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During the course of an ordinary week in Hollywood, movie producer Ben must navigate his way through shark-infested waters as he struggles to complete his latest projects. A demanding studio boss demands extensive changes to a movie starring Sean Penn, while another chief won't greenlight a project unless star Bruce Willis shaves his beard. Meanwhile, Ben tries to reconcile with his wife and maintain a relationship with his young daughter.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
Kōhei is a former competitive swimmer who lives an ordinary life with his wife and high school daughter. One day, his wife suddenly asks him for a divorce. He then has a fateful encounter in Tokyo’s gay district, Shinjuku Ni-chōme, with a beautiful boy named Yūtaka. Yūtaka dreams of becoming an animator while working as an online chat boy. At the same time, he is struggling to tell his father that he is gay. They are both confused but eventually become attracted to each other. Then, they have sex. One day they make love, and the next day they hurt each other. Through these emotional ups and downs, their relationship grows deeper and deeper.
When two hairdressers turn to contract killing, their relationship begins to crumble as one of them struggles to reconcile the guilt of cold-blooded murder.
Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost - love, excitement, passion - this classic American independent film explores themes of aging and alienation.
A marriage. A re-marriage. A pending divorce. It's been five years since Kukoo and Nainaa got married after knowing each other practically all their lives, and now they need to break it to their family that they want a divorce. Kukoo's parents, Bheem and Geeta, a couple that everyone looks up to, have no plans of making Kukoo and Naina's lives easier. They have their own plans and set of surprises in store for the young couple; all this in the middle of Kukoo's sister's wedding.