In a devastating story rife with visual metaphors, Romanian director Mircea Daneliuc traces the slow mental disintegration of a confirmed gambler, using his disorder as an allusion to a greater national and social disorder. Set in the 1930s, the middle-class gambler meets an elderly man who seems to bring him good luck at the gaming tables. Rather than treasure his friendship and the good fortune it brings, the gambler takes advantage of his friend, and by his actions drives the man to suicide. Unable to reconcile his own mental demons, the gambler wanders through the house of his dead friend, and his experiences there only serve to unsettle his mind more and more and more. In the last reels of the film, the fantasies of the hero's deranged mind take over.
To the Rider his moped is everything. As a pizza delivery driver it is his livelihood. As a breadline straddling, immigrant father it is his family’s anchor. It takes his wife to work. It gets his daughter to school. So when one night the moped is stolen, his world collapses. He has to get back his bike – or replace it – in whatever way possible, before his next shifts starts. If he fails, he won’t just lose his job, he will lose it all. He tries to ask the few familiar faces for help in this unfamiliar, disorienting city. However, as he runs out of time and his options are wearing thin, his moral compass begins to crack and he grows more and more willing to forgo his conscience in order to save himself and his family.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
A young farmer in rural Yorkshire numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker.
When three generations of women return to post-Soviet Europe to care for an ailing patriarch, they face a corrupt healthcare system and discover a society and a past that both links them together and sets them apart.
Savu and Panait, two drivers working for a firm of construction and assembly must ensure the movement of a giant machine. Along the way, she meets Miriam, a young gone to meet his fiance even transport your destination. Identity documents and stolen his train ticket. The two drivers decide to give her journey. After a night in a motel, drivers have an argument that is not foreign to the presence of Mary. For their silence, Savu decides to disembark. Not long after, overcome by remorse, turn back looking for her and thus reach his village which had left years ago. Here, Maria discovers drama of the human soul, wounded by an unhappy marriage. Arriving at your destination, are the husband of Mary is already married two months. Two men and a woman on the road to return, beyond sadness after a ravishing experience.
Sanda spends all her time working in a plastic factory, raising her two small children and catering to an indifferent husband, leaving little room for herself. A chance encounter with another man may offer her an escape from her daily chores.
Viorel is 12 years old boy and he lives with his grandfather near the Danube river. He helps his grandfather to fix the figurines of an old merry-go-round. Mirko is the son of the local police officer on the Serbian shore of the Danube. The two kids have a remote controlled small boat which they use to send each other various objects. When Viorel finds a gun in his grandfather's attic their lives will change.
When you're a newly divorced woman with two older children, it is very difficult to "rebuild your life". By chance, Monica meets someone new, but will she be able to seize this new oportunity for happiness?
A construction site is set up next to a colony of forest workers. Murgu, a worker on the construction site, and Maria, a girl raised by foresters who took care of the colony's household affairs, fall in love with each other.
Two parallel stories about unhappy marriages that take place during inter-war period in the Banat village within Romanian ethnic minority in Serbia.