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A Masterpiece of Turkish Cinema In the pantheon of Turkish cinema, few films have touched me as deeply as Tunç Başaran's recently restored masterpiece, "Don't Let Them Shoot the Kite" (1989). While this gem may have flown under the radar internationally, it rightfully swept the Antalya Golden Orange awards, claiming prizes for best film, best actress (Nur Sürer for Inci), screenplay, cinematography, and a well-deserved special jury award for its remarkable 5-year-old star, Ozan Bilen (Baris). What makes this film particularly poignant is its foundation in reality. Screenwriter Feride Çiçekoglu drew from her own experiences of imprisonment during Turkey's post-military coup years of oppression, lending the narrative an authenticity that resonates through every frame. The story unfolds through the innocent eyes of 5-year-old Baris, a child who has spent so long behind prison walls that the outside world exists only in theory. Living with his imprisoned mother, his entire universe is confined to the prison's boundaries – until one day, he spots a kite soaring in the sky. Not even knowing what it is, he runs to ask Inci, a political prisoner and Baris's favorite mentor. This kite captures the film's central metaphor: freedom, a word that means something different to everyone. Watching this film, I couldn't help but draw parallels to another deeply moving prison drama, the original "Miracle in Cell No. 7" (2013). Both Başaran and Hwan-kyung Lee share an extraordinary ability to craft narratives that speak directly to the heart of human experience. Their films transcend the prison genre to become profound meditations on love, hope, and the unbreakable bonds between people. What sets "Don't Let Them Shoot the Kite" apart is how it manages to express complex political and social commentary through the lens of childhood innocence. Near the final scene, the director and writer show their politics in a delightful comic relief. This film never preaches. though; instead, it allows its truths to emerge naturally through Baris's discoveries and relationships. The carefully restored version brings new life to the film's stunning cinematography, making this thirty-five-year-old masterpiece feel as relevant and impactful as ever. This is the kind of movie that reminds us why cinema exists – to tell stories that change how we see the world. Like the kite that captures young Baris's imagination, this film soars above the constraints of its setting to deliver a universal message about the human spirit's yearning for freedom and connection.
Sentenced to six years in prison, Malik El Djebena is alone in the world and can neither read nor write. On his arrival at the prison, he seems younger and more brittle than the others detained there. At once he falls under the sway of a group of Corsicans who enforce their rule in the prison. As the 'missions' go by, he toughens himself and wins the confidence of the Corsican group.
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Aspiring comic Rupert Pupkin attempts to achieve success in show business by stalking his idol, a late night talk-show host who craves his own privacy.
Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates - including an older prisoner named Red - for his integrity and unquenchable sense of hope.
When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband's coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.
Shipped off to a Romanian orphanage to finish his sentence, a British criminal finds romance but also discovers corruption inside the facility.
A career criminal who has been deformed since birth is given a new face by a kindly doctor and paroled from prison. It appears that he has gone straight, but he is really planning his revenge on the man who killed his mentor and sent him to prison.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
Set in a bustling alleyway during the Japanese occupation of Shanghai in the 1940s, the film centres on a wife, Zhan Zhou, who was being charged with the bloody dismemberment of her husband – a killing that seems impossible for her to have committed alone. The murder thrusts Zhan into the spotlight and the court of public opinion, forcing her towards a fate intertwined with that of her own country.