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Loaded Weapon. Shake Hands with the Devil is directed by Michael Anderson and adapted to screenplay by Marian Spitzer from the novel written by Rearden Conner. It stars James Cagney, Don Murray, Dana Wynter, Glynis Johns, Michael Redgrave and Sybil Thorndike. Music is by William Alywyn and cinematography by Erwin Hillier. It's 1920s Dublin, Ireland, and the Irish Republican Army are at war with the British Black & Tans. Into the conflict comes Irish American Kerry O'Shea (Murray), who in spite of being apolitical is drawn into darker waters as the violence rages. Complications arise when a hostage situation unfurls, all while the strings are being pulled by the IRA's fearsome commandant, Sean Lenihan (Cagney), who wants Kerry under his wing. It has always been a tricky subject to film, the so called Irish Troubles, for too many film makers have either been ignorant of the facts in the name of good cinema, or so fuelled by other motives it's difficult to get on side with such one sided venom. Michael Anderson's film, whilst itself harbouring dubious political material, deserves plaudits for trying to come at the topic from both sides, embracing the complexities of the issues and never shying away from the violence that tore through parts of Ireland. Even if it ends up being a little confused as to its aims. Filmed on location predominantly in Dublin, there's almighty strength in the cinematography of Hillier (The Mark of Cain/Chase a Crooked Shadow). The night time shots of damp cobbled streets and gaslights are ethereal, while in daytime the lush landscapes are imposing yet still giving off a depressing hue. On the acting front it's Cagney who dominates, in one of his craziest and most crafty roles, he's a Vesuvius who darts between being the honourable cause man, to that of a psychotic who doesn't believe peace is a viable option. Strong support comes from Wynter and Johns. Political hot-pot with wrought emotion, and action scenes that impact as Cagney does his stuff, Shake Hands with the Devil leaves a mark. 7/10
I wonder whether an appreciation of this film depends on whether you are British or Irish? What it depicts, for me anyway, is the old adage that "one man's terrorist is another man's freedom fighter" and James Cagney ("Lenihan") manages to encapsulate that succinctly. His character, a respected professor with republican leanings, recruits "O'Shea" (Don Murray) after one of his friends is shot by one of the infamous "Black 'n Tans" and the film tracks his ensuing involvement with the 1921 revolution. The story follows a simplified line as regards to the actual nature of historical fact, but it does touch on the complications and perils faced by people on both sides of the argument well. Cagney is convincing, as - oddly enough, is Michael Redgrave as the "General" (AKA Michael Collins) - far removed from his Barnes Wallis patriot-style role. There is also decent support from Dana Wynter and the inimitable Dame Sybil Thorndike to broaden the range of the scenarios and demonstrate that this wasn't just a small scale, militaristic, uprising - but a general dissatisfaction amongst all strata of Irish society. Michael Anderson keeps the pace lively, and the dialogue does enough to make it's point without throttling us with it. He has captured some beautiful scenery too and it's well worth a watch.
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Maria is a wife and mother in the beautiful, but very remote Connemara region of Ireland. When an old friend from Germany arrives in the place, her life is thrown into turmoil.
A young British soldier must find his way back to safety after his unit accidentally abandons him during a riot in the streets of Belfast.
Michael Collins plays a crucial role in the establishment of the Irish Free State in the 1920s, but becomes vilified by those hoping to create a completely independent Irish republic.
The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.
A young widow discovers that her late husband has left her 10 messages intended to help ease her pain and start a new life.
The movie starts at the 1998 bomb attack by the Real IRA at Omagh, Northern Ireland. The attack killed 31 people. Michael Gallagher one of the relatives of the victims starts an examination to bring the people responsible to court.
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.
A biographical portrait of a pre-fame Jane Austen and her romance with a young Irishman.