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We all go a little sequel crazy sometimes. 22 years after the murderous and maniacal events at Bates Motel, Norman Bates, freshly released from a mental institution, is back home; and the spectre of ”Mother” is waiting to greet him. We could say it was a cynical attempt at latching onto the coat tails of the 1980s slasher boom, but in spite of having the unenviable task of being a sequel to a masterpiece, Psycho II is a rather nifty sequel. Director Richard Franklin is helped by having Anthony Perkins and Vera Miles heading up the cast list, this gives the film instant credibility, and while the mighty spectre of Hitchcock looms large, Franklin doesn’t copy the maestro and brings his own visual smarts to the piece. Tom Holland’s screenplay doesn’t mimic either, expanding the Bates story with a series of quality twists whilst keeping the mystery element strong and the gripping factor on the high heat. Dean Cundey (cinematography) and Jerry Goldsmith (music) round out the strong points of the film’s tech credits. Not to be dismissed as a lazy cash in, this is well worth a look. Great ending as well! 7/10
When phantoms of the past won’t let you live in peace After 22 years at an asylum, Norman Bates (Anthony Hopkins) is declared sane and released, which is radically opposed by Lila Loomis, AKA Lila Crane from the original movie (Vera Miles). Norman goes back to his deceased mother’s house & motel where he befriends a compassionate local waitress (Meg Tilly). Unfortunately, some unforgiving locals won’t let him live in peace. The first half of “Psycho II” (1983) is a compelling continuation of the classic 1960 film whereupon there’s an unexpected plot development around the mid-point (which is great, by the way). From there, the events tend to bog down inside the creepy house with somewhat contrived twists & turns as the creators try to keep you confused as to who’s killing who. Thankfully, everything is sort of explained at the end with another revelation and what happened makes sense if you think about it. I say “sort of” because the truth isn’t fully spelled out. I appreciate that the film respects the intelligence of the viewer, but they should’ve made it a little clearer IMHO. In any case, “Psycho II” includes several elements of the original while expanding on the story. What’s great about the Psycho franchise is that it has its own story and Norman is a sympathetic character. It’s really a tragedy and not like the typical slasher where the antagonist is a zombie-like killing machine and its victims are mostly partying teenagers. The film runs 1 hour, 53 minutes and, like the first film, was shot at the backlot of Universal Studios, Universal City, California. GRADE: B EXPLANATION ***SPOILER ALERT*** (Don’t read further unless you’ve seen the film) Miss Spool killed Toomey, the boy and Lila. Mary’s killing of Dr. Raymond was unintentional. Lila was a vindictive biyatch, but she wasn’t a killer. The only time Norman kills anyone is Miss Spool at the end. As far as her being Norman’s real mother or not, see “Psycho III” (1986).
Good movie!
In the wake of a career-ending scandal, disgraced lawyer Lawson Russell moves to Key West, where he befriends aging novelist Christopher Marlowe. After letting Russell borrow his latest manuscript, Marlowe dies of a heart attack. When Russell publishes the dead man's manuscript under his own name, he makes the best-seller list—and unwittingly becomes the prime suspect in the investigation of a grisly multiple homicide.
When Dr Frankenstein decides to retire from the monster-making business, he calls an international roster of monsters to a creepy convention to elect his successor. Everyone is there including Dracula, The Werewolf, The Creature, Dr Jekyll & Mr Hyde and many more. But Frankenstein's title is not all that is at stake. The famous doctor has also discovered the secret of total destruction that must not fall into the wrong hands!
Settled into a cozy home life in Milan with his boyfriend Paolo and his daughter Julia, photographer and ex-spy Jacob Keane is suddenly drawn back into the espionage world when his old partner Marta reappears with her memory erased.
Steven Seagal stars in this gritty, no-holds barred action film as an elite ex-cop with a gambling problem and a mountain of debt. When a mysterious man offers to clear his debts in exchange for the assassination of the city's most notorious gangsters, he make s decision that will change his life - forever.
Seagal plays a man with a dark and violent past, who seeks revenge for the murder of his son.
Jessica (Wynn Everett) travels to New York City to help her sister but she is nowhere to be found. As she delves into a world of darkness and lies surrounding a spiritually depraved community calling itself 'The Collective' with her friend Tyler (Kelly Overton) she has to decide if she will risk her life to save her sister.
A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before he is fascinated by her and agrees. She wishes to learn a particular thrust which he is famous for. When a local nobleman becomes involved with her the intrigue begins.
After nine celebrities accept an invitation to visit a remote island, they find themselves trapped with a mysterious killer hunting them down.
"The Sea Hornet" was a merchant ship sunk, supposedly by a torpedo, less than a mile off the California Coast during World War Two. Six years later when his buddy is killed, attempting to blow up the sunken ship, on the orders of Suntan Radford and Tony Sullivan, deep-sea diver "Gunner" McNeil has his suspicions aroused... especially since Suntan is the daughter of the ship's captain that died when the ship sunk, and Sullivan was a crew member. Plus the fact the ship had over a million dollars in cash on board. During the course of his investigation, he becomes romantically involved with Ginger Sullivan
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.