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His bodyguard style is much entertaining. I could watch it all up until certain point. Then it seems Denzels character goes against his usual serious bodyguard style. Only to progress the plot. That is when I turn this movie off
_**The Punisher in Mexico City, albeit black**_ A disillusioned ex-CIA operative (Denzel Washington) gets a gig in Mexico as the bodyguard of a precocious girl (Dakota Fanning) from a wealthy family. Christopher Walken plays his friend, Radha Mitchell the mother of the girl and Mickey Rourke an attorney of the family. “Man on Fire” is a crime drama/thriller that debuted five days after Thomas Jane’s “The Punisher” in 2004. While “Man of Fire” was based on a novel by A.J. Quinnell and “The Punisher” was based on the Marvel Comics’ character, they’re both about men who suffer great tragedy and enact merciless strategies to take out the criminals responsible. They’re about on par, but I give this one the edge as it has more dramatic depth and flashier filmmaking by director Tony Scott (which some may find annoying). But neither is as supremely effective as the later “Taken” (2008). Some complain that the movie’s “schizophrenic” because it’s like two movies stitched together, but don’t all revenge stories have a set-up for the oncoming revenge part? This one just has a longer and more satisfying set-up. The film runs 2 hour, 26 minutes, and was shot mostly in Mexico City. GRADE: B
_"Forgiveness is between them and God. It's my job to arrange the meeting."_ Denzel is always amazing in any movie. Most of this movies are just top tier as is, but this one really sticks out to me now that I am a parent. I would have this kind of fire in me if anything happened to my kid. The colors, editing, acting, even the violence is perfect in this.
Alright, let's talk "Man on Fire." You know I dig a good revenge flick, and this one delivers, even if it takes its sweet time getting there. The plot's simple: guy protects kid, kid gets snatched, guy goes on a rampage. It's the Tony Scott package, right? So, visually, it's a trip. Those fast cuts, the color flashes, it's like he's trying to give you a headache in the best way possible. Some people hate it, but it's pure Scott. Cinematography matches that intensity, gritty and in your face. Denzel, man, he just is Creasy. That quiet, simmering anger? Perfect. Dakota Fanning holds her own too, especially considering her age. The script isn't Shakespeare, but it gives Denzel enough to work with. And that soundtrack? Haunting. Those vocals from Lisa Gerrard, mixed with Gregson-Williams' score, really stick with you. Now, it's not a perfect movie. The first act drags a bit, setting up the relationship, but it's important for what comes later. It's a slow burn that explodes. It's also heavy. Really heavy. This isn't a light watch. It's dark, violent, and it doesn't hold back. But that's what makes it memorable. It's about redemption, even if it's a messy, brutal kind of redemption. Bottom line, "Man on Fire" is a solid action-thriller with a lot of style. It's got that classic Denzel intensity, a killer soundtrack, and a visual style that's definitely unique. If you like your action movies with a bit of emotional depth and don't mind a bit of visual chaos, give it a shot. Just be ready for a movie that's more about the feeling than the finesse.
Two pairs of assassins are sent by a holocaust survivor's son to bring the last Nazi for a show trial in Israel.
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.
A young Englishman dreams of escaping from his working class family and dead-end job as an undertaker's assistant. A number of indiscretions cause him to lie in order to avoid the penalties. His life turns into a mess and he has an opportunity to run away and leave it all behind.
When married British women Rose Arbuthnot and Lottie Wilkins decide to take a break from their respective spouses, they stay at a castle in Italy for a quiet holiday. Joining the ladies is Caroline Dester, a young socialite, and Mrs. Fisher, an older aristocrat. Liberated from their daily routines, the four women ease into life in rural Italy, and each finds herself transformed by the experience.
To save the life of fellow cop kidnapped by a biker gang, a father and a son who cannot stand the sight of each other infiltrate an outdoor adventure group-therapy for fathers and sons. Their biggest challenge is to survive the therapy without killing each other.
When Vilem appears in the road with an unconscious young woman, it disturbs the peaceful life of three generations of the Balvínova family.
Satyameva Jayate is a Telugu film and remake of 2004 Hindi Movie Khakee, starring Dr. Rajasekhar, Shivaji, Sai Kiran, Neetu Chandra, Sanjana and Sheryl Pinto. It was directed by Jeevita with music composed by Chinna. The movie didn't farewell at the box office.
Vaana (translation: Rain) is a 2008 Telugu film starring Vinay Rai and Meera Chopra in the lead roles, while Suman plays a supporting role. M.S. Raju produces and directs this film while debutant, Kamalakar composed music for the project. It is a remake of Kannada language film, Mungaru Male. The film was dubbed and released in Tamil as Gnabagangal Thaalattum.
In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.
Cashier Maurice Legrand is married to Adele, a terror. By chance, he meets Lucienne, "Lulu", and make her his mistress. He thinks he finally met love, but Lulu is nothing but a streetwalker, in love with Dede, her pimp. She only accepts Legrand to satisfy Dede's needs of money.
Commissioner Leon (Miguel Angel Landa) of the Technical Judicial Police is assigned to the kidnapping of a child of the upper class of Caracas. The details of the kidnapping the attention of Leon, as there is no evidence of violence in the child's home, or witnesses to the abduction. Based on that Leon believes that the hijackers knew the boy and soon begins to suspect several young people from wealthy families of Caracas.