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***Female “Rocky” with a downbeat and contradictory close*** Released in 2004 and directed by Clint Eastwood, “Million Dollar Baby” stars Eastwood as a cantankerous boxing trainer who owns a working class gym in Los Angeles, which is maintained by one of his former boxers, the narrator of the story (Morgan Freeman). A waitress from the sticks of Missouri (Hilary Swank) shows up and asks that Frankie (Eastwood) train her, which he refuses to do because she’s too old at 32 and he “doesn’t train girls,” probably because he had an unexplained falling out with his daughter years earlier. Eventually he begrudgingly agrees. The bulk of the film is basically a female version of “Rocky” (1976), except that I prefer the potent drama in this one. The three main characters are well fleshed-out with an all-around reverent tone, not to mention an occasional bit of mild amusement. Frankie and Maggie (Swank) slowly develop a father/daughter-type relationship and it’s touching. The third act, however, takes a left turn that is seriously downbeat. It departs from sports movie formula with a message that contradicts everything the first two acts pushed, which is inexplicable. Sure, I ‘get’ the point: A certain person basically sacrifices everything to do what’s (supposedly) best for the situation and honor the will of a dearly loved soul. Nevertheless, it’s a dark turn that leaves a sour taste because it refutes the positive message of the first two-thirds of the story. The film runs 2 hours, 12 minutes and was shot in Los Angeles. GRADE: B-/C+
Unreal! I didn't expect 'Million Dollar Baby' to be so astonishingly brilliant. I've said it many a time before but for full context, I do not read up about films before watching them - aside from making sure the film isn't part of a franchise, checking the run time and seeing the genre - so I was expecting this to be a cliché-filled, but still great, sports flick. It's so much more than that. It's way more deeper and has an everlasting impact that I hadn't anticipated. Even across the opening chunk I was predicating the obvious cliché ending, but as the film progresses and, especially, as the final portion rolls around it just absorbed my total attention - I was fully engrossed... hook, line, and sinker. Some film! The cast are simply stunning. Clint Eastwood gives an absolutely fantastic performance, Hilary Swank is truly sensational - especially at the end, damn - and Morgan Freeman is Morgan Freeman; what an actor and what a voice, using him as narrator was a great move. Elsewhere, and though less dramatically, Jay Baruchel, Anthony Mackie, Margo Martindale and Michael Peña also feature interestingly. It's quite the journey the film takes you on, which I just found utterly enthralling to watch unfold. Perfect pacing, perfect acting. I loved watching every second of it and will undoubtedly be revisiting it. I noted days ago that I was rather surprised to learn that Eastwood's 'Unforgiven' had been so heavily acclaimed, on this occasion with this 2004 film I am the complete opposite. I don't care much for awards et al., but I am delighted to see all involved receive their props for this. Chapeau! Marvellous, just marvellous.
**Million Dollar Baby is an extremely well-done film that takes an abrupt turn to deal with incredibly sobering subjects that are definitely not what I thought I signed up for.** I know it’s supposedly a masterpiece, and I will lose some cred for saying this, but Million Dollar Baby was a dreadful movie. I spent the first half of the film falling in love with the hopeful, talented, and inspiring Maggie Fitzgerald and her redeeming of the cranky and lonely trainer, Frankie Dunn. But when the second half takes its giant turn, the story shifts from an endearing sports narrative about overcoming opposition and redemption to hopelessness and agony. Clint Eastwood directed a powerful story with impressive mastery, but the subject matter robbed the film of any enjoyment. For many, Million Dollar Baby deserved Best Picture at the Oscars. For me, I wish The Incredibles had claimed that victory.
Marc Schrader, a rookie cop caught red-handed with drugs in a police raid of an illegal rave, joins a homicide investigation conducted by Chief Inspector Minks. The victim is a naked young woman with the skin stripped off her back, killed as she staggered into traffic. As Schrader and Minks investigate the murder, the case is complicated by a finger found in the stomach of the victim. Forensic examination proves the finger belongs to Nobert Günzel, who was previously convicted of rape and assault. The police raid Günzel’s residence, and discover a blood-stained table with restraints and bits of human flesh in his basement. They also find video equipment and preserved, tattooed skin from the victim’s back. Soon, they found dead bodies buried in the garden. Günzel then goes missing.
A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.
A down-on-his-luck American Indian recently released from jail is offered the chance to "star" as the victim of a snuff film, the resulting pay of which could greatly help his poverty stricken family.
A depressed housewife who learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the day after to a world in which he is still dead.
A group of Vietnam War veterans re-unite to rescue one of their own left behind and taken prisoner by the Vietnamese.
Sam is a young stand-up comedian and au pair struggling with PTSD, who is weighing whether or not to join the search for Brooke, a missing girl she used to nanny.
A 16-year-old girl visits her gay half-brother and ends up seducing his boyfriend, thus wreaking havoc on all of their lives.
After losing a child, a young woman decides to shape her own destiny. But things go from bad to worse as she becomes entangled in a black market arms deal gone wrong.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.