a flashlight, a shotgun, and a promise that he's fulfilling the oldest tradition in Beecher's Gate.
When a masked killer slaughters several campers in a small town, a sheriff and a deputy track the murderer to a local diner where, using their investigative skills, they must discover which person in the diner is the actual killer.
Officer Joe Vickers would probably make a good policeman if it weren't for his two nasty habits. Firstly, he is a devoted satanist; secondly - he likes to kill people. When he meets a group of teenagers spending their vacation in a wood hut, he decides to investigate.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
When a young journalist dies in violent circumstances, her brother soon learns, by way of the mysterious Stefan Crosscoe, that his sister has succumbed to the werewolf curse.
Jakob Kelser is a lonely man living in a run-down house on the edge of a council estate. After enduring weeks of aggrevation and torment from local youths , Jacob, in a last-ditch attempt to once again lead a normal life, plots his revenge on his unsuspecting tormentors. One by one, they're be taught a lesson. One by one, they meet their deaths.
The comic book has come to life. Tim Thomerson is “Samurai Priest Vampire Hunter” and he is on an epic chase to track down a clique of vampires. Clean blood is in short supply due to drugs, liquor, prescription pills, and common diseases causing mutations, starvation, and infighting. The vampires seek out Macks “The Blood Pusher” (Ken Foree) to understand who this mysterious priest is and why this hunt is personal!
A prudish married couple feel put upon by the swingers living in their apartment building. One night, by accident, they discover a way to both rid themselves of the “perverts” down the hall and simultaneously realize their dream of opening a restaurant.
A pseudo-documentary edited from the home movies of serial killers Wayne & Andrea Montgomery, presenting a look into their quiet, suburban lives...as well as the graphic & disturbing details of their horrific crimes.
The master of Italian horror, Lucio Fulci, stars as... Lucio Fulci, a filmmaker with a reputation for gruesome horror films. His body of work has started to plague his mental state, and he is haunted by the grotesque set-pieces his mind has conjured up during his career. His psychiatrist, Egon Schwarz, uses a hypnotised Fulci as an avatar to carry out his own disturbed fantasies, in hopes of ruining the master’s reputation once and for all.
