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1970. Beatriz is an 18-year-old student. She is detained by the military dictatorship in Curitiba, Brazil, and tortured for ten days accused of belonging to the subversive student movement and an armed guerrilla that fights against the regime, VAR-Palmares.

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

1970s. From her high mountain village, 15-year-old Jeanne dreams of leaving her childhood orphanage and discovering the world. Fleeing to the city of lights, she finds refuge in a shed. In the morning, the Snow Queen appears to her, dazzling. The shed turns out to be a studio where a film adapted from the Hans Christian Andersen fairy tale, The Snow Queen, is being shot. Cristina, the star, who embodies the Queen, reigns supreme on the set. Fascinated by this cruel woman with a disturbing charm, both powerful and vulnerable, Jeanne becomes her protege and her confidante as the trap closes in on her.

After a deadly incident involving her producer, rising pop star Naya flees with her sister and ailing father to a remote village. There, she’s forced to hide her identity and perform as a dangdut singer—while struggling to escape her past and the law closing in.

Despondent over a painful estrangement from his daughter, trainer Frankie Dunn isn't prepared for boxer Maggie Fitzgerald to enter his life. But Maggie's determined to go pro and to convince Dunn and his cohort to help her.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.

The story revolves around an actress who is going to shoot her latest film in Rome in the 1980s.

While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband.

Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.