The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Boonie Bears Time Twist 2024 - Movies (Jan 17th)
Love Courage and the Battle of Bushy Run 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
The Thundermans- Undercover - (Jan 18th)
Wizards Beyond Waverly Place - (Jan 18th)
The Kitchen - (Jan 18th)
When the Stars Gossip - (Jan 18th)
Raw - (Jan 18th)
The Kelly Clarkson Show - (Jan 18th)
NFL Icons - (Jan 18th)
Green Eyed Killers - (Jan 18th)
All 4 Adventure - (Jan 18th)
The 11th Hour with Stephanie Ruhle - (Jan 18th)
Casualty - (Jan 18th)
20/20 - (Jan 18th)
Mysteries Unearthed with Danny Trejo - (Jan 18th)
The Chase - (Jan 18th)
The UnBelievable with Dan Aykroyd - (Jan 18th)
The Way Home - (Jan 18th)
Cold Case Files - (Jan 18th)
Cold Case Files- Murder in the Bayou - (Jan 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
For those who first discovered Ingmar Bergman's work through the internationally acclaimed masterpieces of the late 1950s, there can be a reluctance to go too far back in time before that. After all, weren't the Swedish director's earliest films journeyman efforts where he did not have much control over the filmmaking process, and he had not yet found his distinct style? I, at any rate, get a feeling like this from his 1952 picture "Summer with Monika". I was delighted however, to find that the even earlier "Summer Interlude" to be a strong film. While shot in 1950, it fully anticipates Bergman's mature career. As the film opens we are introduced to Marie (Maj-Britt Nilsson), a successful ballerina in Stockholm who is however visibly unsatisfied and emotionally distant from those around her. As she takes a ferry out to the Stockholm archipelago, the film switches into flashback mode and we learn the whole story of what made her what she is. Thirteen years before, while still a student and on summer holiday at the family cottage, she had a brief fling with Henrik (Birger Malmsten). This was a romantic -- and very nearly sexual -- awakening for them both, and Bergman depicts it with all the wistfulness of an adult looking back on the heady days of youth, just like the film's protagonist. Yet summer does not last forever, and events move in a direction that prevents the two from staying together. As I said, this is already mature Bergman in some of its concerns: belief in God and dissatisfaction at God's silence, interpersonal relationships and the feeling that people wear a mask when dealing with others, and of course the fleeting nature of the bright and warm Nordic summer. I will not however call this one of Bergman's very greatest films. The ending, after we return to the present day from the flashback, feels wrong somehow, the rhythm suddenly jarring and Bergman's point inchoate. Yet overall this is a satisfying picture to sit through, and there are many details to appreciate. Nilsson's acting is ultra-coquettish, and the sexual frankness on display here is surprising; this is in fact more daring than "Summer with Monika", a film with a wider such reputation internationally. The supporting roles by Georg Funkquist and Renée Björling as middle-aged friends of Marie's family lend the film more depth; their failed marriage is a moving counterpoint to the heady passion of the young lovers.
Charlie and Rachel, two high school sweethearts, reconnect at a natural history museum, all while a narrator watches carefully.
Hajj Metwally is keen to acquire money and land. His daughter Naima falls in love with Hassan Al-Maghnawati and he reciprocates her feelings. The two lovers meet repeatedly. Atwa, a relative of Metwally, aspires to marry her. Therefore, when Hassan proposes to her, her father rejects him. Naima runs away with Hassan to get married. Metwally and Hajj Abdel-Khaleq go to the town of Hassan, in order to retrieve Naima, harbors evil against his daughter and locks her in the house, and Hassan tries to retrieve her.
Story of two gorgeous, young French boys who begin a passionate relationship that boils over and threatens to destroy both their lives. Shy 18-year-old Mathieu is on summer vacation in the south of France. He spends his days lazily sunning himself at the beach, until he spies the handsome Cédric and falls in love.
Dumped on her grandparents for the summer by her indifferent mother, acerbic and self-destructive teenager Greta disrupts the elderly couple's staid life on the Jersey Shore. Eventually, a romance helps Greta face down her demons.
After committing a gruesome act of violence, the fallen angel September reflects on their relationship with Rowan, the human who came to their aid.
Inspired by Lord Byron’s epic poem, this jewel of the repertoire boasts a lavish production complete with a shipwreck, pirates, and some of ballet’s most renowned scenes.
While their village is threatened to be demolished once again by the Israeli army, Khaled and his best friend Nema the goat undertake to help Abu Mariam to recover his memory
With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?
Set in Paris, the story concentrates on the romantic triangle involving cabaret singer Liane, bon vivant Tony and petty crook Jean.
Tom, now in his 40s, begins to write the memoirs of his 1960s childhood, as the little boy whose mother Rose was a glamorous Shanghai nightclub singer. When Rose meets Aussie sailor Bill, they are quickly married, and she packs up Tom and his older sister May to head for Melbourne. The marriage just as quickly breaks up and Rose moves with the kids to Sydney. After a succession of male friends and little success, in 1971 Rose moves back to Melbourne, in an uncomfortable arrangement living again with Bill – and his mother. With Bill called away to sea, Rose takes up with young Chinese cook Joe, but despair and conflicts over May's relationship with Joe tear the family further apart. Little Tom is deeply hurt, but May's ongoing conflict with her mother takes a respite when Rose tells her daughter about her traumatic teenage years.