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Excellent movie. Best of the trilogy. Lovely music. Nolan is a genius. So is Heath Ledger.
This has no competition. It is the very finest comic-book character movie ever made. Knowing the Burton, Donner and Nolan filmic adaptations of Batman and Superman exist helps me to sleep at night. They are Exhibit A of 'How to Make a Comic-Book Movie'. Nothing else has ever come even remotely close. These seven films (I include 'Superman II' because it was mostly Donner's work)--and Nolan's trilogy especially--are what I imagine a great director like Kubrick, Hitchcock or Kurosawa would have come up with, if they had ever been asked to make a Superman or Batman movie. They are the easiest for an audience to identify with because in these the scripts most approximate human emotions and the typical conundrums of the human experience--in short, are the closest, in a good way, they come to the complexities of the human condition. Peerless.
Perhaps the best Batman movie of all times. I think that this Batman trilogy presents the well-known superhero history in an unexpected way with the capable to maintain on the edge of the chair all time. **Heath Ledger** present an excellent impersonification of a psychopath. All support roles are magnificent. And Bruce Wayne role played by Christian Bale, shows a human being behind of the mask.
I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight". Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City. Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman. Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks? Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series. Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside. "The Dark Knight" gets a solid 10 of 10 stars. I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight". Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City. Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman. Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks? Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series. Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside. "The Dark Knight" gets a solid 10 of 10 stars. I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight". Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City. Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman. Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks? Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series. Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside. "The Dark Knight" gets a solid 10 of 10 stars.
One of the best movies of all time. Christopher Nolan has brought us the Batman trilogy that it made it feel it could happen today. Christian Bale returns as Batman, was able to perform as wonderfully as he did in Batman Begins. The one person that ultimately stole the show had to be the late Heath Ledger who played as the Joker. His performance as a psychotic clown terrorizing Gotham City was one of the best performance as a superhero villain. One of the best parts of the Joker was when he was telling his victims on how “he got his scars?”. Another great part was when he kidnapped a police officer and he was recording it while scaring the man and also giving a warning to Batman. The supporting actor and actresses did a good job of delivering the story. I was disappointed that Katie Holmes did not return as Rachael Dawes but the actress how played as her Maggie Gyllenhaal did a really good job. One of the best parts of Christopher Nolan is that in every movie of his, the cinematography would look amazing and this movie is no exception.
A Masterpiece!!! I Love how The Dark Knight shows to me the "Dark & Gritty Tone". Overall, Nolan give us the Game changing, best superhero film OF ALL TIME. For me it's 10/10
A sickening, borderline fascist film that is simultaneously dull and harmful. The editing represents that of an anti-pirate commercial and the politics are beyond reprehensible. The film ends with a monologue about how violent law-enforcement and brutality is what the country needs, but does not deserve. Nolan clearly did not intend for any subtext, yet that is not an excuse, if anything, that makes it worse. He includes these scenes to make the film more dark and edgy, yet there are people, from suppressed countries, who have to live through the hardships of violence from law-enforcers and dictatorship every day, and in his obliviousness, Nolan thinks that using this in a superhero film is a good excuse for self-importance. He is a war profiteer, and exploiter, and this is nothing short of disgusting.
Unforgettable crime film with good dialogue, thrilling action and chase scenes and once again a magnificent cast (most notably a terrifically terrifying Ledger) and superb score. 10/10
Heath Ledger is outstanding in this follow up to the 2006 "Batman Begins" outing for the caped crusader. His portrayal of the malevolent "Joker' is confident and highly entertaining, treading a fine line between supreme intellect and total insanity with considerable aplomb. He comes back to terrorise "Gotham" after "Batman" (Christian Bale), "Gordon" (Gary Oldman) - now Commissioner in charge of the police force, and newly installed District Attorney "Dent" (Aaron Eckhart) had made progress getting the criminals off the street. The "Joker", meantime, decides that the best strategy is to rob the mob - and pitching them all against each other, and with the help of the duplicitous "Lau" (Chin Han) manages to secure enough of their funds to initiate a campaign of lawlessness that is ruthless, manipulative and good fun to watch. Not only has the man in black his new, potent, nemesis to deal with - but he also begins to realise that his childhood sweetheart "Rachel" (this time Maggie Gyllenhaal) is drifting into the arms of the new DA. it is also pretty clear that they are both now proving to be an useful additional weapon in the armoury of his enemy who knows, increasingly, which buttons to press to cause maximum anxiety among those who would bring him down. It's over 2½ hours long, but really does fly by as the quickly paced action really does kick in right from the start. The story is dark and gritty but the pace isn't ponderous and moody - Ledger exudes a sense of peril throughout the whole thing, but that has an edge to it - a sophistication that plays well against the flawed superhero who is increasingly having to identify and cope with his own demons. Sir Michael Caine pops up now and again as his shrewd butler "Alfred", always striving to keep his boss on the right side of sanity, and Morgan Freeman continues to feature (sparingly) and his quartermaster. On that latter front, there are loads of new gadgets that still have that element of plausibility to them (no super-powers!). On balance I think I still preferred the first film, but as sequels go - this takes, and will take, some beating. On a big screen in a packed cinema, it's just a great experience.
