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Shattering expose of the fallible human condition. What to say about Darren Aronofsky's Requiem for a Dream that hasn't been said already? Without doubt it's a film, that in spite of its high standing on the main movie sites, polarises opinions. It's a film that in simple terms follows four people through their addictions until the shattering denouement, but the journey is made more bleak by offering tantalising snatches of hope, the dreams of the protags offered up as some sort of goals for the addicts to cling on to - only for the narrative to stick in its rusty serrated blade to draw the lifeblood from the hapless hopefuls. Arononfsky brings a multitude of technical skills to the party that emphasise the emotional discord on show. Standard split-screening is married up with rapid cutting, isolated framing, close ups, long tracking and Snorricam, all of which is sound tracked by Clint Mansell's haunting musical composition. All told it's an assault on all the senses and terrifying with it, boosted no end by Aronofsky getting top performances from his cast of actors. Love it or hate it, it's a film that simply can't be ignored, unsparing cinema produced by a most gifted director. 9/10
Only my second viewing of this, last time probably was when it came out on DVD, and not one I'll re-watch anytime soon, but still a great drama featuring incredible performances, most notably Ellen Burstyn who was worthy of her Oscar nomination. Has some darkly wild moments and a swing in tones, guess giving viewers insights into the highs and lows of heroine use. Not entertaining in so much as fascinating film worth it for some of the visuals and acting. **4.5/5**
I've never been so afraid of a refrigerator.
Requiem for a Dream is a psychological drama movie by Darren Aronofsky, based on a 1978 book of the same name by Hubert Selby (1928-2004) that passes in NY in the 70's era of drugs. The book was written already with Hubert thinking about a movie and had a screenplay for it and approached Aronofsky with it in hands, and Darren rewrote the screen with the help of the writer plus directed the film, being his second official movie after Pi. With a small cast of protagonists Ellen Burstyn (Sara Goldfarb) mother of Jared Leto (Harry Goldfarb), Jennifer Connelly as Marion Silver (Harry girlfriend) and Marlon Wayans as Tyrone C. Love (Harry's friend). It passes in the four stations of one year of 70 to 80's in New York Coney Island district - Sara's son Harry is a drug addicted drop out jew student of high college that constantly sells his mother TV set to pay for various drug including heroin, crack and marihuana, aided by his friend Marlon. He has a, aspiring fashion student addicted as well and share his drugs with her. The plot follows a drug enriched summer through the months each one reflecting the drugs effect from the use, high and withdraw with the seasons, involving also Sara as she is a lonely widow that lives watching shows on television about weighting loss and dreams to be in one. One day she receives a letter saying that she was selected to maybe star on one of those and after failing diet she tries to loose weight with prescribed drugs that induces to addiction as the body arrange itself with the dose. This drama as most of Aronofsky's movie have a very different way of showing up the passing of time and the drugs, into a magnificent and frenetic way as I must say - I am an Aronofsky fan, and at least for me. he is into my top 10 directors/ writers list. The acting of young Leto and Connelly in the start of career are superb and Ellen Burstyn won an Oscar for her performance. It isn't an easy movie to watch but it shows the way drugs act in a realistic way of euphoria in short bursts hip hop sequences and the sudden drastic effect of withdraw as it wrecks the life of the protagonists. Especially towards the end the movie is very heavy to watch, as expected especially at the start of the 2000's. Several cinematography techniques as split screen, timelapses, long shots and close-ups are used, and editing was strenuous using as 4 times more sequences than an usual movie due to the frenetic nature of drug use. As Aronofsky was into the start of his career I suspect he was not indicated to more Academy awards like editing, cinematography and original soundtrack (using string quartet arrangements of Kronos Quartet) written by Pulitzer Prize-winning composer David Lang. Even now, 20 years after the making it is an very enjoyable and a must see movie like the director works to understand how revolutionary it was at the time. It is as important to drug addiction as Kids was to Sex (never watched Trainspotting so I can't correlate). For my an easy 9.5 out of 10.0 / A + and a masterpiece of traditional techniques that is a must see to any cinema lover.
Dr. Jenny Isaksson is a psychiatrist whose temporary position at a mental hospital offers only modest responsibilities. With her husband out of the country for a seminar and her daughter at camp, Jenny moves in with her grandparents, expecting a relaxing few months. But it isn't long before unpleasant memories of her childhood, the sudden appearance of strange apparitions, and a near-rape push this otherwise stable woman to the very edge of sanity.
15-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.
Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.
A group of ruthless convicts is led to prison through an inhospitable mountain range by a small cavalry detachment commanded by Sergeant Brown, who is accompanied by his young and beautiful daughter.
As two brothers fall in love with the same woman they must come to grips with the accidental death of their father in this sensitive drama set in Miami.
The various faces of youth and people in an enclosed space of a convenience store for 12 hours.
Ezequiel, a sixteen-year-old gay teenager in his sexual awakening, meets a boy of twenty-one. They quickly start a relationship and the situation unravels unexpectedly.
What would you do if you came home and found your wife dead? Do you call the cops? Her parents? That's where the true nightmare begins. A story of love and addiction. An experimental docudrama made by Perry Farrell
A lesbian teacher (Kanako Kishi) comes to Tokyo in search of her student (Ichiko Kamata), who has dropped out of high school and started living with a bomb-making terrorist (Takeshi Ito).
I (Ken MItsuishi), documentary video maker, saw a guy named YUDA (Kazuma Honda) in middle of Tokyo. I was curious about Yuda and begun following him around, but one day he disappeared with my video camera. A couple months later, a lady name Michi Nakamura (Yukiko Okamoto) came to my office. She had the strap of my video camera that Yuda stole from me, and said she saw the address that was on the strap, so she came here. I asked her about Yuda, and she told me that he was dead. Right after she left my office, she was hit by a car, I visited her in hospital and she begins to tell me about the mysterious story of her and Yuda.
In an ever-expanding but nondescript North American city, Christophe, a middle-aged businessman, unexpectedly encounters Micha, a Russian acrobat recovering from an injury, while house-hunting. An instant attraction is quickly consummated and they embark on a torrid affair that helps each of them cope with their respective trials. A provocative, poignant drama about intimacy in an age of anonymity.