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Young love leads to heartbreak for two star-crossed high school students when an unplanned pregnancy has agonizing consequences for their families.

A cashier poses as a writer for blacklisted talents to submit their work through, but the injustice around him pushes him to take a stand.

When his young son is killed in a hit and run accident, Charles Thenier resolves to hunt down and murder the killer. By chance, Thenier makes the acquaintance of an actress, Helène Lanson, who was in the car at the time of the accident. He then meets Helène’s brother-in-law, Paul Decourt, a truly horrible individual.

Sweet Sixteen presents eight 16 year old girls that unveil themselves through 8 bittersweet monologues. All highlighted in a evocative and poetic setting, the characters deliver on different themes; self-image, eating disorders, anxiety, their first love, their first kiss, friendship, sorority, sex, rape, incest, social media, social and political revolts. Constructed as a symphony form, the piece of work goes through four movements and is musically supported. The strong visual identity forces the movie to define itself somewhere between full feature film and object of art. Sweet Sixteen is a cinematographic adaptation done by Alexa-Jeanne Dubé from the play of the same name written in 2018 by the late Suzie Bastien.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

When a young boy makes a wish at a carnival machine to be big—he wakes up the following morning to find that it has been granted and his body has grown older overnight. But he is still the same 13-year-old boy inside. Now he must learn how to cope with the unfamiliar world of grown-ups including getting a job and having his first romantic encounter with a woman.

Cris is a film student going through a creative crisis. Her professor rejects her latest script because it is empty, conveys no emotion, and advises her that whatever it is that is blocking her, she should put an end to it and fix it, so that she can turn in the script again the following week.

The stenotypist Margit is supposed to take 3,000 Marks to the bank for her boss, Mr. Plaumann, but she lazes away the time window-shopping, and eventually stands before a closed door. She follows Plaumann to Dresden, where he, believing the money is deposited in a bank as a down payment, wants to purchase a newfangled remote control from the inventor Lambach. Since Plaumann’s car breaks down on the road, Margit arrives before him and rests in the seemingly empty hotel room which later turns out to be Lambach’s. Meanwhile, Lambach himself is being spied on by the jealous cousin of his fiancée, who can’t wait to catch him in the act…

Yvonne von Krutz, a Belgian, lives with her German husband Karl, whom she was forced to marry, and her spirited little brother Jacques in a farmhouse on the Belgian countryside. With the German invasion of Belgium, Karl joins the German forces, and Jacques is taken to a reformatory to be trained as a munitions worker. When Karl is taken prisoner, Capt. Jefferson Strong, an American engineer, assumes the German's identity and discovers an underground supply of explosives near the von Krutz farm. By means of a tunnel, the Americans plan to mine the explosives. To save Jacques and a group of children from the munitions factory, however, Jefferson sends them across the American lines through the tunnel, but they lose their way, and he is forced to disable the mine. Jefferson is court-martialed, but King Albert of Belgium, who has befriended little Jacques, intercedes on his behalf. Learning that Karl has been killed, Jefferson pursues his budding romance with Yvonne.

A couple debates having unprotected car sex late at night.