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"Calum" (Paul Mescal) and his daughter "Sophie" (Frankie Corio) head off for a holiday in Turkey. Initially their experience reminded me of "Carry on Abroad" (1972) with the usual building works and booking errors, but soon they settle into a comfortable poolside routine and we begin to learn a little about the dynamic between father and daughter. The occasional conversation with their absent mother tells us the parents are no longer together and a series of ongoing vacation activities paired with brief flashbacks from the adult "Sophie" help us to follow the young girl's attempts to get to know her father better - and he, her - as they relax in the sunshine. This features a strong and confident performance from the young Corio and there is an engaging familial dynamic here between the two. His character is protective but indulgent, her's independent and curious - and auteur Charlotte Wells allows their characterisations to develop for us in a well paced, considered fashion. Nothing really happens here - and yet so much does with their relationship and their respective maturity. It has a realism to it - there are no "jump" moments as such, it's about evolution and both have plenty of scope for that. I am not sure it really needs to be seen at a cinema, but it is certainly worth watching when it hits the smaller screen.
I was pulled into watching this movie by the high ratings it received rather than the plot or the performers. So I find myself in the weird position of wondering if I am a bit thick and just didn’t “get it.” For to me the movie was a mess. There were some striking scenes and fine acting, but it all seemed disjointed and confused to me. Between shaky camera syndrome and recurring flashing images that meant nothing to me, I lost the thread of the story besides the obvious, which was showing the ongoing interaction between father and daughter. Several of the quiet scenes seemed to trail off and take on the appearance of a still life picture, and then suddenly we are in the next scene, Wait, what was the previous scene all about? There were a few hints alluding to the father’s melancholy state of mind and where it might have led him (since we were not told explicitly) and those scenes should have been critical ones driving the plot and the mood of the story. But they felt like they were offered just as sidebar information.
This is about an important topic in today's world - unrecognized mental health issues. First, let me say that the acting is tremendous. Paul Mescal did an awesome job of portraying the silence of depression. Even Frankie impressed me, like another Ana Paquin. This is a powerful story that clearly mirrors the unanswered questions in the life of auteur Charlotte Wells. This film has been added to my movie list "Directors About Themselves". https://letterboxd.com/sirlaffalot/list/directors-about-themselves/ I was really only not pleased with the introduction of Older Sophie's domestic life. We don't learn anything about them and it leaves a hole in the overall script.
Would almost describe it as boring except I felt very uneasy and on edge the whole time. A humanistic portrait of a father-daughter relationship that evokes the question of what is it to be a good father.
I unintentionally farted during the movie's perhaps most serious scene and started laughing because of the contrast. Then, as the character on-screen started sobbing, I started laughing harder, and I couldn't stop myself, and tears started rolling. That's a true story, and by far the best moment of the movie for me. I wanted to like this movie as my brother recommended it, but it's... Toxic. I can tell from the songs that are played throughout that someone in my age group made this. But... It's narcissism. It's like a shit teenager from when I was a teenager grew up, and never became an adult. Whoever made this is a piece of shit. That's what I'm left with. I want nothing to do with the father in this movie, I don't want to know how his broken daughter is trying to become unbroken. I don't want anything to do with anyone involved in making this movie, unless they thought they were making a scathing commentary of how narcissism becomes negative heritage for the unfortunate descendants of them.
In the days leading up to a possibly career-changing exhibition, a sculptor navigates her relationships with family, friends, and colleagues.
Anna and Ryan have found true love together. It’s been proven by a controversial test. There’s just one problem: Anna still isn’t sure. Then she meets Amir.
Father and mother are thrilled: So now their teenager son has a girlfriend. And what a fabulous young woman she is! In contrast to his older sister Milli, 17-year-old Franz was previously an introverted, quiet, shy loner. His parents are all the more impressed when he brings home the pretty, self-confident Zoe one night. Zoe quickly finds her way into the heart of Franz’s family. Or is this young woman just telling people what they want to hear because she sees their hidden desires? After an ecstatic night in the clubs of the city of Munich with a little too much drugs, Zoe has disappeared and Franz's heart is broken. He absolutely has to see her again and goes looking for his first great love.
An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.
Elena Gallenti is an anthropology graduate student struggling to complete her thesis on 'modern means of communication.' All that changes when she meets her new boyfriend's teenage kids, who are going through their own journeys of self-discovery. All of them learn to navigate love and intimacy in the digital age.
Hwi-young and Kyung-jun are the closest of friends, always at each other's side. However, just before their planned trip to celebrate Hwi-young's birthday, a misunderstanding causes Kyung-jun to start giving Hwi-young the cold shoulder on purpose. Will Hwi-young's long-awaited trip be smooth sailing despite his friend's sudden distance?
The events of a crisis hotline business on one crazy night during the Christmas holidays.
An 11-year-old girl watches her father come down with a crippling depression. Over one summer, she learns answers to several mysteries and comes to terms with love and loss.
On an Italian beach a father leaves his wife and child to reignite an old acquaintance. In London an app hookup leads to more than just a fling. Meanwhile Slovak lovers Dominik and Adam have their relationship put to the test when secrets come to the fore. Popular with children across the globe, hiding and seeking is a game we never seem to stop playing - well into our adult years. The short films are: Lolo (2019); The Den [La tana] (2015); Stanley (2017); If Only You Were Mine [Keby si bol môj] (2017); No Strings (2015).