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There's a genuine sense of creeping biological dread in "The Sputnik". Obviously, the immediate point of gravity for this film is Ridley Scotts 1979 film "Alien". Let me start by saying the resemblance is only superifcal. This is very much its own film. Unlike "Alien" that ramps up the pace as the terror increases, The Sputnik is a slow burn sci fi. Yes, its an alien monster mash up but utlimately its as much psychological, as it is literal. Does it work? Well, sort of. There's some moments of genuine tension and terror, as well as a sickening sense of what people are capable of doing, to each other. Who's the real monster is a question that sticks its ugly head up. Action is on offer too but its very brief and over almost before it begins. Whats left is interesting but does not serve up enough "bite" on the action or psychological terror front, to really amount to more than a entree, when a main is called for. 6/10 from me.
Egor Abramenko's movie puts the characters in perilous situations where no answer seems like the right answer, leaving you wanting to know what happens next, and keeping the audience engaged. Although it doesn't reinvent the wheel, 'Sputnik' is an effective monster flick that touches upon human nature and the moral choices people have to make when it comes to life and death. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-sputnik-a-familiar-lethal-movie-monster
If you watched the excellent "Life" sci-fi horror thriller, this is its spiritual sequel. A cosmonaut returns with an alien life form in this slow-burn Russian export.
Wow. There is a lot to praise here. The cinematography, score, and writing are all excellent. The acting is very strong, from Oksana Akinshina (who hasn't changed a bit since playing a minor but important role in The Bourne Supremacy) to Pyotr Fyodorov, nearly the entire cast is excellent. 4 out of 5 mainly because I have no benchmark. Hope to see more excellent films like this from Russia in the next few years.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
Followup movie to the TV series about 250,000 aliens, or "newcomers" as they are known, who have by now settled alongside the humans in California. Most of the newcomers were slaves, and the slave masters are now looking for them. They send Aponso to earth to locate the slaves ready for the aliens to pick them up.
A nurse in the Red Crescent (the Turkish equivalent of the Red Cross) fights to save the populace during a plague.
USSR, June 1985. After contact with the Salyut 7 space station is lost, cosmonauts Vladimir Dzhanibekov and Viktor Savinykh dock with the empty, frozen craft, and bring her back to life. Based on actual events.
He is Kikuji Murao (Etsushi Toyokawa), a former best-selling novelist who has had a decade-long dry spell that has reduced him to university teaching and magazine hackery. After divorcing his wife (Reiko Takashima) and leaving behind his teenage daughter (Shihori Kanjiya), he meets Fuyuka Irie (Shinobu Terajima), a housewife and mother of three who is a longtime fan.
The story of how social networks and instant messengers are changing the life of a modern person. It has been several years since a 16-year-old teenager posted a photo of his girlfriend in the general chat, hoping to boast to friends. Now he has a happy adult life: work, friends, fiance Katya, who is about to become his wife. But the Internet makes you remember teenage love, after which a chain of inexplicable mystical events occurs with the future wife of a young man. The girl receives mysterious messages from her fiance's past. Because of them, her life turns into a nightmare.
After a relaxing anniversary cruise, Andrea and his wife Barbara are dropped off in Istanbul, Turkey. There, they meet Andrea’s reserved assistant Silvia and his Turkish colleague Omar, who hasn’t been back to his home country in fifteen years. Andrea’s secretary has arranged a luxurious seafront villa for them to stay in while they’re in the country. Upon arriving at the villa, Omar experiences an unsettling feeling of déjà vu, as though he has been in the house before, while the married couple can’t stop bickering. However, the vacation soon turns into a nightmare when mysterious and deadly events begin to unfold.