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Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
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Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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The Last Word with Lawrence ODonnell - (Mar 28th)
TNA iMPACT - (Mar 28th)
Doctor Odyssey - (Mar 28th)
Bang Rak Soi 9/1 - (Mar 28th)
Yellowjackets - (Mar 28th)
Power Book III- Raising Kanan - (Mar 28th)
The Trades - (Mar 28th)
The Rachel Maddow Show - (Mar 28th)
Gardening Australia - (Mar 28th)
Tonight - (Mar 28th)
All In with Chris Hayes - (Mar 28th)
Deadline- White House - (Mar 28th)
Fight for Glory- 2024 World Series - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Dope Thief - (Mar 28th)
The Pitt - (Mar 28th)
Booked- First Day In - (Mar 27th)
Four in a Bed - (Mar 28th)
Greys Anatomy - (Mar 28th)
Emergency Room 24 Hours - (Mar 27th)
"Harker" (Bruno Ganz) travels to remote Transylvania where he is to help "Count Dracula" (Klaus Kinski) buy a new home in his hometown of Wismar. Why? Well that's because he has fallen in love with a photograph of his beautiful wife "Lucy" (Isabelle Adjani) and has determined to make her his immortal bride. "Harker" had been warned by the locals of the dangers of visiting the "Count" but he pressed on regardless, so ought not to have been surprised when his host absconds from his castle on a schooner laden with coffins, soil and a deadly plague of rats so he can ensnare his innocent young wife. Can he race back home in time to thwart this evil? There's nothing especially new about the chronology of the story here, it's the characterisation of the vampire that helps this stand out. It's obvious from the start that "Dracula" is not of human kind. Contrasting with most interpretations of the title role, Kinski and Warner Herzog attempt to imbue "Dracula" with a degree of humanity. He doles out his lusts left, right and centre upon the innocent, spreading plague and disaster wherever he goes, but he too is cursed. By his own immortality, by his search for some kind of fulfilment or contentedness. This isn't a depiction riddled with sharp teeth and ketchup, it's much more subtle, refined even, telling of a character that it's almost impossible not to feel sorry for. The production itself has dated rather badly, and at times it did remind me of one of these "Sherlock Holmes" remakes, but the thrust of the story is still interestingly different to the normal depiction of this epitome of evil and worth sticking with.
When old-school monsters Frank, Drac and Wolf are deemed "fun" by a court of elders, they're ordered to scare a suburban family or risk a sentence of party entertainers for eternity.
Five different criminals face imminent death after botching a job quite badly.
Episodic journey of journalist Marcello who struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
John Shaft is back as the lady-loved black detective cop on the search for the murderer of a client.
A packed cruise ship traveling the Atlantic is hit and overturned by a massive wave, compelling the passengers to begin a dramatic fight for their lives.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
British estate agent Renfield travels to Transylvania to meet the mysterious Count Dracula, who is interested in leasing a castle in London. After Dracula enslaves Renfield and drives him to insanity, the pair sail to London together and Dracula, a secret vampire, begins preying on London socialites.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.