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**Romanticizing Jane.** Jane Austen was a nonconformist. She was the seventh child of an Anglican priest and belonged to what we might now call the middle class. She had many books at home, and both parents taught her to read and write, supported her, recognized in her the same talent we all know her now. Moreover, she was unlucky in love: it does not seem that her parents sought to marry her, it is quite plausible that she did not want to marry for economic reasons and the love affairs that we know of her were short and fruitless. With the publication, very shy, of her first editions, the writer's financial situation improved, and public recognition begin to appear. Sadly, the author died quite young, without collect the fruits of her talent. I am not an expert on Jane Austen, but this is, very briefly, the author's biography, almost sketched in a stream. The film focuses on her youth and builds romantic fiction around her. Personally, I'm dubious about much of what happens in this movie. I think much of it is romantic invention, almost turning Austen into one of her own characters, torn between the attention of two very different suitors. The film is not bad, but it is far from flawless and will never be one of the reference “biopics”, at least in my understanding. Julian Jarrold's direction was effective, but he gives us a work that bets more on the construction of the characters and the story than on the relationship between the film and the real life of the biographed person. The cinematography is good and there are some good effects. The soundtrack is mediocre. The period recreation was reasonably done, resorting to decent costumes and good locations and sets. In between, however, there are some grotesque errors and anachronisms: in the ball scene, Jane appears with a dress twenty years ahead of the time, in another scene we see wedding rings, something that did not exist at that time, and in another one we see Jane being recognized as the writer of a novel when, in fact, she published anonymously several of her books and got very little recognition in her lifetime. Even her epitaph, on her tomb in Winchester Cathedral, ignored her literary output until it was replaced by new text in the late 19th century. In the midst of all this, the extraordinary dramatic interpretation of the actors stands out, and especially Anne Hathaway, who gave the character a touch of kindness mixed with a marked rebelliousness and nonconformity. She didn't want to be like other women. James McAvoy also does a very interesting job in this film and deserves our full attention. The film also has good performances by James Cromwell, Julie Walters, Maggie Smith and Ian Richardson.
The film chronicles the rise and fall of the world's most feared drug lord Pablo Escobar and his volatile love affair with Colombia's most famous journalist Virginia Vallejo throughout a reign of terror that tore a country apart.
World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?
Hyun, a best-selling writer, has found himself in a slump for a long time. In the meantime, he accidentally meets Yu-jin, an aspiring young writer. Hyun gets confused when Yu-jin confesses his love to Hyun. A 19-year-old student and Hyun’s son, Sung-kyung, who is skeptical about his life, meets Jung-won, a young married woman living next door. Sung-kyung has a good feeling for this freewheeling woman. A pure-hearted man, Soon-mo, who is Hyun’s best friend and also the publisher, meets his friend’s ex-wife.
Arrogant aristocrat Rupert Campbell-Black has high social position, women at his feet, money and fame in the world of show jumping. But Rupert has a rival - the brooding gypsy Jake Lovell, whose loathing for the "Pin Up of Penscombe" has driven him to the top of the riding world to match Rupert's skills. A bitter feud festers between the two stars, who have fought and fornicated their way round the show rings of the world, and now comes to a showdown at the Los Angeles Olympics. As rivals in love and sport, the stage is set for what becomes a compulsive blend of sex, romance, and adventure.
Former policeman Lenny Nero has moved into a more lucrative trade: the illegal sale of virtual reality-like recordings that allow users to experience the emotions and past experiences of others. While they typically contain tawdry incidents, Nero is shocked when he receives one showing a murder.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.
When an Italian man comes out of the closet, it affects both his life and his crazy family.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.
A biopic of writer Truman Capote and his assignment for The New Yorker to write the non-fiction book "In Cold Blood".