Greedy People 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
Cabrini 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
Operation Undead 2024 - Movies (Nov 28th)
The Lady of the Lake 2024 - Movies (Nov 27th)
Our Little Secret 2024 - Movies (Nov 27th)
The King Tide 2023 - Movies (Nov 26th)
Alien Romulus 2024 - Movies (Nov 26th)
Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
Ballistic 2024 - Movies (Nov 26th)
Letters at Christmas 2024 - Movies (Nov 26th)
Elevation 2024 - Movies (Nov 26th)
Conclave 2024 - Movies (Nov 26th)
Here 2024 - Movies (Nov 26th)
Watchmen Chapter II 2024 - Movies (Nov 26th)
Holidazed - (Nov 28th)
Smoggie Queens - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Love Island Australia - (Nov 28th)
Big Freedia Means Business - (Nov 28th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
"Zhenya" (Maryana Spivak) and husband "Boris" (Aleksey Rozin) are in the final throes off their divorce proceedings and boy, can't that come soon enough. Their relationship has become the epitome of toxicity and is seriously stressing out their son "Alyosha" (Matvey Novikov). Not only must he share their small flat with them, but he must also listen to their increasingly caustic conversations that frequently concern him and his custody. I'm not sure his self-obsessed parents realise that he can hear every word and indeed it's probably forty-eight hours before either of them realise that they haven't seen him for a while. They try his friends - of whom he has few, his school and trawl the neighbourhood. All to no avail so the police are called in and the search becomes more urgent. Has he just fled to get some loving affection and attention from his warring parents or is something more sinister afoot? What is curious to start with here is that this couple could ever have loved each other in the first place. He's about as selfish as it's possible to be and she, well she's a pretty ghastly piece of work - a chip off the old block when we meet her equally odious mother (Natalya Potapova). The film doesn't conclude in any traditional sense but the photography in an abandoned building towards the end (part one) offers us quite an allegorical look at that which was once functional and even good is now rotting away through neglect and indifference. The part two of the end takes us forwards a few years and without providing us with answers, does make some suggestions that seem to fit complementarily with the whole bleakness of this analysis of human nature at it's most introspectively angry and egotistical. The acting from the two principles is taut and plausible and the effective depiction of negative energy is potent throughout - even when they need to work together. Aptly titled, then again maybe not entirely?
A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.
The architect Daniel Brenner is in his late thirties when he receives his first challenging and lucrative commission: to design a cultural center for a satellite town in East-Berlin. He accepts the offer under the condition that he gets to choose who he works with. This way, he reunites with former colleagues and friends - most of them architects or students of architecture who have since chosen a different profession due to personal restraint or economic confinement. Together, they develop a concept which they hope will be more appealing to the public than the conventional and dull constructions common to the German Democratic Republic. However, their ambitious plans are once and again foiled by their conservative supervisors. As frustration grows, Daniel has trouble keeping his career in balance with his family-life: his wife Wanda wants to leave for West-Germany.
During the course of an ordinary week in Hollywood, movie producer Ben must navigate his way through shark-infested waters as he struggles to complete his latest projects. A demanding studio boss demands extensive changes to a movie starring Sean Penn, while another chief won't greenlight a project unless star Bruce Willis shaves his beard. Meanwhile, Ben tries to reconcile with his wife and maintain a relationship with his young daughter.
Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
2016 Indian Malayalam childrens film directed by Midhun Manuel Thomas and written by Thomas and John Manthrichal. Produced by Alice George under the banner of Goodwill Entertainments, the film stars Baby Sara, Sunny Wayne, and Aju Varghese.
Ane and Thomas are in the middle of a divorce - when Ane suddenly suffers a stroke. They decide to stay together until Ane gets back on her feet, but as she struggles to return to life, love manifests where they least expected it.
Shot in eleven days in the countryside of Southern Belgium, Gerda 85 is the first feature-length movie made by Patricia Gélise and Nicolas Deschuyteneer. Inspired by their own lives, they draw a portrait of a young girl in the mid-1980s. This low-budget and self-produced movie travels though Gerda's interior life in the particular context of those somewhat troubled times. The film is part of that branch of independent film which is working to discover a free form made from ruptures and experiments Saturated with the music of its time - New Wave from the beginning of the 80s - the movie is also a portrait of fractured youth, trying to make sense of a life crossed by a history of disillusionment.
Co-workers question their marriages for a variety of issues, including anger management, child-like spouses and manipulative stepchildren. Will their relationships be mended or end in divorce?
A story about a karaoke-addicted old woman struggling with her self-worth and a sense of betrayal at her long-lost husband's funeral where she encounters his younger and more sophisticated girlfriend while she finds out her kids might have been secretly in touch with her late husband all these years.