'LSD': Trip or Trap!

The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison.

Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.

Handbook of Movie Theaters’ History is a documentary about the history, the development in the present days and the future of movie theaters in the city of Turin, Italy. It mixes the documentary language with comedy and fiction, and is enriched by interviews to some of the most important voices of Turin cinematography. The film follows the evolution of movie theaters by enlightening its main milestones: the pre-cinema experiences in the late 19th Century, the colossals and the movie cathedrals of the silent era, the arthouse theaters, the National Museum of Cinema, the Torino Film Festival, the movie theaters system today and the main hypothesis about its future.

It's time to harvest the wheat on the farm so Farmer Tom shows Tractor Ted and Midge the dog the combine harvester that he needs for the job. It's so gigantic that Midge can't even see over the wheels.

Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock's soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight.

Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

Steve Moore is sixteen and lives with his younger sister, mother Cheryl and her boyfriend John, in a modest house in Bakersfield, California. An abusive and often intoxicated man, John rules the household, and though his attacks on Steve result in emergency hospital visits, Cheryl's loyalty is to her boyfriend. To protect her relationship with John, she "ditches" her son, having him arrested and locked in a correctional "mental" facility, before coercing her older brother Burt, who lives in Hollywood, to take him. Steve quickly discovers that Burt cannot even provide temporary lodging, but an administrator at his new high school directs him to a shelter for runaway kids where he soon learns to navigate his way.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

During the last half-century, Cambodia has witnessed genocide, decades of war and the collapse of social order. Now, documentary filmmaker Rithy Panh looks at an irreparable tragedy that is less visible, yet no less pervasive: the spiritual death that results when young women are forced into prostitution. Angry and impassioned, PAPER CANNOT WRAP UP EMBERS presents the searing stories of poor Asian women whose lives were violated and their destinies destroyed when their bodies were turned into items of sexual commerce.