War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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In DC's mad rush to get the lion's share of their animated films under one umbrella, ore more accurately, into a single timeline, there was always going to be at least a slight re-duplication of efforts. But seeing as this is almost **exactly** the same as the already released _Superman: Doomsday_ movie, I wonder, did _The Death of Superman_ really need to happen? Or if it did, could it have maybe been one part of a bigger story? Or maybe at least have like... happened later? I suppose, that seeing as this movie is a much better version of it, I can't complain too much... Even if we did just have to also sit through another bastardised version of it in _Batman v Superman_. This is, I think, with the exception of _Suicide Squad: Hell to Pay_, probably the best movie in the new "DC Animated Movie Universe". But the movies outside of this rushed, ham-fisted continuity are usually far better, so the compliment's not too high a praise. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Get ready for a battle of the ages when the Justice League faces off against its archenemies, the Legion of Doom, in an all-new movie from DC Comics. A mysterious being known as the Time Trapper arises, and a sinister plan led by Lex Luthor sends the Legion of Doom back in time to eliminate Superman, Wonder Woman and Batman before they become super heroes. For Aquaman, Flash and Cyborg, along with teen super heroes Karate Kid and Dawnstar, the stakes have never been higher, the rescue mission never deadlier. So join the fight for the future as the Justice League confronts its ultimate challenge… the threat of having never existed!
Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as the Joker.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
The Moon Mask Rider is a tokusatsu movie produced by Purumie International/Herald Enterprises and distributed by Nippon Herald Pictures, was released theatrically on March 14, 1981. Considered Japan's answer to the American box-office fiasco, The Legend of the Lone Ranger (released the same year), this updated version of the Moonlight Mask legend bombed at the Japanese box-office. Daisuke Kuwahara (who, like Klinton Spilsbury , disappeared from doing films) plays George Owara (Moon Mask Rider's new alter-ego), and the rest of the cast made up of veteran action starlets: Sue Shihomi, Daijiro Harada and Takayuki Godai.
Batman learns he has a violent, unruly pre-teen son, secretly raised by the terrorist group known as The League of Assassins.
The homosexual cowboy duo Rocky and Hudson become involved in two plots. In the first, they need to fight a dangerous scientist, and in the second, they go in search of the Sacred Totem.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
For an imaginary friend, living an imaginary life, there's nothing worse than being forgotten.