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Globetrotting pursuit of a master-of-disguise assassin RELEASED IN 1997 and directed by Michael Caton-Jones, "The Jackal” is an international crime thriller about a joint FBI/MVD mission (led by Sidney Poitier and Diane Venora) that enlists the aid of an imprisoned IRA combatant (Richard Gere) to stop a brutal master-of-disguise assassin known as The Jackal (Bruce Willis) from completing a big hit in Washington DC. This was a loose remake of the film “The Day of the Jackal” (1973), which was based on the 1971 novel by Frederick Forsyth. The first act is too convoluted for my tastes as the story globetrots from Moscow to Helsinki to Canada to the USA. But the movie finds its footing and settles into an entertaining political action flick not far removed from the tone of “The Saint” with Val Kilmer, released the same year. Both films are from the same genre, have the same tone, were made for the same amount ($60 million), feature an antagonist who’s a master-of-disguise and are named after that person. While both movies made roughly the same in North America ($55-60 million), “The Jackal” proved more popular worldwide, making almost $160 million, which was $50 million more than “The Saint.” IMHO “The Jackal” is the more all-around entertaining picture. Critics love to lambaste this movie because (1.) it deviates too much from the original film and (2.) because of the mounting nonsensical elements. But (1.) “The Jackal” was made to stand on its own in late 90’s cinema and (2.) why do other action thrillers like James Bond get a pass when it comes to ridiculous plot holes? Besides, many of the supposed nonsensical moments can easily be cleared up if you pay attention to the details; not all of them, of course, but many of them. What I don’t like is the disingenuousness of many of the criticisms. For instance, Roger Ebert’s opening criticism of the film was to mock the way The Jackal sneaks into the USA from Canada by purchasing a sailboat and entering a race from Mackinaw to Chicago. Ebert reasoned that there are easier ways to enter the US inconspicuously along the 3000-mile border, but he left out an important detail: The Jackal was smuggling a huge computerized machine gun and its formidable mount. THAT is why he bought the yacht and used the race as a means to enter the country unnoticeably amidst a crowd of other crafts. Aduh. One of the best aspects of this flick is the great cast and seeing them work together. Poitier was 69 during filming and looks very distinguished; this was incidentally his last theatrical release (although he appeared in four TV movies in the ensuing four years). Jack Black is effective in a peripheral role tailor-made for him. But it’s Gere and Willis who steal the show, naturally. The latter is particularly entertaining in an almost shocking departure from his typical easy-going, friendly persona. As The Jackal, Willis is relaxed, carefree, cold, malicious, cunning, calculating, smart, icy and ruthless; a charming psychopath. I shouldn't close without mentioning the excellent score by Carter Burwell mixed with an edgy alternative rock soundtrack, featuring cuts by Massive Attack ("Superpredators" and "Dissolved Girl") and the like. THE MOVIE RUNS 2 hour, 4 minutes and was shot in Moscow, Finland, Montreal, London, the Carolinas, Virginia and Chicago. SCREENPLAY: Chuck Pfarrer. GRADE: B-/C+
This is one I've seen several times over the years and while certainly not great and it is funny hearing Richard Gere with an Irish accent and the numerous hair changes with Bruce Willis, I still find it watchable and somewhat entertaining. That said, how the Jackal was written was a problem because while for most of the movie he's a cold-blooded and calculating character, his actions of going after Isabella was strange to do in the midst of planning an assassination versus going for revenge (which itself didn't make sense) after he completed his mission and got paid, and that's not to mention giving away his true target with a line about Declan unable to protect his women, though even then not sure how Declan came to that (albeit correct) conclusion. Probably just lazy script writing. However, there are some cool shots (in the days when they used helicopters for aerial shots compared to using drones) and the direction from Michael Caton-Jones was solid. **3.0/5**
The Jackal is the kind of Thriller that does everything by the book. Most of the movie is comprised out of well-known and established tropes, it's got a packed cast and decent action scenes. It may not reinvent the wheel or keep you on your toes, but it does offer some solid 90's entertainment for about two hours.
When one of them breaks a leg, five friends snowboarding in the Norwegian mountains take shelter in an abandoned ski lodge and soon realize they’re not alone.
What do you do if you look like the girl in the nude photo? Exactly one year after the sudden death of her twin sister Sara, Ines's life is turned upside down again when she receives an email containing a nude photo of Sara. Sender: A blackmailer who plays the game hard. In one evening Ines will discover the dark secrets of her twin sister.
Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is on the turf of a local gang, who come by to execute one of their enemies. Vince sees the shooting, the gang spots Vince, and extended mayhem ensues. As Vince and Don try to escape, gang leader King James argues with his subordinate Savon about how to get rid of the trespassers.
A voluptuous black woman takes a job as a high-class prostitute in order to get revenge on the mobsters who murdered her boyfriend.
Fred Williamson chop-sockeys his way through this popular blaxploitation adventure as Jefferson Bolt, a Kung Fu expert assigned to deliver a cool $1 million to Mexico City from Hong Kong with a stop in Los Angeles. When Bolt discovers the cash is dirty mob money and his gal has been killed, he heads back to the Far East to get even.
In 1934, the second most lucrative business in New York City was running 'the numbers'. When Madam Queen—the powerful woman who runs the scam in Harlem—is arrested, Ellsworth 'Bumpy' Johnson takes over the business and must resist an invasion from a merciless mobster.
Nicolai Dalchimski, a mad KGB agent steals a notebook full of names of "sleeping" undercover KGB agents sent to the U.S. in the 1950's. These agents got their assignments under hypnosis, so they can't remember their missions until they're told a line of a Robert Frost poem. Dalchimski flees to the U.S. and starts phoning these agents who perform sabotage acts against military targets.
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up fights for Chaney, but Speed gambles away any winnings.
A shy and mute seamstress goes insane after being attacked and raped twice in one day. She wanders the New York streets at night in a sexy black dress with her attacker's gun strapped to her garter belt, blowing away any man who tries to pick her up.
In 1981, Islamic Republic intelligence agents work to track down MEK operatives trying to assassinate Iranian officials in the aftermath of the resignation of President Banisadr.