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**_Quest for freedom_** If you can't handle the counterculture movement of the late 60s and early 70s and all that went with it (hippies, drugs, skinny dipping, free sex and communes) I suggest staying away from "Easy Rider." For everyone else, this is an excellent period piece of the late 60s (shot in 1968) that explores the nature of freedom and the quest thereof. Peter Fonda and Dennis Hopper star as Wyatt and Billy, two hippies who travel by choppers from Los Angeles to New Orleans to attend the Mardi Gras. Along the way they experience gorgeous landscapes, a commune, jail, new friends, unexpected enemies, drugs galore and a brothel when they arrive. Jack Nicholson stands out as one of the friends they meet; while the beautiful Karen black & Toni Basil star as two prostitutes in New Orleans. What makes "Easy Rider" great is that it's more than just a road adventure with a modern Western garnish (i.e. Cowboys on motorized "horses"). The film has depth that separates it from the typical biker flicks of that era. It's really about freedom or the lack thereof. Wyatt and Billy certainly have some grasp of freedom - and they desperately pursue it - but they're ironically so shackled by their OWN carnal desires and growing addictions that the most they attain is a piece of it. Wyatt laments near the end of the film: "We blew it; we really blew it" as he realizes freedom has slipped through their fingers like water. Nicholson's character, George, has more of handle on what's going on, but he obviously has his own issues. The hippies at the commune seem to have escaped society's shackles but to what end? There's a reason communes never really caught on in America, and the film shows why. In an interview with Rolling Stone in the early 70s, Fonda pointed out that Wyatt represented everybody who feels that freedom can be bought, that you can find freedom through other things, like riding motorcycles across the country or smoking pot. He confessed that "Easy Rider" is actually about the LACK of freedom in modern Western Civilization. Wyatt and Billy are not right, they're wrong. So the most fitting thing the writers (Fonda & Hopper) could do in the end was... (I can't give away the climax). In a sense, they were committing self-destruction, which Fonda claimed America was doing. He said viewers often respond to the end by lamenting, "Look at those terrible rednecks, blah, blah, blah." But "Easy Rider," he pointed out, is a Southern term for a prostitute's man, not a pimp, but the dude who lives with her. He's got the easy ride. And that's what he claims happened to America - liberty's become a prostitute, and we're all taking the easy ride. So what's the answer? The answer's there and it's pretty clear, but I won't hand-feed it to anyone. Seek and you will find. This might give you some food for thought the next time you catch the film. Some modern viewers with ADHD criticize the film as boring, but I find it strangely engrossing from beginning to end. The climax is equal parts sudden, powerful, shocking and unforgettable. The film runs 1 hour, 35 minutes, and was shot in California, Arizona, New Mexico, Utah (Monument Valley) and Louisiana. GRADE: A
Powerful, uncompromising drama about two boys' struggle for survival in the nightmare world of Britain's notorious Borstal Reformatory.
The divergent lives of twin brothers, Raúl, a violent policeman, and Valentín, a mentally handicapped man, cross paths again when the former decides to visit his family.
A Christian missionary group is abducted by Islamic rebels. In fear for their lives, the group slowly sees their faith in each other slip away.
A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.
Despite her sheltered upbringing, Jenny is a teen with a bright future; she's smart, pretty, and has aspirations of attending Oxford University. When David, a charming but much older suitor, motors into her life in a shiny automobile, Jenny gets a taste of adult life that she won't soon forget.
After 30 years of searching, Harry has finally met the girl of his dreams. Unfortunately, before they even have a chance to go on their first date, Harry intercepts some chilling news: WWIII has begun and nuclear missiles will destroy Los Angeles in less than an hour!
In a post-apocalyptic world where the Russians have taken over a nuked USA and Elvis is king of Lost Vegas, Buddy is a '50s rocker and wandering warrior rolled into one, too-cool package. Armed with his six-string in one hand and his sword in the other, Buddy is on his way to Vegas to succeed Elvis as King. Along the way, he saves an orphan who decides to tag along.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
A young man who loses his job is trapped in a small town that has fallen victim to economic ruin. He resorts to extreme measures to escape and start a new life.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
12 y.o. Jewish girl Dinka studies at Machon (Jewish orthodox orphanage). Lone middle-aged Hana, the Machon headmistress, exerts best efforts to educate girls in the spirit of Jewish tradition and to protect them from the temptations of the outside world. Once Dinka has watched a boring b-movie on TV and felt in love with Hollywood actor David Travis, a muscular handsome moustachette. She decides to marry him by the Talmudic rules and writes letters to Hollywood.