The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
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Hyper Knife - (Mar 26th)
Frontline - (Mar 26th)
Dark Side of the Ring - (Mar 26th)
The Joe Schmo Show - (Mar 26th)
House of Knives - (Mar 26th)
Renovation Aloha - (Mar 26th)
The Last Word with Lawrence ODonnell - (Mar 26th)
Hard Quiz - (Mar 26th)
Night Court - (Mar 26th)
The Irrational - (Mar 26th)
The Rookie - (Mar 26th)
WWE NXT - (Mar 26th)
Will Trent - (Mar 26th)
Rob Becketts Smart TV - (Mar 26th)
The Real Housewives of Beverly Hills - (Mar 26th)
St. Denis Medical - (Mar 26th)
The Curse of Oak Island - (Mar 26th)
Good American Family - (Mar 26th)
Alert- Missing Persons Unit - (Mar 26th)
The Cleaning Lady - (Mar 26th)
The Bike Thief strives to be to the Romanian expat community in London what Ladri di Biciclette was to the post-war Roman working class, and what A Better Life was to Mexican immigrants in Los Angeles, but completely misunderstands what those two films were trying to say – either that, or it’s simply a reflection of our cynical times. Unlike De Sica’s hero, The Bike Thief’s anonymous protagonist not only never really even bothers to look for his scooter, but he also successfully manages to steal its replacement – in fact, he resorts to theft, something that the main characters of those two other films only consider after exhausting all other alternatives, almost immediately So clueless is screenwriter/director Matt Chambers, that recovering the vehicle represents as little sacrifice as getting it in the first place. In the De Sica classic, Maria (Lianella Carell) takes her dowry's sheets, prized possessions for a poor family, and takes them to a pawn shop to redeem her husband Antonio's (Lamberto Maggiorani) bicycle, so he can get a job putting up billboards. And in A Better Life, Carlos's (Demián Bichir) sister, Anita (Dolores Heredia), lends him $12,000 from the family emergency fund so Carlos can buy a van for his landscaping business. On the other hand, in The Bike Thief, the protagonist is already in possession of the scooter, which his boss has provided for him to deliver food. Moreover, his feeling of entitlement is such that he reacts with disbelief at the mere suggestion of going for a walk around London looking for the scooter – when, in contrast, the urban journey that father and son undertake in Ladri di Biciclette and A Better Life is the heart of the story –, instead having some juvenile delinquents give him a ride through deserted streets so he can pinch himself a motorcycle (and even gets away with it thanks to the unlikely coincidence of two identical helmets). The dude even gets pissed when reporting the theft to the police involves filling out a couple of forms (a perfunctory effort before he becomes a criminal himself). Maybe he was expecting special treatment, which I'm afraid is the crux of the whole thing; i.e., that mere equality would somehow not be enough to satisfy minorities, which I would like to think is a fallacy.
A mentally disturbed man takes residence in a halfway house. His mind gradually slips back into the realm created by his illness, where he replays a key part of his childhood.
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
Teenage London is trying to find meaning in the world, or a leather jacket of her own. Unaccepted by neither the Mods or the Asian biker gang, she tries to find her own path. Meanwhile, the two gangs maintain a mutual vendetta sure to erupt in a smorgasbord of violence.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Chris, a former tennis player, looks for work as an instructor. He meets Tom Hewett, a wealthy young man whose sister Chloe falls in love with Chris. But Chris has his eye on Tom's fiancee Nola.
After the woman who raised him claims he's not her son, Richard searches for clues about his identity. Urged on by his mentor, Capt. Randolph Courtney, Richard focuses on Julia Trent Anders, a middle-aged actress who just might be his real mother. But soon, Richard begins to fall for Julia's stepdaughter. Amidst the upheaval, Richard schemes to return Julia to the stage - but he's in for another big surprise.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.