**Overall : A cinematic marvel and once-in-a-decade masterpiece.** This isn't simply a superhero movie or a Christopher Nolan film. The Dark Knight is a masterpiece. A perfect film. An epic scale with magnificent action pieces, oscar-winning performances, incredible writing, excellent pacing, dazzling special effects, and the list goes on and on, including the set design, costumes, and more. But, Christopher Nolan did more than make the greatest superhero movie of all time. He made one of the greatest movies of all time! All this is elevated further by Heath Ledger's once-in-a-lifetime portrayal of the Joker. Ledger was born for this role with a performance in league with Anthony Hopkins' Hannibal Lecter or Val Kilmer's Doc Holliday.
Even worse than Tim Burton's Batman, although obviously copying the neo Nazi ideology of "kill all the brunettes you can in a movie". This is so predictable and so poorly written that it boggles the mind. Yet there is a fan base of what can only be described as neo Nazis. I guess those fans were poor cuckolds who got jilted by too many brunettes at a young age, and they couldn't get over it. That's about the entire story here. Oh, the Joker kills anything he sees. Whoopee. And he's invulnerable. And he's a demigod who can only be beaten by another demigod. So, we've got traditional mundane Greek heroes and villains here, just like most Hollywood movies. Unfortunately, the fans of these traditional Hollywood movies are the loudest people on Earth, and the biggest control freaks. It's ridiculous to believe there are actually this big a percentage of fans for this kind of depressing Hollywood formula movie making, but if you look at Imdb's top 250, you see such movies make up over half of the top 250. Are they voted up because control freaks vote more than non control freaks? Or are they voted up because control freaks use many fake user names? Probably both, which explains why over half of the top 250 are nothing more than Greek traditional idolizations of control freaks. Oh, and Batman turns totally gay, which would be okay if he'd admit it, but he's given the choice of saving a man from death or a hot woman from death, and he chooses to save the man. This isn't any real Batman. It's just another contrived story line for the Nolan Nazi merit badge. They are not even subtle. They bang you over the head with their worship of Adolf and Eva. God help the world if this garbage still has a fan base fifty years from now. But it could happen. We may have drug addicts and meth heads around for even longer than that, praising the hate and feeding the hate. It would be nice if someone made a real Batman movie with a real story line involving some degree of motivation.
I enjoyed watching the Dark Knight. They were at least able to keep the same batman from the the last one made too.
If I can hold my pee for a whole two and a half hours rewatching a film I’ve already seen then I love it.
When the promise of living in a perfect digital world traps the citizens of Sanctuary City online, Combat Wombat and Sweetie must return to save the day and kick some wom-butt!
When David, Juliet, and Alex find their new roommate dead with a large sum of money, they agree to hide the body and keep the cash. However, this newfound fortune gradually corrodes their friendship.
In 2013, there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the United States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare, and something yet undiscovered: the power to inspire hope.
Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Four young men who belong to a supernatural legacy are forced to battle a fifth power long thought to have died out. Another great force they must contend with is the jealousy and suspicion that threatens to tear them apart.
When a neurotic private eye who struggles to finish the case takes a train voyage, his own dark secrets begin to reveal themselves.
Suki is a young woman confronting her destructive mental illness using "The Siamese Burn," an experimental machine designed to eliminate multiple personalities. The closer Suki comes to being "cured," she's haunted by a thought... what if the last unwanted identity turns out to be her?
During a space voyage, four scientists are altered by cosmic rays: Reed Richards gains the ability to stretch his body; Sue Storm can become invisible; Johnny Storm controls fire; and Ben Grimm is turned into a super-strong … thing. Together, these "Fantastic Four" must now thwart the evil plans of Dr. Doom and save the world from certain destruction.
Simon Phoenix, a violent criminal cryogenically frozen in 1996, escapes during a parole hearing in 2032 in the utopia of San Angeles. Police are incapable of dealing with his violent ways and turn to his captor, who had also been cryogenically frozen after being wrongfully accused of killing 30 innocent people while apprehending Phoenix.
An ordinary man makes an extraordinary discovery when a train accident leaves his fellow passengers dead — and him unscathed. The answer to this mystery could lie with the mysterious Elijah Price, a man who suffers from a disease that renders his bones as fragile as glass.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.