War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Through the Door 2024 - Movies (Mar 27th)
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England’s Lions The New Generation 2025 - Movies (Mar 26th)
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Listen, you moron! I am here to stay and if you don't wanna be in my life, you've got two choices. Move out or Ring out! That's it! End of File! G.I. Jane is directed by Ridley Scott and written by David Twohy and Danielle Alexandra. It stars Demi Moore, Vigo Mortensen, Anne Bancroft, Jason Beghe, John Michael Higgins and Kevin Gage. Music is by Trevor Jones and cinematography by Hugh Johnson. A female Senator succeeds in enrolling a woman into Combined Reconnaissance Team training (Navy Seals) where everyone expects her to fail. Having made a telling feminist mark with his excellent Thelma and Louise in 1991, Ridley Scott picks up the lady baton once again only to drop it half way through. This is a film of confused messages, what starts out as a worthwhile story involving a woman trying to overcome extreme prejudices in one of America's elite fighting forces, ends up as a gung-ho hoorah movie with Jane having "manned" up. Things aren't helped by the sheer ridiculousness of the treatment meted out to Jane by her superior in training, Master Chief John James Urgayle (Mortensen suitably vile), so much so you would like to think if that sort of stuff goes on then arrests should be made. Daftness also comes by way of the superior officers prancing around training camp in the world's tightest shorts, one would think they must be on their way to "The Blue Oyster Bar"... Things are further compounded by the fact that as committed as Moore is in the title role, and she is and gives it her all, one can't buy into the characterisation because you simply are watching Demi Moore the actress. Shaved head and beefed up she may be, but this is still one of the highest paid actresses of her era, the characterisation thin on the ground with no depth. The political machinations at work barely get time to breath in fact the key mid-point tonal political shift is given short shrift. Stylisation as one would expect from Scott, is super, as is his control of top draw action sequences. But the cock-eyed view of a woman in a man's world is hard to swallow, and although it mostly entertains, it's ultimately a shallow exercise. 5/10
A man stranded in the Arctic is finally about to receive his long awaited rescue. However, after a tragic accident, his opportunity is lost and he must then decide whether to remain in the relative safety of his camp or embark on a deadly trek through the unknown for potential salvation.
The 203rd Air Mage Battalion led by Tanya is forced to fight in the southern desert, the front line. In an effort to provide some food for the harsh conditions, Colonel Rerugen sent dried pasta to the battlefield. Will Tanya and the others be able to eat the delicious pasta under the conditions of water shortage?
In sixth-century Mecca, Prophet Muhammad receives his first revelation from God as a messenger. Three years later, he's not alone in his quest and publicly declares his prophecy. Muhammad is fought by Abu Sufian and his wife Hind, rulers of Mecca. Muhammad's followers are hunted and tortured but he continues his calling.
This movie tells the story of Omar Mukhtar, an Arab Muslim rebel who fought against the Italian conquest of Libya during the second Italo-Senussi War. It gives western viewers a glimpse into this little-known region and chapter of history, and exposes the savage means by which the conquering army attempted to subdue the natives.
Intrepid photojournalist Emanuelle arrives in San Francisco, where she briefly meets up with fellow journalist - and fellow feminist - Cora Norman, before being whisked off to India to investigate a guru con artist.
A group of CNN reporters wrestle with journalistic ethics and the life-and-death perils of reporting during the Gulf War.A Directors Guild Award-winning movie for director Mick Jackson, starring Michael Keaton and Helena Bonham Carter. In 1990, CNN was a 24-hour news network in search of a 24-hour story. They were about to find it in Baghdad. Veteran CNN producer Robert Wiener and his longtime producing partner Ingrid Formanek find themselves in Iraq on the eve of war. Up against the big three networks, Weiner and his team are rebels with a cause, willing to take risks to get the biggest stories and - unlike their rivals - take them live at a moment's notice. As Baghdad becomes an inevitable US target, one by one the networks pull out of the city until only the crew from CNN remains. With a full-scale war soon to be launched all around them, and CNN ready to broadcast whatever happens 24 hours a day, Wiener and Formanek are about to risk their lives for the story of a lifetime.
While Chappy Sinclair is saddled with a bunch of misfits and delinquents for his flight school, he turns to his protégé Doug Masters to assist him in rounding them into shape for an important competition. During their training, they stumble upon a group of subversive air force officers who are dealing in toxic waste as a sideline.
A train travels through the vastness of Russia, a train with German prisoners of war returning home, and Viktor Kleist, a young German communist from an intellectual home in Munich, travels back home with them. During the journey, the stations on his way to Lenin wake up again.
Towards the end of the Vietnam war, the US is running low on drivers for their supplies so they bring in a new lot of recruits and have to train them to survive in the dangers of wartorn Vietnam. The recruits are trained briefly by an American officer but are quickly handed off to their South Vietnamese officers and are made to go out into the dangers of Vietnam without getting the protection they need by the Americans who are more concerned with withdrawing their own troops instead of protecting the South Vietnamese
Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.
A contemporary gang of international thieves has found the multi-billion counterfeit money stash that the Nazis produced. They need to dump it all across the world at once. A lower-level dame is spotted distributing some of it, and this sets American agent Bob Dixon (Stephen Forsyth) onto the trail.