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The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
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Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
This is a bit of a strange movie. Part of it feels like a pretty good, dark and gritty thriller, part of it feels like a wannabe Tarantino movie and part of it feels like a comedy. Overall I would classify it as a B-movie but a pretty good B-movie. As strange as the movie is I have to say that I liked it. I kind of watched this movie on a whim. It popped up on my Netflix home screen and I kind of liked the blurb. A type of story that I like. Then I saw that Mads Mikkelsen played the lead role and this sold me on it. I quite like Mads Mikkelsen in these kind of roles. The movie starts off in a fairly normal way for this kind of movie. You know, some assassinations, introduction of the hero, the bad guys, the even badder guys and all that. It is fairly clear already from the start that there will be blood splatter. That it would reach the levels it did towards the end of the movie was a bit of a surprise though. I did like Mads Mikkelsen in his role as Duncan, the somewhat brooding and grim assassin starting his retirement. But then I’m not really surprised. It’s a perfect role for him. The rest of the actors, well let’s just say that their acting was for the most part forgettable. Maybe with the exception of Matt Lucas as Blut. But then, his role was so comical and wacky so one wonders if it required acting skills or just a good dose of insanity (or some chemical products). The blurb states that he is deemed a liability. Well, that is not exactly the truth actually. It is more that his overly wacky boss is trying to screw him. This is where it starts to get into comedy land. Already in the first couple of scenes it is clear that this guy is a nut job. Then he let’s loose his assassins and at that point the movie escalates in a orgy of blood, violence and comedy. I cannot really make up my mind if it would have been a better movie if the violence would have been less comical or not. With the comedy this movie becomes a bit unusual and sticks out. Without it it would risk becoming just another thirteen on a dozen assassin thrillers. Also, as comical as it is, it is fairly well done. Anyway, there is of course a pretty dramatic and violent fight as the movie draws to a close. I quite liked that one. There is also a little twist that I actually did not see coming at the end. Overall, it was a fun movie to watch.
**What a bloody mess.** I the middle of the film, I stopped serveral times and wondered how to salvage this trainwreck, if I was the writer. The Mikkelsen and Hudgens scenes are strong, emotional, well written and acted, and make sense. And Mikkelsen is excellent for this sort of action hero thing - for which there are good action scenes, iconic even. But all of that doesn't tie in with the violent clowns. That part has some clever moments, but really daft hours - like, most of the movie. I wonder how the script came to be - whether a good original story got script-doctored by the wrong people. Add some wanton violence, some sex scenes, some torture and more torture, daft villains - lot's of unnecessary stuff that's just ups the rating without giving anything of value. I kept wondering "why". There is a number of good bits, which seem familiar; there is a lot of crap that feels like a complete WOMBAT. Someone OK'd this, produced, made, left it in the cut - and I don't see why. This could've been an original, violent and interesting movie. But it was utterly messed up. Won't watch again, but managed to finish it.
This is something... I think I might've enjoyed it, marginally. I'm not entirely sure how, to be honest. For the most part I was pretty nonplussed by 'Polar', though by the conclusion it kinda grew on me if I'm to be truthful. I kinda seperate the film into two parts, the bits with Mads Mikkelsen & Vanessa Hudgens and the bits without Mads Mikkelsen & Vanessa Hudgens. It's like chalk and cheese, really. Mikkelsen and Hudgens are certainly pros and, by the end, an almost endearing duo. Any scene involving them fluctuates from decent to good, nothing more admittedly but positive stuff from those two still. Aside from them, I do like how the film commits to its gory kills and somewhat gratuitous sexual content. It works, just about. What doesn't work, however, is those other characters that appear onscreen. Matt Lucas is hit-and-miss but probably just about passable, though every member of the supposedly specialist hit squad just didn't work for me. Ruby O. Fee, Fei Ren and others try but as a group they just didn't give off any badass or fun to watch aura... almost cringe, in fact. It is far, far adrift of being a great film or even one I'd recommend with all my heart. However, it entertains... just. I'd be up for seeing Mads Mikkelsen and Vanessa Hudgens together again in this set-up, which is reportedly something that'll happen soon as it seems they are remaking this 2019 flick already... with similar people behind it. How intriguing.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
Tom Ludlow is a disillusioned L.A. Police Officer, rarely playing by the rules and haunted by the death of his wife. When evidence implicates him in the execution of a fellow officer, he is forced to go up against the cop culture he's been a part of his entire career, ultimately leading him to question the loyalties of everyone around him.
Based on Frank Miller's graphic novel, "300" is very loosely based the 480 B.C. Battle of Thermopylae, where the King of Sparta led his army against the advancing Persians; the battle is said to have inspired all of Greece to band together against the Persians, and helped usher in the world's first democracy.
Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
May Munro is a woman obsessed with getting revenge on the people who murdered her parents when she was still a girl. She hires Ray Quick, a retired explosives expert to kill her parent's killers. When Ned Trent, embittered ex-partner of Quick's is assigned to protect one of Quick's potential victims, a deadly game of cat and mouse ensues.
A Russian teenager living in London dies during childbirth but leaves clues in her diary that could tie her child to a rape involving a violent Russian mob family.
An assassin teams up with a woman to help her find her father and uncover the mysteries of her ancestry.
A beautiful artist helps an amnesiac piece together his identity and evade a gangster on his trail.